the enemy, must lower the national flag of the belligerent under whom they terre acting.

The above-mentioned vessels and boats, desiring at night-time to ensure the respect due to them, shall, with the consent of the belligerent whom they are accompanying, take the necessary steps that the special painting denoting them shall be sufficiently conspicuous.

vi. [Neutral merchantmen, yachts or vessels, having, or taking on board, sick, wounded or shipwrecked of the belligerents, cannot be captured for so doing, but they are liable to capture for any violation of neutrality they may have committed.]

The distinctive signs provided by Article v. can only be used, whether in time of peace or in time of war, to protect ships therein mentioned. vii. In the case of a fight on board a war-ship, the hospitals shall be respected and shall receive as much consideration as possible.

These hospitals and their belongings are subject to the laws of war, but shall not be employed for any other purpose so long as they shall be necessary for the sick and wounded. Nevertheless, the commander who has them under his orders, may make use of them in case of important military necessity, but he shall first ensure the safety of the sick and wounded on board. viii. The protection due to hospital-ships and to hospitals on board war-ships shall cease if they are used against the enemy. The fact that the crew of hospital-ships, and attached to hospitals on war-ships, are armed for the maintenance of order and for the defence of the sick or wounded, and the existence of a radio-telegraphic installation on board, is not considered as a justification for withdrawing the above-mentioned protection.

ix. Belligerents may appeal to the charitable zeal of commanders of neutral merchant vessels, yachts or other craft, to take on board and look after the sick and wounded.

Ships having responded to this appeal, as well as those who have spontaneously taken on board sick, wounded or shipwrecked men, shall have the advantage of a special protection and of certain immunities. In no case shall they be liable to capture on account of such transport; but subject to any promise made to them they are liable to capture for any violation of neutrality they may have committed. [vii] x. The religious, medical or hospital staff of any captured ship is inviolable, and its members cannot be made prisoners of war. On leaving the ship they take with them the objects and surgical instruments which are their own private property.

This staff shall continue to discharge its duties while necessary, and can afterwards leave when the commander-in-chief considers it possible. The belligerents must guarantee to the staff that has fallen into their hands [the enjoyment of their salaries intact) the same allowances and pay as those of persons of the same rank in their own navy. [viii] xi. Sailors and soldiers, and other persons officially attached to navies or armies, who are taken on board when sick or wounded, to whatever nation they belong, shall be [protected] respected and looked after by the captors.

xii. Every vessel of war of a belligerent party may claim the return of the wounded, sick or shipwrecked who are on board military hospital ships, hospital-ships of aid societies or of private individuals, merchant ships, yachts or other craft, whatever be the nationality of these vessels. xiii. If the wounded, sick or shipwrecked are received on board a neutral ship of war, it shall be provided, as far as possible, that they may take no further part in war operations.

xiv. The shipwrecked, wounded or sick of one of the belligerents who fall into the hands of the other, are prisoners of war. The captor must decide, according to circumstances, if it is best to keep them or send them to a port of his own country, to a neutral port, or even to a hostile port. In the last case, prisoners thus repatriated cannot serve as long as the war lasts.

xv. The shipwrecked, wounded or sick who are landed at a neutral port with the consent of the local authorities, must, failing a contrary arrangement between the neutral State and the belligerents, be guarded by the neutral State, so that they may not be again able to take part in the military operations. The expenses of hospital treatment and internment shall be borne by the State to which the shipwrecked, wounded or sick belong. (T. BA.) GENEVA, LAKE OF, the largest lake of which any portion belongs to Switzerland, and indeed in central Europe. It is called Lacus Lemannus by the old Latin and Greek writers, in 4th century A.D. Lacus Lausonius or Losanetes, in the middle ages generally Lac de Lausanne, but from the 16th century onwards Lac de Genève, though from the end of the 18th century the name Lac Léman was revived-according to Prof. Forel Le Léman is the proper form. Its arca is estimated at 223 sq.m. (Swiss Topographical Bureau) or 2251 sq. m. (Forel), of which about 140 sq. m. (134 sq. m. Forel) are politically Swiss (1231 sq. m. belonging to the canton of Vaud, 114 sq. m. to that of Geneva, and 5 sq. m. to that of the Valais), the remainder (83 sq. m.) being French since the annexation of Savoy in 1860-the entire lake is included in the territory (Swiss or Savoyard) neutralized by the congress of Vienna in 1815. The French part takes in nearly the whole of

X1 10⭑

the south shore, save its western and eastern extremities, which

belong respectively to Geneva and to the Valais.

The lake is formed by the Rhone, which enters it at its east end, between Villeneuve (E.) and St Gingolph (W.), and quits it at its west end, flowing through the city of Geneva. The only important tributaries are the Drance (S.), the Venoge (N.) and the Veveyse (N.). The form of the lake is that of a crescent, of which the east end is broad and rounded, while the west end tapers towards the city of Geneva. The bird's eye length of the whole lake, from Chillon to Geneva, is 391 m., but along its axis 45 m. The coast-line of the north shore is 59 m. in length and that of the south shore 44 m. The maximum depth is 1015 ft., but the mean depth only 500 ft. The surface is 1231 ft. (Swiss Topog. Bureau) or 1220 ft. (Forel) above sea-level. The greatest width (between Morges and Amphion) is 8 m., but the normal width is 5 m. The lake forms two well-marked divisions, separated by the strait of Promenthoux, which is 216 ft. in depth, as a bar divides the Grand Lac from the Petit Lac... The Grand Lac includes the greater portion of the lake, the Petit Lac (to the west of the strait or bar) being the special Genevese portion of the lake, and having an area of but 30 sq. m. The unusual blueness of the waters has long been remarked, and the transparency increases the farther we get from the point where the Rhone enters it, the deposits which the river brings down from the Alps gradually sinking to the bottom of the lake. At Geneva we recall Byron's phrase, "the blue rushing of the arrowy Rhone" (Childe Harold, canto iii. stanza 71). The limit of visibility of a white disk is 33 ft. in winter (in February 1891 Prof. Forel observed an extreme of 70 ft.) and 211 ft. in summer. Apart from the seasonal changes in the level of the lake (which is highest in summer, no doubt because of the melting of the Alpine snows that feed the Rhone), there are also the remarkable temporary disturbances of level known as the seiches, in which the whole mass of water in the lake rhythmically swings from shore to shore. According to Prof. Forel there are both longitudinal and transverse seiches. The effect of the longitudinal seiches at Geneva is four times as great as at Chillon, at the other end of the lake, while the extreme duration of this phenomenon is 73 minutes for the uninodal longitudinal seiches (35 minutes for the binodal) and 10 minutes for the transverse seiches (5 minutes for the binodal). The maximum height of a recorded seiche at Geneva is rather over 6 ft. (October 1841). The currents in the water itself are irregular. The principal winds that blow over the lake are the bise (from the N.E.), the vaudaire or Föhn (from the S.E.), the sudois or vent de pluie (from the S.W.) and the joran (from the N.W.). The storm winds are the molan (from the Arve valley towards Geneva) and the bornan (from the Drance valley towards the central portion of the lake). The lake is not as rich in fish as the other Swiss lakes, one reason being the obstacle opposed by the Perte du Rhône to fish seeking to ascend that river. Prof. Forel knows of but twenty indigenous species (of which the Féra, or Coregonus fera, is the principal) and six that have been introduced by man in the 19th century. A number of lake dwellings, of varying dates, have been found on the shores of the lake. The first steamer placed on the lake was the "Guillaume Tell," built in 1823 at Geneva by an Englishman named Church, while in 1873 the present Compagnie générale de navigation sur le lac Léman was formed, and in 1875 But constructed the first saloon steamer, the "Mont Blanc." despite this service and the railways along each shore, the red lateen sails of minor craft still brighten the landscape. The railway along the northern shore runs from Geneva past Nyon, Rolle, Morges, Ouchy (the port of Lausanne), Vevey and Montreux to Villeneuve (561 m.). That on the south shore gains the edge of the lake at Thonon only (221 m. from Geneva), and then runs past Evian and St Gingolph to Le Bouveret (20 m. from Thonon). In the harbour of Geneva two erratic boulders of granite project above the surface of the water, and are named Pierres du Niton (supposed to be altars to Neptune). The lower of the two, which is also the farthest from the shore, has been taken as the basis of the triangulation of Switzerland: the official height is 376.86 mètres, which in 1891 was reduced to 373-54 mètres, though 376.6 mètres is now said to be the real figure. Of course the heights given on the Swiss Government map vary with these different estimates of the point taken as basis.

For all matters relating to the lake, see Prof. F. A. Forel's monumental work, Le Léman (3 vols., Lausanne, 1892-1904); also (with fine illustrations) G. Fatio and F. Boissonnas, Autour du lac (W. A. B. C.) Léman (Geneva, 1902).

GENEVIÈVE, or GENOVEFA, ST (c. 422-512), patroness of Paris, lived during the latter half of the 5th century. According to tradition, she was born about 422 at Nanterre near Paris; her parents were called Severus and Gerontia, but accounts differ widely as to their social position. According to the legend, she was only in her seventh year when she was induced by St Germain, bishop of Auxerre, to dedicate herself to the religious life. On the death of her parents she removed to Paris, where she distinguished herself by her benevolence, as well as by her austere life. She is said to have predicted the invasion of the Huns; and

when Attila with his army was threatening the city, she persuaded the inhabitants to remain on the island and encouraged them by an assurance, justified by subsequent events, that the attack would come to nothing (451). She is also said to have had great influence over Childeric, father of Clovis, and in 460 to have caused a church to be built over the tomb of St Denis. Her death occurred about 512 and she was buried in the church of the Holy Apostles, popularly known as the church of St Geneviève. In 1793 the body was taken from the new church, built in her honour by Louis XV., when it became the Panthéon, and burnt on the Place de Grève; but the relics were enshrined in a chapel of the neighbouring church of St Etienne du Mont, where they still attract pilgrims; her festival is celebrated with great pomp on the 3rd of January. The frescoes of the Panthéon by Puvis de Chavannes are based upon the legend of the saint.

BIBLIOGRAPHY.-The main source is the anonymous Vita s. Genovefae virginis Parisiorum, published in 1687 by D. P. Charpentier. The genuineness of this life was attacked by B. Krusch (Neues Archiv, 1893 and 1894) and defended by L. Duchesne, Bibliothèque de l'École des Chartes (1893), Bulletin critique (1897), p. 473. Krusch continued to hold that the life was an 8th-century forgery (Scriptores rer. Merov. iii. 204-238). See A. Potthast, Bibliotheca medii aevi (1331, 1332), and G. Kurth, Clovis, ii. 249-254. The legends and miracles are given in the Bollandists' Acta Sanctorum, January 1st; there is a short sketch by Henri Lesetre, Ste Geneviève, in "Les Saints" series (Paris, 1900).

GENEVIÈVE, GENOVEVA or GENOVEFA, OF BRABANT, heroine of medieval legend. Her story is a typical example of the widespread tale of the chaste wife falsely accused and repudiated, generally on the word of a rejected suitor. Genovefa of Brabant was said to be the wife of the palatine Siegfried of Treves, and was falsely accused by the majordomo Golo. Sentenced to death she was spared by the executioner, and lived for six years with her son in a cave in the Ardennes nourished by a roe. Siegfried, who had meanwhile found out Golo's treachery, was chasing the roe when he discovered her hiding-place, and reinstated her in her former honour. Her story is said to rest on the history of Marie of Brabant, wife of Louis II., duke of Bavaria, and count-palatine of the Rhine, who was tried by her husband and beheaded on the 18th of January 1256, for supposed infidelity, a crime for which Louis afterwards had to do penance. The change in name may have been due to the cult of St Geneviève, patroness of Paris. The tale first obtained wide popularity in L'Innocence reconnue, ou vie de Sainte Geneviève de Brabant (pr. 1638) by the Jesuit René de Cérisier (1603-1662), and was a frequent subject for dramatic representation in Germany. With Genovefa's history may be compared the Scandinavian ballads of Ravengaard og Memering, which exist in many recensions. These deal with the history of Gunild, who married Henry, duke of Brunswick and Schleswig. When Duke Henry went to the wars he left his wife in charge of Ravengaard, who accused her of infidelity. Gunild is cleared by the victory of her champion Memering, the " smallest of Christian men." The Scottish ballad of Sir Aldingar is a version of the same story. The heroine Gunhilda is said to have been the daughter of Canute the Great and Emma. She married in 1036 King Henry, afterwards the emperor Henry III., and there was nothing in her domestic history to warrant the legend, which is given as authentic history by William of Malmesbury (De gestis regum Anglorum, lib. ii. § 188). She was called Cunigund after her marriage, and perhaps was confused with St Cunigund, the wife of the emperor Henry II. In the Karlamagnus-saga the innocent wife is Oliva, sister of Charlemagne and wife of King Hugo, and in the French Carolingian cycle the emperor's wife Sibille (La Reine Sibille) or Blanchefleur (Macaire). Other forms of the legend are to be found in the story of Doolin's mother in Daon de Mayence, the English romance of Sir Triamour, in the story of the mother of Octavian in Octavian the Emperor, in the German folk book Historie von der geduldigen Königin Crescentia, based on a 12thcentury poem to be found in the Kaiserchronik; and the English Erl of Toulouse (c. 1400). In the last-named romance it has been suggested that the story gives the relations between Bernard I. count of Toulouse, son of the Guillaume d'Orange of the Carolingian romances, and the empress Judith, second wife of Louis the Pious.

See F. J. Child, English and Scottish Popular Ballads, vol. ii. (Copenhagen, 1867); "Sir Triamore," in Bishop Percy's Folio MS.. (1886), art. "Sir Aldingar "; S. Grundtvig, Danske Kaempeviser ed. Hales and Furnivall, vol. ii. (London, 1868); The Romance of Octavian, ed. E. M. Goldsmid (Aungervyle Soc., Edinburgh, 1882); The Erl of Toulous and the Emperes of Almayn, ed. G. Lüdtke (Berlin, 1881); B. Seuffert, Die Legende von der Pfalzgräfin Genovefa (Würzburg, 1877); B. Golz, Pfalzgräfin Genovefa in der deutschen Dichtung (Leipzig, 1897); R. Köhler, Die deutschen Volksbücher von der Pfalzgräfin Genovefa," in Zeitschr. für deutsche Philologie (1874). GENGA, GIROLAMO (c. 1476-1551), Italian painter and architect, was born in Urbino about 1476. At the age of ten he was apprenticed to the woollen trade, but showed so much inclination for drawing that he was sent to study under an obscure painter, and at thirteen under Luca Signorelli, with whom he remained a considerable while, frequently painting the accessories of his pictures. He was afterwards for three years with Pietro Perugino, in company with Raphael. He next worked in Florence and Siena, along with Timoteo della Vite; and in the latter city he painted various compositions for Pandolfo Petrucci, the leading local statesman. Returning to Urbino, he was employed by Duke Guidobaldo in the decorations of his palace, and showed extraordinary aptitude for theatrical adornments. Thence he went to Rome; and in the church of S. Caterina da Siena, in that capital, is one of his most distinguished works, "The Resurrection," remarkable both for design and for colouring. He studied the Roman antiquities with zeal, and measured a number of edifices; this practice, combining with his previous mastery of perspective, qualified him to shine as an architect. Francesco Maria della Rovere, the reigning duke of Urbino, recalled Genga, and commissioned him to execute works in connexion with his marriage-festivities. This prince being soon afterwards expelled by Pope Leo X., Genga followed him to Mantua, whence he went for a time to Pesaro. The duke of Urbino was eventually restored to his dominions; he took Genga with him, and appointed him the ducal architect. As he neared the close of his career, Genga retired to a house in the vicinity of Urbino, continuing still to produce designs in pencil; one, of the "Conversion of St Paul," was particularly admired. Here he died on the 11th of July 1551. Genga was a sculptor and musician as well as painter and architect. He was jovial, an excellent talker, and kindly to his friends. His principal pupil was Francesco Menzocchi. His own son Bartolommeo (1518-1558) became an architect of celebrity. In Genga's paintings there is a great deal of freedom, and a certain peculiarity of character consonant with his versatile, lively and social temperament. One of his leading works is in the church of S. Agostino in Cesena-a triptych in oil-colours, representing the "Annunciation," "God the Father in Glory," and the "Madonna and Child." Among his architectural labours are the church of San Giovanni Battista in Pesaro; the bishop's palace at Sinigaglia; the façade of the cathedral of Mantua, ranking high among the productions of the 16th century; and a new palace for the duke of Urbino, built on the Monte Imperiale. He was also concerned in the fortifications of Pesaro.

GENISTA, in botany, a genus of about eighty species of shrubs belonging to the natural order Leguminosae, and natives of Europe, western Asia and North Africa. Three are native in Britain. G. anglica is the needle-furze or petty whin, found on heaths and moist moors, a spinous plant with slender spreading branches 1 to 2 ft. long, very small leaves and short racemes of small yellow papilionaceous flowers. The pollen is emitted in a shower when an insect alights on it. G. tinctoria, dyer's green-weed, the flowers of which yield a yellow dye, has no spines. Other species are grown on rock-work or as greenhouse plants.

GENIUS (from Lat. genere, gignere), a term which originally meant, in Roman mythology, a generative and protecting spirit, who has no exact parallel in Greek religion, and at least in his earlier aspect is of purely Italian origin as one of the deities of family or household. Every man has his genius, who is not his creator, but only comes into being with him and is allotted to him at his birth. As à creative principle the genius is restricted

appointed by the duke of Chartres to the responsible office of gouverneur of his sons, a bold step which led to the resignation of all the tutors as well as to much social scandal, though there is no reason to suppose that the intellectual interests of her pupils suffered on that account. The better to carry out her ingenious theories of education, she wrote several works for their use, the best known of which are the Théâtre d'éducation (4 vols., 17791780), a collection of short comedies for young people, Les Annales de la vertu (2 vols., 1781) and Adèle et Théodore (3 vols., 1782). Sainte-Beuve tells how she anticipated many modern methods of teaching. History was taught with the help of magic lantern slides and her pupils learnt botany from a practical botanist during their walks. In 1789 Madame de Genlis showed herself favourable to the Revolution, but the fall of the Girondins in 1793 compelled her to take refuge in Switzerland along with her pupil Mademoiselle d'Orléans. In this year her husband, the marquis de Sillery, from whom she had been separated since 1782, was guillotined. An "adopted" daughter, Pamela,' had been married to Lord Edward Fitzgerald (q.v.) in the preceding December.

In 1794 Madame de Genlis fixed her residence at Berlin, but, having been expelled by the orders of King Frederick William, she afterwards settled in Hamburg, where she supported herself for some years by writing and painting. After the revolution of 18th Brumaire (1799) she was permitted to return to France, and was received with favour by Napoleon, who gave her apartments at the arsenal, and afterwards assigned her a pension of 6000 francs. During this period she wrote largely, and produced, in addition to some historical novels, her best romance, Mademoiselle de Clermont (1802). Madame de Genlis had lost her influence over her old pupil Louis Philippe, who visited her but seldom, although he allowed her a small pension. Her government pension was discontinued by Louis XVIII., and she supported herself largely by her pen. Her later years were occupied largely with literary quarrels, notably with that which arose out of the publication of the Diners du Baron d'Holbach (1822), a volume in which she set forth with a good deal of sarcastic cleverness the intolerance, the fanaticism, and the eccentricities of the " 'philosophes" of the 18th century. She survived until the 31st of December 1830, and saw her former pupil, Louis Philippe, seated on the throne of France:

The numerous works of Madame de Genlis (which considerably exceed eighty), comprising prose and poetical compositions on a vast variety of subjects and of various degrees of merit, owed much of their success to adventitious causes which have long ceased to operate. They are useful, however (especially the voluminous Mémoires inédits sur le XVIIIe siècle, 10 vols., 1825), as furnishing material for history. Most of her writings were translated into English almost as soon as they were published. A list of her writings with useful notes is given by Quérard in La France littéraire. Startling light was thrown on her relations with the duc de Chartres by the publication (1904) of her correspondence with him in L'Idylle d'un gouverneur" by G. Maugras. See also Sainte-Beuve, Causeries du lundi, vol. iii.; H. Austin Dobson, Four Frenchwomen (1890); L. Chabaud, Les Précurseurs du féminisme (1901); W. de Chabreul, Gouverneur de princes, 1737-1830 (1900); and Lettres inédites à Casimir Baecker, 1802-1830 (1902), edited by Henry Lapauze.

GENNA, a word of obscure origin borrowed from the Assamese, and used technically by anthropologists to describe a class of social and religious ordinances based on sanctions which derive their validity from a vague sense of mysterious danger which results from disobedience to them. These prohibitions-or system of things forbidden-affect the relations, permanent and temporary, of individuals (either as members of a tribe, village, clan or household, or as occupying an official position in the village or clan) towards other persons or groups of persons and towards material objects which possess intrinsic sanctity. The term is extended to the communal rites performed by the village, clan or household, either as magical ceremonies or as prophylactics on special occasions when the social, commensal, conjugal and alimentary relations of the group affected are subjected to temporary modifications. These practices and beliefs are observed among the hill tribes of Assam from the Abors and Mishmis on the north to the Lusheis on the south, all linguistically members 1 See Gerald Campbell, Edward and Pamela Fitzgerald (1905).

of the Tibeto-Burman group, and among the Khasis, members of the Mon-Khmer group. Genna and taboo (q.v.) are products of an identical level of culture and similar psychological processes, and provide the mechanism of the social and religious systems. Permanent Gennas.-The only universal genna is that which forbids the intermarriage of members of the same clan. In some cases in Manipur animals are genna to the tribe-i.e. they must not be killed or caten-but tribal differentiation is, in practice, based on dialectical distinctions rather than on tribal gennas. The village as such possesses no permanent gennas, but the clans, as the units of marriage under the law of exogamy, have distinct elementary gennas, especially the clan to which the priest-chief belongs. The most important individual gennas are those which protect the priest-chief from impurity or contact with "sacred" substances such as the flesh of animals used in sacrifices. He may neither cat in a strange house, nor utter words of abuse, nor take an oath in a dispute, except in his representative capacity on behalf of his village. The first-fruits are genna to the village until he eats, thus establishing an opposition between him and his co-villagers. Married and unmarried women are subject to alimentary gennas; thus unmarried girls are forbidden the flesh of any male animal or of any female animal dying gravid.

Ritual Gennas.-Ritual gennas are held annually to foster the rice crops, all other industries and activities being genna (forbidden) during the cultivating season, to secure good hunting, to avert sickness, especially epidemics, to take omens, and to lay finally to rest the ghosts of all that have died within the year. The village gates are closed, men and women cat apart, and conjugal relations are suspended. Special village gennas are held when rain is needed, when a villager dies in any manner out of the ordinary, as women in childbirth, when an animal gives birth to still-born offspring, and when any permanent genna has been violated. Clan gennas are held for all ordinary cases of death. Household gennas are held on the occasions of birth (when the aliment and conduct of the father are specially regulated), naming, ear-piercing, the first hair-cutting, sickness, and, in certain areas, tattooing. Individuals are subjected to temporary gennas as warriors both before and after a head-hunting raid, pregnant women, married persons at the beginning of their married life, the wives of the priest-chief, and those who from ambition or pride of wealth seek to perpetuate their names by erecting a stone monument, an act which confers the right to wear the distinctive clothes of the priest-chief which otherwise are genna to the whole village. Ritual gennas are of varying duration. Some last for a month while others are complete in two days. As religious or magical rites, they prevent danger or establish and restore normal relations with powers which are potentially harmful or require placation.

AUTHORITIES.-Official records of the government of India, Nos. 23 (1855), 27 (1859), 68 (1870); Colonel T. H. Lewin, Hill Tracts of Chittagong: Report on the Census of Assam (1891), vol. i. Report, note by A. W. Davis, p. 237 seq.; Major P. R. T. Gurdon, The Khasis (1907); T. C. Hodson, Journal of the Royal Anthropological Institute, vol. xxxvi. (1906). (T. C. H.)

GENNADIUS II. [as layman GEORGIOS SCHOLARIOS] (d. c. 1468), patriarch of Constantinople from 1454 to 1456, philosopher and theologian, was one of the last representatives of Byzantine learning. Extremely little is known of his life, but he appears to have been born at Constantinople about 1400 and to have entered the service of the emperor John VII. Paleologus as imperial judge or counsellor. Georgios first appears conspicuously in history as present at the great council held in 1438 at Ferrara and Florence with the object of bringing about a union between the Greek and Latin Churches. At the same council was present the celebrated Platonist, Gemistus Pletho, the most powerful opponent of the then dominant Aristotelianism, and consequently the special object of reprobation to Georgios. In church matters, as in philosophy, the two were opposed,Pletho maintaining strongly the principles of the Greek Church, and being unwilling to accept union through compromise, while Georgios, more politic and cautious, pressed the necessity for union and was instrumental in drawing up a form which from its vagueness and ambiguity might be accepted by both parties,

He was at a disadvantage because, being a layman, he could not directly take part in the discussions of the council. But on his return to Greece his views changed, and he violently and obstinately opposed the union he had previously urged. In 1448 he became a monk at Pantokrator and took the name Gennadius. In 1453, after the capture of Constantinople by the Turks, Mahommed II., finding that the patriarchal chair had been vacant for some time, resolved to elect some one to the office, and the choice fell on Gennadius. While holding the episcopal office Gennadius drew up, apparently for the use of Mahommed, a lucid confession or exposition of the Christian faith, which was translated into Turkish by Ahmed, judge of Beroea, and first printed by A. Brassicanus at Vienna in 1530. After a couple of years Gennadius found the position of patriarch under a Turkish sultan so irksome that he retired to the monastery of John the Baptist near Serrae in Macedonia, where he died about 1468. About one hundred of his alleged writings exist, the majority in manuscript and of doubtful authenticity.

The fullest account of his writings is given in Gass, Gennadius and Pletho (Berlin, 1844), the second part of which contains Pletho's Contra Gennadium. See also F. Schultze, Gesch. der Phil. d. Renaissance, i. (1874). A list of the known writings of Gennadius is given in Fabricius, Bibliotheca Graeca, ed. Harles, vol. xi., and what has been printed is to be found in Migne, Patrol. Gr. vol. clx.

GENOA (anc. Genua, Ital. Genova, Fr. Gênes), the chief port of Liguria, Italy, and capital of the province of Genoa, 119 m. N.W. of Leghorn by rail. Pop. (1906) 255,294 (town); 267,248 (commune). The town is situated on the Gulf of Genoa, and is the chief port and commercial town of Italy, the seat of an archbishop and a university, the headquarters of the IV. Italian army corps, and a strong fortress. The city, as seen from the sea, is "built nobly," and deserves the title it has acquired or assumed of the Superb. Finding only a small space of level ground along the shore, it has been obliged to climb the lower hills of the Ligurian Alps, which afford many a coign of vantage for the effective display of its architectural magnificence. The original nucleus of the city is that portion which lies to the east of the port in the neighbourhood of the old pier (Molo Vecchio). In the 10th century it began to feel a lack of room within the limits of its fortifications; and accordingly, in the middle of the 12th century, it was found necessary to extend the line of circumvallation. Even this second circuit, however, was of small compass, and it was not till 1320-1330 that a third line took in the greater part of the modern site of the city proper. This presented about 3 m. of rampart towards the land side, and can still be easily traced from point to point through the city, though large portions, especially towards the east, have been dismantled. The present line of circumvallation dates from 1626-1632, the period when the independence of Genoa was threatened by the dukes of Savoy. From the mouth of the Bisagno in the east, and from the lighthouse point in the west, it stretches inland over hill and dale to the great fort of Sperone, i.e. the Spur, on the summits of Monte Peraldo at a height of 1650 ft., the circuit being little less than 12 m., and all the important points along the line being defended by forts or batteries.

A portion of the enclosed area is open country, dotted only here and there with houses and gardens. There are eight gates, the more important being Porta Pila and Porta Romana towards the east, and the Porta Lanterna or Lighthouse Gate to the west. The main architectural features of Genoa are its medieval churches, with striped façades of black and white marble, and its magnificent 16th-century palaces. The earlier churches of Genoa show a mixture of French Romanesque and the Pisan style-they are mostly basilicas with transepts, and as a rule a small dome; the pillars are sometimes ancient columns, and sometimes formed of alternate layers of black and white marble. The façades are simple, without galleries, having only pilasters projecting from the wall, and are also alternately black and white. This style continued in Gothic times also. The oldest is S. Maria di Castello (11th century), the columns and capitals of which are almost all antique. S. Cosma, S. Donato (with remains of the 10th-century building) and others belong to the

12th century, and S. Giovanni di Prè, S. Agostino (with a fine campanile), S. Stefano, S. Matteo and others to the 13th. The famous painting of the martyrdom of S. Stephen, by Giulio Romano, carried off by Napoleon in 1811, was restored to S. Stefano in 1815. S. Matteo, the church of the D'Oria or Doria family, was founded in 1126 by Martino Doria. The façade dates from 1278, and the interior of the edifice dates in the main from 1543. In the crypt is the tomb of Andrea Doria by Montorsoli, and above the main altar hangs the dagger presented to the doge by Pope Paul III. To the left of the church is an exquisite cloister of 1308 with double columns, in which a number of inscriptions relating to the Doria family and also the statue of Andrea Doria by Montorsoli are preserved. The little square in front of the church is surrounded by Gothic palaces of the Doria family. Of the churches the principal is the comparatively small cathedral of S. Lorenzo. Tradition makes its first foundation contemporary with St Lawrence himself; and a document of 987 implies that it was even then the metropolitan church. Reconstructed about the end of the 11th and beginning of the 12th century, it was formally consecrated by Pope Gelasius II. on the 18th of October 1118; and since then it has undergone a large number of extensive though partial renovations. The façade, with its three elaborate doorways, belongs to the 14th century and is a copy of French models of the 13th. The two side portals with Romanesque sculptures belong to the 12th14th centuries. Some pagan reliefs are built into the tower. The interior was rebuilt in 1307, the old columns being used. The belfry, which rises above the right-hand doorway, was erected about 1520 by the doge, Ottaviano da Campofragoso, and the cupola was erected after the designs of the architect Galeazzo Alessi in 1567. The fine Early Renaissance (1448) sculptural decorations of the chapel of S. John the Baptist were due to Domenico Gagini of Bissone on the Lake of Lugano, who later transferred his activities to Naples and Palermo, and other Lombard masters. An edict of Innocent VIII. forbids women to enter the chapel except on one day in the year. In the treasury of the cathedral is a magnificent silver monstrance dating from 1553, and an octagonal bowl, the Sacro Catino, brought from Caesarea in 1101, which corresponds to the descriptions given of the Holy Grail, and was long regarded as an emerald of matchless value, but was found when broken at Paris, whither it had been carried by Napoleon I., to be only a remarkable piece of ancient glass. The choir-stalls are a very fine work of the 15th century and later, with intarsias. Near the cathedral is a small 12th-century (?) cloister.

Of older date than the cathedral is the church of S. Ambrose and S. Andrew, if its first foundation be correctly assigned to the Milanese bishop Honoratus of the 6th century; but the present edifice is due to the Society of Jesus, who obtained possession of the church in 1587. The interior is richly decorated and contains the " Circumcision" and "St Ignatius" by Rubens, and the " Assumption" of Guido Reni. The Annunziata del Guastato is one of the largest churches in the city, erected in 1587. It is a cruciform structure, with a dome, and the central nave is supported by fourteen Corinthian columns of white marble. To the otherwise unfinished brick façade a portal borne by marble columns was added in 1843. The interior is covered with gilding and frescoes of the 17th century, and is somewhat overloaded with rich decoration, while a range of white marble columns supports the nave. Santa Maria delle Vigne probably dates from the 9th century, but the present structure was erected in 1586. The campanile, however, is a remarkable work of the 13th century. Adjoining the church is a ruined cloister of the 11th century. San Siro, originally the " Church of the Apostles" and the cathedral of Genoa, was rebuilt by the Benedictines in the 11th century, and restored and enlarged by the Theatines in 1576, the façade being added in 1830; in this church in 1339 Simone Boccanera was elected first doge of Genoa. Santa Maria di Carignano, or more correctly Santa Maria Assunta e SS. Fabiano e Sebastiano, belongs mainly to the 16th century, and was designed by Galeazzo Alessi, in imitation of Bramante's plan for S. Peter's at Rome, as it was then being exccuted by