The Future of LiteraturePhaedra, 1972 - 175 էջ |
From inside the book
Արդյունքներ 38–ի 1-ից 3-ը:
Էջ 13
... audience . When one uses the term " art - for- art's - sake , " one doesn't really mean art for art's sake because ob- viously art doesn't care a fig about art ; only man cares about art . Art is either art for man's sake or it is ...
... audience . When one uses the term " art - for- art's - sake , " one doesn't really mean art for art's sake because ob- viously art doesn't care a fig about art ; only man cares about art . Art is either art for man's sake or it is ...
Էջ 14
... audience . Literary theory , during the past 200 years , however , has been moving away from the idea of the moral effect upon the audience as the final cause of literature and toward the idea that the final cause is either the self ...
... audience . Literary theory , during the past 200 years , however , has been moving away from the idea of the moral effect upon the audience as the final cause of literature and toward the idea that the final cause is either the self ...
Էջ 22
... audience ; they concluded that perhaps the drama should be cherished above all other forms of earthly learning . One ... audience , a moral effect which is due to the peculiar nature of true tragedy . And the " Horatian formula , " that ...
... audience ; they concluded that perhaps the drama should be cherished above all other forms of earthly learning . One ... audience , a moral effect which is due to the peculiar nature of true tragedy . And the " Horatian formula , " that ...
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American appear Aristotle artistic ature audience characters CHIGAN comedy contemporary novel contemporary poetry denatured critic Dennis Dick-and-Jane doctrine dramatists eighteenth century example fact feeling final cause formlessness free-verse future of literature good-natured critic GRAPES OF WRATH hedonistic hence human idea imagination influence of Philosophical intellectuals John Dennis judicial critic liter literary criticism literary drama literary theory means merely method modern Molière moral effect nineteenth century novelists obscurantism osophical perhaps phenomenon Philip Roth Philosophical Classicism Philosophical Classicists Philosophical Naturalism Philosophical Naturalist Philosophical Romanticism plays pleasure poetic line poets problem purpose of literature raunchiness reader reason rhyme Romanticism and Philosophical Romantics schools self-expression serious novel seventeenth century short story Sidney Socialist Realism Soviet literature Soviet Union spiritual T. S. Eliot theater theorists Thomas Rymer tion tradition of Philosophical tragedy tragic hero truth twentieth century view of man's villains virtually Western literature words writing