Philosophy of Nonsense: The Intuitions of Victorian Nonsense LiteratureRoutledge, 12 նոյ, 2012 թ. - 256 էջ 'Jean-Jacques Lecercle's remarkable Philosophy of Nonsense offers a sustained and important account of an area that is usually hastily dismissed. Using the resources of contemporary philosophy - notably Deleuze and Lyotard - he manages to bring out the importance of nonsense' - Andrew Benjamin, University of Warwick Why are we, and in particular why are philosophers and linguists, so fascinated with nonsense? Why do Lewis Carroll and Edward Lear appear in so many otherwise dull and dry academic books? This amusing, yet rigorous new book by Jean-Jacques Lecercle shows how the genre of nonsense was constructed and why it has proved so enduring and enlightening for linguistics and philosophy. |
From inside the book
Արդյունքներ 35–ի 1-ից 5-ը:
Էջ 3
... possible illustration—in the following terms: the speaker is always torn apart between the two poles of the contradiction of language, 'language speaks' (it is language, not I, that speaks, the words come out of my mouth 'all wrong ...
... possible illustration—in the following terms: the speaker is always torn apart between the two poles of the contradiction of language, 'language speaks' (it is language, not I, that speaks, the words come out of my mouth 'all wrong ...
Էջ 8
... possible interpretative move, the only rule he follows is 'anything goes'—because too much is allowed, the interpretation is null, or empty, like a definition that, being so wide as to encompass all the phenomena, would utterly fail to ...
... possible interpretative move, the only rule he follows is 'anything goes'—because too much is allowed, the interpretation is null, or empty, like a definition that, being so wide as to encompass all the phenomena, would utterly fail to ...
Էջ 10
... possible (everything is 'like' everything else in at least one respect), whereas metaphors, being blatantly false at the literal level, are at least non-trivial. Ettelson's rhetorical device is more immediately interesting, if only ...
... possible (everything is 'like' everything else in at least one respect), whereas metaphors, being blatantly false at the literal level, are at least non-trivial. Ettelson's rhetorical device is more immediately interesting, if only ...
Էջ 21
Դուք հասել եք այս գրքի դիտումների առավելագույն քանակին.
Դուք հասել եք այս գրքի դիտումների առավելագույն քանակին.
Էջ 33
Դուք հասել եք այս գրքի դիտումների առավելագույն քանակին.
Դուք հասել եք այս գրքի դիտումների առավելագույն քանակին.
Բովանդակություն
1 | |
1 THE LINGUISTICS OF NONSENSE | 27 |
2 THE PRAGMATICS OF NONSENSE | 69 |
3 NONSENSE AND THE PHILOSOPHY OF LANGUAGE | 115 |
4 THE POLYPHONY OF NONSENSE | 165 |
CONCLUSION | 223 |
NOTES | 233 |
INDEX | 243 |
Այլ խմբագրություններ - View all
Philosophy of Nonsense: The Intuitions of Victorian Nonsense Literature Jean-Jacques Lecercle Դիտել հնարավոր չէ - 1994 |
Common terms and phrases
Adventures in Wonderland agon agonistic Alice books Alice’s Adventures ambiguity analysis Annotated Alice appears Bakhtin Carroll’s chain chapter characteristic characters coherent coinages comic concept conjuncture constraints context contradiction conversation cooperative course dialogue discourse Duchess’s Dumpty’s English Ettelson exploitation expression fact fiction genre grammar Grice historical Humpty Dumpty ibid implicatures incoherence instance intention interpretation intertextual intuitions inversion Jabberwocky King language Lear Lewis Carroll limericks linguistic literary literary nonsense logical London Looking-Glass madness maxims meaning metaphor natural nonsense texts nursery rhymes object origin Oxford paradox Paris parody pastiche philosophical philosophy of language phonemes phrase play poem politeness polyphony portmanteau-words possible pragmatic principle puns question reader reading recognise rules semantic sense sentence Snark speaker speech acts stanza subversion and support syntactic syntax Talmud textual theory tradition truth turn Tweedledee Tweedledum Tweedledum and Tweedledee understand utterance verb verbal Victorian nonsense White Rabbit words