Writings on Writing

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Cambridge University Press, 26 հլս, 1996 թ. - 213 էջ
Unlike his contemporaries Virginia Woolf and Henry James, Kipling always denied he was a critic. But his letters, speeches, and stories are full of comments on writing and writers. This collection, including many formerly unpublished private letters and papers, details Kipling's response to the commercialisation of literature and the emerging role of the writer as celebrity in the turbulent literary world of the 1890s and beyond. They reveal a mind intensely concerned with questions of literary value, with language and imagination, with truth, realism, and romanticism. Kipling's fame made him a significant spokesperson for important segments of the reading public - the soldiers, engineers, and functionaries central to Britain's imperial expansion. He profoundly influenced English literary language and our perception of English national character. This book offers access to the private and public history of a writer whose continuing influence is still a matter of fierce controversy.
 

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PORTRAIT OF THE ARTIST AS A YOUNG MAN
3
Introduction to Schoolboy Lyrics 1881
4
From a letter to E K Robinson 30 April 1886
5
From Cold Iron
8
AESTHETICS
9
Preface to The Phantom Rickshaw and other Eerie Tales
11
The Last of the Stories
13
Unpublished Prefaces to Departmental Ditties 1st English edition
27
From The Bull that Thought
101
HISTORY AND CONTEMPORARY CULTURE
113
From a letter to W C Crofts 1827 February 1886
114
Obituary in The Pioneer 14 February 1887
115
From a letter to Edmonia Hill 15 May 1888
116
Shakespeare and The Tempest
117
From a letter to John St Loe Strachey 2 January 1899
120
From a letter to John St Loe Strachey 22 January 1899
121

From a letter to William Canton 5 April 1890
29
From A Matter of Fact
40
From a letter to Edward Lucas White 1017 December 1893
41
The Last Rhyme of True Thomas
42
From a letter to Robert Barr 1 July 1894
47
From a letter to Edward Everett Hale 16 January 1895
48
Preface to The Just So Stories December 1897
49
Epigraph to ch viii of Kim
50
Literature
51
The Claims of Art
54
Unpublished speech at Trinity College Cambridge 17 June 1908
56
From a letter to Miss M Hooper March 1910
57
The Uses of Reading
58
Some Aspects of Travel
69
Epigraph to The Edge of the Evening
81
Fiction
82
From Introduction to The Irish Guards in the Great War
85
HOW TO WRITE INGREDIENTS AND METHODS
87
From a letter to Augusta Tweddell 10 July 1888
89
From a letter to Mary Mapes Dodge 21 October 1892
91
From a letter to Mary Mapes Dodge 24 November 1892
92
From a letter to Edward Lucas White 25 February 1893
93
From a letter to Howard Pyle 25 August 1894
94
From a letter to Robert Barr 4 November 1894
95
From a letter to Richard Watson Gilder 25 September 1895
96
From a letter to Louisa Baldwin 14 December 1895
97
From a holograph note in the manuscript of Puck of Pooks Hill The Runes on the Sword
98
From a letter to Edward Lucas White 13 December 1910
99
From a letter to a schoolboy 24 February 1919
100
From a letter to Brimley Johnson 28 November 1900
122
From Wireless
123
From a letter to Mrs Edmonia Hill 8 March 1905
124
From a letter to Henry James 4 November 1911
125
From a letter to Ian Colvin 17 August 1917
127
A Recantation
128
From a letter to C R L Fletcher 12 July 1918
130
Letter to James Rennell Rodd 1 July 1924
131
Speech to the Canadian Authors Association
132
From a letter to Sir Herbert Baker 17 March 1934
134
From a letter to Nicholas Murray Butler 1935
135
THE COMMERCE OF LITERATURE
136
From a letter to Thacker Spink Co Calcutta 9 August 1888
137
From a letter to Thacker Spink Co Calcutta October 1888
138
From a letter to S S McClure January 1890
139
Letter to W E Henley ?September 1890
140
Some Notes on a Bill
141
From a letter to Mary Mapes Dodge 15 October 1892
144
From The ThreeDecker
145
From a letter to Frank N Doubleday 6 October 1896
146
The Handicaps of Letters
149
THE WRITER AND HIS CRITICS
152
In the Neolithic Age
153
From a letter to Charles Eliot Norton 16 December 1897
155
AFTERWORDS
157
A TreasureHunter
161
Explanatory Notes
162
Index
206
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Kipling, who as a novelist dramatized the ambivalence of the British colonial experience, was born of English parents in Bombay and as a child knew Hindustani better than English. He spent an unhappy period of exile from his parents (and the Indian heat) with a harsh aunt in England, followed by the public schooling that inspired his "Stalky" stories. He returned to India at 18 to work on the staff of the Lahore Civil and Military Gazette and rapidly became a prolific writer. His mildly satirical work won him a reputation in England, and he returned there in 1889. Shortly after, his first novel, The Light That Failed (1890) was published, but it was not altogether successful. In the early 1890s, Kipling met and married Caroline Balestier and moved with her to her family's estate in Brattleboro, Vermont. While there he wrote Many Inventions (1893), The Jungle Book (1894-95), and Captains Courageous (1897). He became dissatisfied with life in America, however, and moved back to England, returning to America only when his daughter died of pneumonia. Kipling never again returned to the United States, despite his great popularity there. Short stories form the greater portion of Kipling's work and are of several distinct types. Some of his best are stories of the supernatural, the eerie and unearthly, such as "The Phantom Rickshaw," "The Brushwood Boy," and "They." His tales of gruesome horror include "The Mark of the Beast" and "The Return of Imray." "William the Conqueror" and "The Head of the District" are among his political tales of English rule in India. The "Soldiers Three" group deals with Kipling's three musketeers: an Irishman, a Cockney, and a Yorkshireman. The Anglo-Indian Tales, of social life in Simla, make up the larger part of his first four books. Kipling wrote equally well for children and adults. His best-known children's books are Just So Stories (1902), The Jungle Books (1894-95), and Kim (1901). His short stories, although their understanding of the Indian is often moving, became minor hymns to the glory of Queen Victoria's empire and the civil servants and soldiers who staffed her outposts. Kim, an Irish boy in India who becomes the companion of a Tibetan lama, at length joins the British Secret Service, without, says Wilson, any sense of the betrayal of his friend this actually meant. Nevertheless, Kipling has left a vivid panorama of the India of his day. In 1907, Kipling became England's first Nobel Prize winner in literature and the only nineteenth-century English poet to win the Prize. He won not only on the basis of his short stories, which more closely mirror the ambiguities of the declining Edwardian world than has commonly been recognized, but also on the basis of his tremendous ability as a popular poet. His reputation was first made with Barrack Room Ballads (1892), and in "Recessional" he captured a side of Queen Victoria's final jubilee that no one else dared to address.

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