The Future of LiteraturePhaedra, 1972 - 175 էջ |
From inside the book
Արդյունքներ 31–ի 1-ից 3-ը:
Էջ 13
... cause of literature is the effect upon both the author and the audience ; but in such cases it is not held , historically at least , that the effect upon each is of equal importance , and usually one or the other has been so heavily ...
... cause of literature is the effect upon both the author and the audience ; but in such cases it is not held , historically at least , that the effect upon each is of equal importance , and usually one or the other has been so heavily ...
Էջ 14
... cause of literature and toward the idea that the final cause is either the self - expression of the author or the unadulterated ( hedonistic ) pleasure of the audience . In other words , it has been moving toward an " expressive theory ...
... cause of literature and toward the idea that the final cause is either the self - expression of the author or the unadulterated ( hedonistic ) pleasure of the audience . In other words , it has been moving toward an " expressive theory ...
Էջ 156
... cause a party member to prick up his ears be- cause , as it turns out , Kamkov was expelled from the party be- cause he staged a drunken debauch on a collective farm . My interest in the story here is that it contains three passages ...
... cause a party member to prick up his ears be- cause , as it turns out , Kamkov was expelled from the party be- cause he staged a drunken debauch on a collective farm . My interest in the story here is that it contains three passages ...
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American appear Aristotle artistic ature audience characters CHIGAN comedy contemporary novel contemporary poetry denatured critic Dennis Dick-and-Jane doctrine dramatists eighteenth century example fact feeling final cause formlessness free-verse future of literature good-natured critic GRAPES OF WRATH hedonistic hence human idea imagination influence of Philosophical intellectuals John Dennis judicial critic liter literary criticism literary drama literary theory means merely method modern Molière moral effect nineteenth century novelists obscurantism osophical perhaps phenomenon Philip Roth Philosophical Classicism Philosophical Classicists Philosophical Naturalism Philosophical Naturalist Philosophical Romanticism plays pleasure poetic line poets problem purpose of literature raunchiness reader reason rhyme Romanticism and Philosophical Romantics schools self-expression serious novel seventeenth century short story Sidney Socialist Realism Soviet literature Soviet Union spiritual T. S. Eliot theater theorists Thomas Rymer tion tradition of Philosophical tragedy tragic hero truth twentieth century view of man's villains virtually Western literature words writing