Page images
PDF
EPUB

An Historical and Descriptive Account of the Steam Engine; comprising a general View of the various Modes of employing elastic Vapour as a prime Mover in Mechanics, &c. By Charles Frederick Partington, of the London Institution, 8vo. illustrated with eight copper-plates, 18s. boards.

A Practical Essay on the Strength of Cast Iron, intended for the assistance of Engineers, Iron Masters, Architects, Millwrights, Founders, Smiths, and others engaged in the Construction of Machines, Buildings, &c. containing Practical Rules, Tables, and Examples. Also an Account of some new Experiments, with an exten sive Table of the Properties of Materials, By Thomas Tredgold, Civil Engineer, &c. Star Tables for 1823; (No. II.) for more readily ascertaining the Latitude and Longitude at Sea in the Twilight, and during the Night; with Perpetual and other useful Tables, which, with those of 1822, will be serviceable for many years. By Capt. -Thomas Lynn, royal 8vo. 10s. sewed.

Solar Tables; being the Logarithms of Half-elapsed Time, Middle Time, and Rising, for every Second, to Six Places of Figures, useful in determining the Latitude by double Altitudes, &c. and working the Longitude by Chronometer. By Captain Thomas Lynn, royal 8vo. 10s. sewed,

[blocks in formation]

A System of Anatomy for the Use of Students of Medicine. By Caspar Wistar, M.D. 2 vols. 8vo. 30s.

Rafinesque's Flora of the State of Louisiana, 12mo. 6s.

Medicamina Officinalia, seu Pharmacopœia Londinensis Index Methodicus Cura. F. Macann, M.D. 18mo.

The New Medico-Chirurgical Pharma. copoeia; for the Use of Surgeons, &c. By a member of the College of Surgeons of London and Edinburgh, 12mo. 5s.

A Case of Transverse Fracture of the Patella. By G. Fielding, 1s.

The Medical Spectator, two additional Numbers, Is. 6d. each.

An Inquiry into the Comparative Forces of the Extensor and Flexor muscles connected with the Joints of the Human Body. By Julius Jeffreys, M.R.C.S. 8vo. 2s. 6d.

Chapman's Elements of Therepentics and Materia Medica. Vol. I. 8vo. 16s. Rush's Medical Inquiries and Observations, 2 vols. 8vo. 36s.

A Memoir on Contagion, more especially as it respects the Yellow Fever. By N. 'Patter, M.D. 8vo. 6s.

Eur. Mag. Vol. 81. May 1822.

NATURAL HISTORY.

A Supplement to the History of British Birds. By T. Bewick, 8vo. 5s.

The Naturalist's Guide for Collecting and Preserving all Subjects of Natural History and Botany. By William Swainson, F.R.S. &c. 2 plates, 12mo. 5s. 6d.

The Fossils of the South Downs; or Illustrations of the Geology of Sussex. By Gideon Mantell, F.L.S. forty-two plates. The engravings executed by Mrs. Mantell, 4to. 31. 3s.

NOVELS.

Scenes in England, for the Amusement and Instruction of little Tarry-at-Home Travellers, 12mo. 5s.

Tales of a Tourist, containing the Outlaw and Fashionable Connexions.

True Stories, third edition, 2s. 6d. The Woman of Genius. By the Author of the "Bachelor and Married Man." 3 vols. 12mo. 16s. 6d.

of "Waverley," &c. 3 vols. 8vo. 11. 11s. 6d. The Fortunes of Nigel. By the Author

The Provost. By the Author of "Annals of the Parish of Ayrshire Legatees and Sir Andrew Wylie," 12mo. 7s.

Tales of the Manor. By Mrs. Hoffland, 4 vols. 12mo. 11. 4s.

The Nunn of Arrouca, a Tale, foolscap, Svo. 3s. 6d.

Arthur Monteith; a Moral Tale. By Mrs. Blackford, 12mo. 3s. 6d.

Dangerous Errors; a Tale. 1 vol. 12mo, Lights and Shadows of Scottish Life; a Selection from the Papers of the late Arthur Austin. Crown 8vo. 10s. 6d.

Julia Severa; or the Year Four Hundred and Ninety-two. Translated from the French of J. C. L. Simonde de Sismondi. 2 vols. 12mo. 12s.

Legends of Scotland, First Series; con taining Fair Helen of Kirkonnel, and Ros lin Castle. By Roland M'Cronicle, 3 vols.

12mo. 16s. 6d.

POETRY AND THE DRAMA.

Edmeston's Sacred Lyrics. 12mo. vol. 3: The Curfew; or the Grave of the last Saxon. By the Rev. William Lisle Bowles, Author of the " Missionary, Lord Byron," &c. 8vo.

Cœur de Lion; or the Third Crusade By Eleanor A. Forden, Author of the "Veils."

The Celts' Paradise, in Four Dreams. By John Banim. Foolscap 8vo. 5s. 6d. Damon and Pythias, a Tragedy. 8vo. 3s. 6d.

The Vale of Chamonni. By the Author of "Rome," 8vo. 7s.

Specimens of the American Poets, with Critical Notices, and a Preface. By Henry Roscoe. Foolscap. 7s.

4 C

The Poems of Geoffrey Chaucer, with a Life. By S. W. Singer, esq. 5 vols. Fools cap 8vo. with Portrait. 11. 5s.

Rime del Petrarca, 48mo.

Dramas of the Ancient World. By David Lindsay. 8vo. 10s. 6d.

The Innocent Usurper; a Musical Drama, founded upon the Demofoonte of Metes. tasio, as offered to the Managers of Coventgarden Theatre, June 1819, by an Amateur. Post Svo.

The Poetical Monitor; consisting of Pieces, select and original, for the Improvement of the Young in Virtue and Piety.

Tales of the Drama; founded on the Tragedies of Shakspeare, Massinger, Shirley, Rowe, Murphy, Lillo, and Moore; and on the Comedies of Steele, Farquhar, Cumberland; Bickerstaff, Goldsmith, and Mrs. Cowley; with one hundred and thirty woodcuts. By Miss Macauley. 1 vol. 12mo.

Decimi J. Juvenalis et A Persii Flacci Satira; Ex Ed Ruperti et Konig, Expurgata. Accedunt, in Gratiam Juventutis, Notæ Quædam Anglice Scriptæ. 1 vol. 12mo. Text, p. 117.-Notes, p. 81.

Halidan Hill; a Dramatic Sketch, from Scottish History. By Sir Walter Scott. Memoirs of a Tour upon the Continent. By William Wordsworth. 8vo. 6s. 6d.

The Court of Tuscany, a Tragedy; and the Heir of Innes, a Tragedy. 8vo. 7s.

The Maid of Orleans, translated into English Verse, from the French of Voltaire. By W. H. Ireland. 2 vols. 8vo. 18s.

Cosmo, Duke of Tuscany, a Tragedy, in five Acts. By James Bird, Author of the Vale of Haughden. 8vo. 4s.

The Genuine Remains, in Prose and Verse, of Samuel Butler, vol. i. 8vo. 9s. New edition.

The School of Shakspeare; or, Plays and Scenes from Shakspeare Illustrated, for the Use of Schools, with Glossarial Notes, selected from the best Annotations. By Rev. J. Pitman, A.M. 8vo. 18s.

Sir Marmaduke Maxwell, a Dramatic Poem; the Mermaid of Galloway; the Legend of R. Faulder, and twenty Scottish Songs. By Allen Cunningham.

POLITICS.

The Situation of England in regard to Agriculture, Trade, and Finance, with a Comparison of the Prospects of England and France. By Joseph Lowe, esq.

A Letter to the Earl of Eldon, on the present State of Agricultural Distress.

Europe and America, in 1821. TransJated from the French of the Abbe de Pradt, By J. D. Williams. 2 vols. 8vo. 18s.

THEOLOGY.

Hints on Missions. By James Douglas, esq. of Cavers. 18mo. 2s. 6d.

The Morning and Evening Sacrifice; or Prayers for Private Persons and Families, 1 vol. Post Svo. 10s. 6d. boards,

Lectures on the Gospel According to St. John; Part Second, with Notes. By Charles Abel Moysey, D. D. 8vo. 6s.

The Protestant Beadsman; or, a Series of Biographical Notices, &c. 12mo. 6s.

Hymus composed for a Sunday School, at Baker-street Meeting, Enfield. By the Rev. William Brown. 4d,

A Defence of the Clergy of the Church of England, stating their Services, their Rights, and their Revenues By the Rev. Francis Thackeray. 8vo. 5s. 6d.

Letters and Essays, Controversial and Critical, on Subjects connected with the Conversion and National Restoration of

Israel. By William Cunninghame, esq. Author of A Dissertation on the Apocalypse, &c. 8vo. Ss.

The Authenticity, and, consequently, the Genuineness, of the Baptismal Commission (Matt. xxviii. 19.) Questioned, on the Evidence of the Apostolic History and Writings. 1s.

A Treatise on the Gospel Constitution. By the Rev. W. Bennet. Svo. Ss. Sermons on Repentance and Faith. By J. Carlisle. 8vo. 9s.

The Seasons Contemplated, in the Spirit of the Gospel.

Six Sermons. By the Rev. Thomas Gillespie, Minister of Cults. 12mo.

Edinburgh Christian Instructor, No. 142, for May. 1s. 6d.

The Christian Patriot, and Seaman's Friend. 12mo. 3s.

The whole Works of the Right Reverend Jeremy Taylor, D.D. Bishop of Down and Connor; with a Life of the Author, and a Critical Examination of his Writings By Reginal Heber, A.M. 15 vols. 8vo. 91,

The whole Works of the Reverend John Lightfoot, D.D, edited by the Reverend J. Rogers Pitman, A.M.-To be completed in 12 vols. 8vo. Vol. ii. 8vo. 12s.

Essays on the Recollections which are to subsist between Earthly Friends reunited in the World to come; and on other Subjects. By Thomas Gisborne, M.A. 12mo. 6s.

Oriental Literature, applied to the Illustration of the Sacred Scriptures; designed as a Sequel to Oriental Customs. By the Rev. Samuel Burder, A.M. 2 vols. 8vo. 11. 10s.

A Necessary Doctrine aud Erudition for any Christian Youth; set forth in a Series of Sunday School Lectures. By J. Trist, A.M. 4 vols.

Christian Researches in the Mediterranean, from 1815 to 1820, in furtherance of the Objects of the Church Missionary Society. By the Rev, W, Jowet, M.A. 8vo.

10s.

TOPOGRAPHY.

Wordsworth's Scenery of the Lakes in the North of England. Post 8vo.

A Statistical Account of Upper Canada. By Robert Gourlay, 3 vols. 8vo. 21.

A Statistical, Political, Mineralogical, and Modern Map of Italy; with the New Boundaries according to the latest Treaties. By J. A. Orgiazzi, 15s. on canvas, and in a case.

VOYAGES AND TRAVELS. Recollections of a Classical Tour in Greece, Turkey, and Italy. By P. E. Laurent. 2 vols. 8vo. 18s.

A Narrative of a Journey undertaken in the Years 1819, 1820, and 1821, through France, Italy, Savoy, Switzerland, parts of Germany bordering on the Rhine, Holland, and the Netherlands. By James Holman. 13s.

Part III. Vol. VII. of the Journal of Modern Voyages and Travels, containing M. Cailliand's Travels in the Oases of Thebes and El Dakel. 3s. 6d. sewed, and 4s. boards.

The Fourth Volume of Hindoostan Voyage en Suisse,fait dans les Années1817 ---18, et 19. Par L. Simond. 2 vols. 8vo. 21s. Travels in Palestine, through the Countries of Bashan and Gilead, East of the River Jordan; including a Visit to the Cities of Gamala and Geraza, in the Decapolis-with maps, plates, and vignettes.

By J. S. Buckingham, esq. Second edition. 2 vols. 8vo. 11. 11s. 6d.

An Itinerary of Provence and Rhone. By J. Hughes, A.M, of Oriel College, 8vo. 14s.

A Few Days at Athens; being the translation of a Greek Manuscript in Herculaneum. By Francis Wright. Small 8vo. 6s.

Two Voyages to New South Wales and Van Deimen's Land; with a description of the present condition of the colony. By Thos. Reid, Member of the Royal College of Surgeons. 8vo. 12s.

Journal of a Visit to some Parts of Ethiopia. By G. Waddington, Esq. Fellow of Trinity College, Cambridge; and the Rev. Bernard Hanbury, A.M.-with maps and other engravings. 4to.

A Tour through Part of Belgium, and the Rhenish Provinces. By the Duke of Rutland-with thirteen plates by the Duchess of Rutland. 4to. 11. 16s.

Journal of a Tour and Residence in Switzerland. By L. Simond. 2 vols. 11. 4s. A Guide to the Lakes of Killarneysix plates. By the Rev. G. N. Wright, A.M. Foolssap 8vo. 6s.

Narrative of an Expedition from Tripoli, in Barbary, to the Western Frontier of Egypt, in 1817, by the Bey of Tripoli : in Letters. By Paolo Della Cella, M.D. Translated from the Italian by Anthony Aufrere, Esq. 8vo. 10s. 6d.

THEATRICAL JOURNAL.

"Veluti in Speculum."

DRURY LANE.

Mr. Kean appeared on the 21st ultimo for the first time as Don Felix, in the "Wonder," a character which has been occasionally attempted by leading tragedians from the days of Garrick, who took his leave in it. It is a light sketch of an ardent and jealous temperament, kindled by very exciting circumstances, and affording some animated passages of vehement and in consistent passion, and the character could not, therefore, fall into better hands than in Mr. Kean's. Of any thing further Mrs. Centlivere was incapable, nor would the texture of her comedy have admitted of the delineation of deep mental conflicts, which might have been pourtrayed by a higher

degree of dramatic genius. Don Felix exhibits little of this kind, but, nevertheless, affords scope for a fine conception, by the rapidity of his transitions from love to anger, and from anger to love. There is an easy vein of gentility throughout the character, which Mr. Kean assumed with the most happy success. We were now and then indeed reminded of Mr. Kean's higher powers of tragedy, but they were never out of place; and in the comedy of his part, he was quite as happy as in its passion, especially in the scene in which he assumes intoxication, in order to deceive the father of Violante. Mr. Kean made the utmost of his very slight material, and put the house into exceeding good

humour. Could Mrs. Glover have looked Violante, nothing more would have been desirable, as her conception of genteel comedy is always correct. The remaining characters were well sustained; and we regret that the house was not well attended, as the play was for the benefit of Miss Tidswell, on her retirement from the stage. At the end of the play, Miss Tidswell was led forward by Mr. Kean, and addressed to the audience a few well chosen sentences, expressive of her gratitude for the favours she had received from the public for forty years. Miss Tidswell was much affected; and the termination of a career of forty years is affecting under all circumstances. She was much and deservedly applauded.

Mr. Kean has repeated the performance of the character of Wolsey, in "Henry VIII." Until the third act, Wolsey has little to perform; and his only part is, by his appearance, to give the audience the idea or anticipation of the solemn dignity, as well as the lofty ambition and imperious grandeur of his character. We need not say that in these respects Mr. Kean was deficient; and we had occasion to regret the days of yore, when Mr. Kemble filled this character with unrivalled excellence. But in the third act, Mr. Kean exhibited his vigorous conception of the character, and afforded the audience some fine specimens of the

best acting. Wolsey's reproof of the court sycophants, who were exulting in his fall, was given with the finest effect; and in the sentence, " Had I but served my God," he infused the most thrilling pathos. Mrs. West's Queen Catherine was a respectable performance.

Mr. Holman's comic opera "Abroad and at Home," has been represented for the first time at this theatre, but we certainly cannot conceive that the managers have added to the attractions of their stage by adopting this piece. The plot of this opera is destitute of ingenuity in its management, and is in itself worthy only of a farce: the characters are drawn without nature or probability; and the dialogue can boast of but little vivacity or elegance.

The "Peasant Boy," and " Katherine and Petruchio," have also been performed, and were so pleasingly represented, that we had nothing to regret except the want of an audience to partake of our satisfaction.

This Theatre is now closed, and we are extremely sorry to hear that the season has not proved so beneficial to Mr. Elliston as his merits as a manager and an actor deserves. At a very recent meeting of the proprietors it appeared that the pecuniary affairs of this Theatre are in a very improving state, and the conduct of Mr. Elliston was highly approved.

COVENT GARDEN.

MAY 30.-Mr. Macready performed Othello for his benefit; an undertaking of no small peril, while the excellence of Mr. Kean in the character is fresh in the public mind. Mr. Macready, however, without any imitation of Mr. Kean, and without disturbing the noble impressions which he has left on our memory, succeeded in giving a representation of the part, abounding with individual traits of grandeur and of beauty, and forming altogether a consistent and harmonious whole. In the oriental cast of his figure, and the richness and compass of his voice, he brought eminent physical advantages to his task, which his sense of the passion and poetry of the character enabled him excellently to improve. He did not electrify the audience with bursts of emotion so sudden or so terrific, or

subdue them so often by unlooked-for pathos, as Mr. Kean, but he preserved throughout a loftier tone in his suffering and his revenge. His delivery of the speech to the Senate had less indiscriminate pomp of utterance than is usual; but it was a natural, varied, and affecting narration of the "round unvarnished tale" of a soldier's wooing and success. Mr. Young made the villainy of Jago more palpable even than usual, so much so, as to occasionally almost destroy the decorum of the scene, and to raise a titter in the house. Miss Foote, in Desdemona, acted as well as she looked. Abbot played Cassio very pleasantly, especially in the drunken scene. Mrs. Faucit would have been more effective in Emilia, if she had exerted herself less. The "Marriage of Figaro" followed, in which Mr. Mac

ready sustained the part of Count Almaviva with considerable gaiety and hu

mour.

"The Law of Java," and " Cherry and Fair Star," have been played. These performances certainly do not come within the description of a rational entertainment; for the excellent acting in the former piece cannot rid it of the weaknesses and absurdities that characterize it, nor can the splendid and beautiful scenes of the latter compensate for the utter absence of every thing intellectual in its composition. "The Law of Java" has run its nine nights; and although for the sake of Mr. Bishop's music, executed delightfully as it is by Miss Stephens and Miss Tree, there might exist some wish that the piece should go on longer, yet we must confess that a tenth representation would inevitably consign us to the custody of Morpheus, notwithstanding the lively strains of the fair Nourjadhee.

Mr. Liston's "Last Benefit at this Theatre," was a productive one. He played Sir Bashful Constant, in the Comedy of "The Way to Keep Him." It was a most amusing perform ance. Mrs. Liston, after the Comedy, came forward, assisted by her husband, to take leave of the public on her retiring from the stage. She said and sung her Valedictory Address, which was written for the occasion by Mr. Colman. Mrs. Liston expressed the feelings natural on such an occasion; and the audience, remembering how often she has delighted with her sweet tones, paid her the tribute of their thanks and good wishes.

The tragedy of "Cymbeline" was revived for the benefit of Miss Tree, who of course assumed the tender and romantic character of Imogen. This part is altogether of that caste from which Miss Tree receives distinction, and to which it may with equal ⚫ truth be said, that she gives it, that we

scarcely need say that she was entirely at home in it. The peculiar charm of this actress, is what is emphatically termed feeling, and she displays it at once in air; deportment, and voice. We know not whether that which in respect to recitation is usually a defect, meaning a want of force and of distinctness, may not rather aid the peculiar charm of Miss Tree. That calm and gentle marking, which is so peculiarly her own, and which, if called into momentary vehemence, rises and falls with such feminine grace, would be altogether marred by the shrill and piercing utterance which can more completely fill the house. Cut down as "Cymbeline" now is, there is but one scene in which Imogen has to express much transition of emotion, and that is in the first interview with Iachimo, which Miss Tree performed as delightfully as the similar single passage in the "Two Gentlemen of Verona," where a doubt is thrown upon the truth of her lover, starting into reproof of the wily Italian with the like beautiful energy. The pastoral scenes, in which she assumes boyhood, precisely as a modest but love-deserted damsel should do, are also exceedingly curtailed; but her simple entrance into the cave, and timid and irresistable appeal to the kindness of those who find her there, were indiscribably excellent-indiscribable, because so little is to be either said or done; and yet that little is made so effective.

Young performed Iachimo, and Macready Leonatas, so that the piece was strongly supported. The play, indeed, was very well got up throughout; only we cannot understand such a variety of costume. Young in the Roman Toga, and Leonatus and Clotus in the garb of the gay cavaliers of the sixteenth century. The play is all anachronism and anomaly; there is the less occasion to make it more so.

HAYMARKET THEATRE.

The first performance of the season was intended for the relief of the suffering Irish, but as most of the theatrical benefactions have either failed altogether, or produced but little, the receipts on this occasion were likewise inconsiderable. The entertainments commenced with a new farcical Sketch, in one act, entitled "The Bill of Fare: or, For Further Particulars inquire

Within." The play was "The School for Scandal;" an apt selection, considering the purpose to which the night was dedicated, but a difficult and trying one for any company in the metropolis. It is needless to say more than that it was better got up than we could have expected, and that the manner of its reception was another tribute to the genius of its immortal author. Some ju

« ՆախորդըՇարունակել »