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of the battle of Seaan, for a couple of guns, was able to reply, "You shall have ninety" (see, for details of the march of the Guard artillery, his Letters on Artillery, 6th letter). The German regulations for field service say, very plainly, "the horses have not done their work until they have got the guns into action, even at the cost of utter exhaustion." A notable march was made by the 62nd battery, R.F.A., in the South African War. On the day of the battle of Modder River, the battery marched 32 m. (mostly through deep sand) arriving in time to take part in the action. Such forced marches, if rare, are nowadays expected to be within the power of field artillery to accomplish. Horse artillery is capable of more than this, and as to pace, manœuvring at the cavalry rate. Heavy guns are the least mobile, and would rarely be able to keep pace with infantry in a forced march. Field artillery walks 4, trots 9, and gallops at the rate of 15 m. an hour. A fair marching pace (trot and walk) is 4 m. an hour for field, 5 for horse batteries. A march of 14 m. would, according to the German regulations, be performed by

a field battery in 5 hours,

a horse battery in 4 hours,

under favourable circumstances (Bronsart von Schellendorf). 37. Power and Mobility. It will have been made clear that every gun represents a compromise between these two requirements, and that each type of artillery has been evolved in accordance with the relative requirements of these conditions in respect of the work to be performed. The classification which has been followed in this article represents the practically unanimous decision of every important military state. Still, there has always been controversy between the individual adherents of each side, and the Boer War experiences raised the question as to whether field artillery, as the term is usually understood, should not be abolished, with a view to having only heavy guns and horse artillery with a field army.

38. Concentration and Dispersion.-The use of their artillery made by the Boers in the South African War led to the revival of the idea of "dispersing "guns instead of "concentrating " them. It would be more accurate to say that military thinkers had, after the introduction of the quick-firing gun, challenged every received principle, and amongst others the employment of artillery in masses, which, as a result of the war of 1870, “had become almost an article of faith." The idea was to make use of the increased power of the guns to gain equally great results with the employment of less material than formerly. Thus the dispersion of guns is bound up with the passive defensive. The first editions of the British Field Artillery Training and Combined Training, strongly influenced as they were by South African experience, did not legislate, even in dealing with defence, for "dispersion" in the Boer manner, but only for adaptability (see Field Artillery Training, 1902, p. 15). In the Boer War, whilst the Boers nearly always scattered their guns, almost the only occasion upon which their artillery played a decisive part was at Spion Kop, where its fire was concentrated upon the point of assault. At Pieter's Hill, the fire of seventy guns covered the British infantry assault in the Napoleonic manner. On the whole it may be accepted as a general truth that guns are safe, and may be locally effective, when dispersed, but that they cannot produce decisive effect except when used in masses. It must, however, be clearly understood that a "mass" in this sense means a large number of guns, under one command, and susceptible of being handled as a unit, so far as the direction and effectiveness of their fire is concerned. This being secured, and on that condition only, it does not matter whether the actual gun positions are scattered over a few square miles, or are closed in one long line and using direct fire-they are still a mass, and capable of acting effectively as such. While there are undoubtedly grave dangers in using the indirect method too freely, technical improvements in laying, telephones, &c., have had much to do with the possibility, at any rate under favourable circumstances, of a concentration which may be described as one of shells rather than of guns, and the reader is reminded in this connexion that the work formerly done by the gun is now performed by the shell.

39. Horse Artillery is to be regarded as field artillery of great

mobility and manoeuvring power. Its value may be said, in general terms, to lie in augmenting the weak fire-power of the mounted troops, and in facilitating their work as much as possible. | Thus, when cavalry meets serious opposition in reconnoitring, the guns may be able to break down the enemy's resistance without calling for assistance from the main body of the cavalry, and, in the action of cavalry versus cavalry, the "paramount duty of the horse artillery is to shatter the enemy's cavalry" (Field Artillery Training, 1906), i.e. to "prepare" the success of the cavalry charge by breaking up as far as possible the enemy's power of meeting it. In the cavalry battle, covering fire is practically impossible, owing both to the short distances separating the combatants and to the rapidity of their movements, but steps are taken "to enable all the guns to bear on the enemy's cavalry at the points of collision." The ideal position for the horse artillery is out to a flank, the cavalry manoeuvring so as to draw the enemy's cavalry under enfilade fire, and at the same time to force them to mask the fire of their own horse artillery. Another and a most important function of the horse batteries is to reinforce, with the greatest possible speed, any point in the general line of battle which is in need of artillery support. For this reason the corps artillery generally includes horse batteries.

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40.

Field Howitzers are somewhat less mobile than field guns; they have, however, far greater shell power. The special features of the weapon are, of course, the product of the special requirements which have called it into existence. These are, briefly (a) the necessity of being able to search the interior of earthworks, a task which, as has been said, is beyond the power of high-velocity field guns, and (b) demolition work, which is equally beyond the power of even a H.E. shell of field-gun calibre. The first of these conditions implies a steep "angle of descent," which again implies a high angle of elevation. The second requires great shell power but does not call for high velocity. The howitzer, therefore, is a short gun, firing a heavy shell at high angles of elevation. Howitzers almost always are laid by the indirect method of fire from under cover, since it is clear that, with high angles of elevation, the gun may be brought close up to the covering mass, and still fire over it. Ranging must be done very accurately and yet economically, as but few of their heavy shells can be carried in the wagons and limbers, and the shells descending upon an enemy almost vertically lose the long sweeping effect of the field shrapnel which neutralizes minor errors of ranging. The projectiles employed are high explosive and shrapnel, the latter for use against personnel under cover, the former for demolition of field works, casemates or buildings. It is very generally held that howitzer time shrapnel is the best form of projectile for the attack of shielded guns. Here it may be said that no completely satisfactory method of dealing with these has yet been discovered. The best procedure with field guns is said to be lengthening the fuze to obtain a high percentage of bursts on graze. A shell striking the face of the shield will penetrate it, and should kill some at least of the gun detachment behind. The high-explosive shrapnel alluded to above is designed primarily for the attack of shielded guns.

41. Heavy Field Artillery, alternatively called Artillery of Position, as has been said, includes all guns of 4-in. calibre and upwards, mounted on travelling carriages. In South Africa, where firm soil was usually to be found, 6-in. guns were employed as heavy field guns, but in Europe even the 5-in. (British Service) is liable to sink into the ground. In Great Britain, guns only are used by this branch; abroad, the "heavy artillery of the field army," the "light siege train," &c., as it is variously called, is as a rule composed of howitzers of a heavier calibre than the field howitzer, the 15-cm. (6-in.) howitzer being most commonly met with. This artillery has, however, a different tactical rôle from the heavy field artillery of the British service; and it is always with a view to the attack of permanent or semipermanent fortifications that the matériel is organized. In Great Britain, heavy batteries armed with the 5-in. gun are considered as "an auxiliary to the horse and field artillery (Heavy Artillery Training). Ranging is conducted with greater

deliberation than ranging with the lighter guns, though upon the same general lines. Parts of the process may, however, be omitted in certain circumstances. Heavy guns use high-explosive (lyddite) shells and time shrapnel, the former for ranging and for demolishing cover, the latter against personnel. Laying is usually indirect. The tactical principles upon which heavy artillery does its work are based, in the main, on the long range (up to 10,000 yds.) and great shell-power of the guns. This power enables the artillery to reach with effect targets which are beyond the range of lighter ordnance, and it is, therefore, considered possible to disperse the guns in batteries, and even in sections of two guns, along the front of the army, without forfeiting the power of concentrating their fire on any point-a power which otherwise they would not possess owing to their want of mobility. At the same time it is not forbidden to bring them into line with the rest of the artillery, in order to achieve a decisive result. In the attack, beside the general task of supplementing the effect of other natures of ordnance, heavy artillery may demolish cover, buildings, &c., held by the enemy, and during the infantry assault they may do excellent service in sweeping a great depth of ground, their smaller angle of descent, and the greater remaining velocity and heavier driving charge of their shrapnel, as compared with field guns, enabling them to do this effectively. In the defence, long-range fire has great value, especially in sweeping approaches which the enemy must use. In pursuit, the heavy artillery may be able to shell the main body of the enemy during its retreat, even if it has left a rearguard. In retreat, the want of mobility of these guns militates against their employment in exposed positions, such as rearguards usually have to take up.

BIBLIOGRAPHY.-Amongst general historical works may be mentioned Napoleon III. and Col. Favé, Études sur le passé et l'avenir de l'artillerie (Paris, 1846-1871); C. von Decker, Geschichte des Geschützwesens (Berlin, 1822); H. W. L. Hime, Stray Military Papers (London, 1901); Die Beziehung Friedrichs des Grossen zu seiner Artillerie (Berlin, 1865); H. von Müller, Die Entwickelung der Feldartillerie, 1815-1892 (Berlin, 1893-1894); J. Campana, L'Artillerie de campagne, 1792-1901 (Paris, 1901); v. Reitzenstein, Das Geschützwesen, &c. in Hannover und Braunschweig 1365 bis zur Gegenwart (Leipzig, 1900); Kretschmar, Gesch. d. sächsischen Feldart. 1620-1878 (1879); Schöning, Gesch. des brandenbg.-preuss. Art. (1844-1845); Schneller, Litteratur d. Artillerie (1768); v. Tempelhof, Gesch. d. Artillerie (1797); Duncan, Hist. of the Royal Artillery. A complete bibliography and criticism of the artillery works of the 14th, 15th and 16th centuries will be found in Max Jähns, Geschichte der Kriegswissenschaften, pp. 221-236, 382-424, 621, 658 and 747-752. For the early 17th century, Diego Ufano, Tratado de la Artilleria (1613) is a standard treatise of the time, but the mystery preserved by artillerists in regard to their arm is responsible for an astonishing dearth of artillery literature even in the time of the Thirty Years' War. In 1650 appeared Casimir Simienowicz' Ars magnae artilleriae, an English translation of which was published in London in 1729, and in 1683 Michael Mieth published Artilleriae Recentior Praxis. The first edition of Surirey de S. Remy, Mémoires d'Artillerie, appeared in Paris in 1697. With the reorganization of the arm in the early 18th century came many manuals and other works (see Jähns, op. cit. pp. 1607-1621 and 1692-1698), amongst which may be mentioned the marquis de Quincy's Art de la guerre (1726); From 1740 onwards numerous manuals appeared, mostly official règlements-see French General Staff, L'Artillerie française au XVIII siècle (1908); and the tactical handling of the arm is treated in general works, such as Guibert's, on war. See also de Morla, Tratado de la Artilleria (1784), translated into German by Hoyer (Lehrbuch der Art.-Wissenschaft, Leipzig, 1821-1826); Du Service de l'artillerie à la guerre (Paris, 1780, German translation, Dresden, 1782, and English, by Capt. Thomson, R.A., London, 1789), Bardet de Villeneuve's Traité de l'artillerie (Hague, 1741), and Hennébert, Gribeauval, Lieut.-Général des armées du Roy (Paris, 1896). Important works of the period 1800-1850 are Scharnhorst, Handbuch der Artillerie (Hanover, 1804-1806, French translation by Fourcy, Traité sur l'artillerie, Paris, 1840-1841); Rouvroy, Vorlesungen über die Artillerie (Dresden, 1821-1825); Timmerhans, Essai d'un traité d'artillerie (Brussels, 1839-1846); C. v. Decker, Die Artillerie für alle Waffen (1826); Griffiths, The Artillerist's Manual (Woolwich, 1840); Piobert, Traité d'artillerie (Paris, 1845-1847); Taubert (translated by Maxwell), Use of Field Artillery on Service (London, 1856); Capt. Simmonds, R.A., Application of Artillery in the Field (London, 1819); Gassendi, Aide-mémoire à l'usage des officiers d'artillerie (Paris, 1819). See also Girod de l'Ain, Grands artilleurs, Drouot, Sénarmont, Eblé (Paris, 1894). Among the numerous works Most of the works named deal with technical questions of equipment, ammunition, ballistics, &c.

on modern field artillery may be mentioned Prince HohenloheIngelfingen, Briefe über Artillerie (Berlin, 1887, 2nd ed., English translation by Col. Walford, Letters on Artillery, Woolwich, 1887); Hoffbauer, Taktik der Feldartillerie, 1866 und 1870-1871 (Berlin, 1876), and Applikatorische Studie über Verwendung der Artillerie (Berlin, 1884); Erb, L'Artillerie dans les batailles de Metz (Paris, 1906); Leurs, L'Art. de campagne prussienne 1864-1870 (Brussels, 1874); v. Schell, Studie über Taktik der Feldartillerie (quoted above); Hennébert, Artillerie moderne (Paris, 1889); and for quick-firing artillery, Langlois, Artillerie de campagne en liaison avec les autres armes (Paris, 1892 and 1907); Wille, Feldgeschütz der Zukunft (Berlin, 1891); Waffenlehre (2nd ed., 1901); and artillerie (Berlin, 1900), Studie über d. Schnellfeuergeschütze in Zur Feldgeschützfrage (Berlin, 1896); Rohne, Die Taktik der FeldRohrrücklauflafette (Berlin, 1901), Die französische Feldartillerie (Berlin, 1902); Entwicklung des Massengebrauchs der Feldartillerie (Berlin, 1900); and articles in Jahrbücher f. d. Deutsche Armee und Marine (October 1901 and January 1905); Hoffbauer, Die Frage des Schnellfeuerfeldgeschützes (Berlin, 1902), and Verwendung der Feldhaubitzen (Berlin, 1901); Wangemann, Für die leichte Feldhaubitze (Berlin, 1904); von Reichenau, Studie über Ausbildung der F.-A. Materials, and Neue Studien über die Entwicklung der Feldart. Feldart. (Berlin, 1896), Einfluss der Schilde auf die Entwicklung des (Berlin, 1902 and 1903); Smekal, Führung und Verwendung der Divisions-Artillerie (Vienna, 1901); Korzen and Kühn, Waffenlehre (Vienna, 1906); G. Rouquerol, Emploi de l'artillerie de campagne à tir rapide (Paris, 1901), and Organisation de l'artillerie de campagne tillerie de campagne (Paris, 1903); and in English, Capt. P. de B. (Paris, 1903); Girardon-Lagabbe, Organisation du matériel de l'arRadcliffe's translation of Rouquerol's work (The Tactical Employ ment of Quick-firing Field Artillery, London, 1903), and especially Lt. Col.H. A. Bethell, Modern Guns and Gunnery (Woolwich, 1907). artillery. See also the current drill manuals of the British, French and German (C. F. A.)

ARTIODACTYLA (from Gr. åрrios, even, and dáкTuλos, a finger or toe, "even-toed"), the suborder of ungulate mammals in which the central (and in some cases the only) pair of toes in each foot are arranged symmetrically on each side of a vertical line running through the axes of the limbs. As contrasted with the Perissodactyla living, and in a great degree extinct, Artiodactyla are characterized by the following structural features. The upper premolar and molar teeth are not alike, the former being single and the latter two-lobed; and the last lower molar of both first and second dentition is almost invariably threelobed. Nasal bones not expanded posteriorly. No alisphenoid canal. Dorsal and lumbar vertebrae together always nineteen, though the former may vary from twelve to fifteen. Femur without third trochanter. Third and fourth digits of both feet almost equally developed, and their terminal phalanges flattened on their inner or contiguous surfaces, so that each is not symmetrical in itself, but when the two are placed together they form a figure symmetrically disposed to a line drawn between them. Or, in other words, the axis or median line of the whole foot is a line drawn between the third and fourth digits (fig. 1). Lower articular surface of the astragalus divided into two nearly equal facets, one for the navicular and a second for the cuboid bone. The calcaneum with an articular facet for the lower end Colon convoluted. Caecum small. Placenta diffused or cotyleof the fibula. Stomach almost always more or less complex. donary. Teats either few and inguinal, or numerous and abdominal.

Artiodactyla date from the Eocene period, when they appear to have been less numerous than the Perissodactyla, although at the present day they are immeasurably ahead of that group, and form indeed the dominant ungulates. As regards the gradual specialization and development of the modern types, the following features are noteworthy.

1. As regards the teeth, we have the passage of a simply tubercular, or bunodont (Bovvós, a hillock) type of molar into one in which the four main tubercles, or columns, have assumed a crescentic form, whence this type is termed selenodont (σeλývn, the new moon). Further, there is the modification of the latter from a short-crowned, or brachyodont type, to one in which the columns are tall, constituting the hypsodont, or hypsiselenodont, type. It is noteworthy, however, that in some instances there appears to have been a retrograde modification from the selenodont towards the bunodont type, the hippopotamus being a case in point. Other modifications are the loss of the upper incisors;

the development of the canines into projecting tusks; and the instead of coming off separately from the aortic arch. Stomach loss of the anterior premolars.

2. As regards the limbs. Reduction of the ulna from a complete and distinct bone to a comparatively rudimentary state in which it coalesces more or less firmly with the radius. Reduction of the fibula till nothing but its lower extremity remains. Reduction and final loss of outer pair of digits (second and fifth), with coalescence of the metacarpal and metatarsal bones of the two middle digits to form a cannon-bone. Union of the navicular and cuboid, and sometimes the ectocuneiform bone, of the tarsus.

with four complete cavities. Placenta cotyledonous. Teats 2 or 4. The group at the present day is divided into Giraffidae (giraffe and okapi), Cervidae (deer), Antilocapridae (prongbuck), and Bovidae (oxen, sheep, goats, antelopes, &c.). (See PECORA.) The second group is represented at the present day by the camels (Camelus) of the Old, and the llamas (Lama) of the New World, collectively constituting the fan.ily Camelidae. They derive their name of Tylopoda ("boss-footed ") Tylopoda. from the circumstance that the feet form large cushion-like pads, supporting the weight of the body, while the toes have broad nails on their upper surface only, instead of being encased in

3. Change of form of the odontoid process of the second or axis vertebrae from a cone to a hollow half-cylinder. 4. Development of horns or antlers on the frontal bones, and hoofs. The cheek-teeth are selenodont, and one pair of upper gradual complication of form of antlers.

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s, Scaphoid.

incisors is retained, while some of the anterior premolars assume a canine-like shape, and are separated from the rest of the cheekseries. Auditory bulla filled with honeycombed bony tissue. Odontoid process of second vertebra semi-cylindrical; skull with a sagittal crest; and the condyle of the lower jaw rounded. Third and fourth metacarpals and metatarsals (which are alone present) fused into cannon-bones for the greater part of their length, but diverging inferiorly (fig. 1, C) and with their articular surfaces for the toes smooth, instead of ridged as in the Pecora. Navicular and cuboid bones of tarsus distinct. No horns or antlers. Stomach, although complex, differing essentially from that of the Pecora. Placenta diffuse, without cotyledons. Teats few. (See TYLOPODA.)

In the same sectional group is included the North American family of oreodonts (Oreodontidae), which are much more primitive ruminants, with shorter necks and limbs, the full series of 44 teeth, all in apposition, and the metacarpal and metatarsal bones separate, and the toes generally of more normal type, although sometimes claw-like. (See OREODON.) The Eocene American genus Homacodon is regarded as representing a third family group, the Homacodontidae (= Pantolestidae), in which the molars were of a bunodont type, and approximate to those of the Condylarthra from which this family appears to have sprung, and to have given origin on the one hand to the Oreodontidae, and on the other to the Camelidae. The family is represented in the Lower, or Wasatch, Eocene by Trigonolestes, in the Middle (Bridger) Eocene by Homacodon (Pantolestes), and in the Upper (Uinta) Eocene by Bunomeryx.

The third group is that represented by the chevrotains or mouse-deer, forming the family Tragulidae, with Tragulus in south-eastern Asia and Dorcatherium (or Hyomoschus) Tragulina. in equatorial Africa. The cheek-teeth are selenodont,

as in the two preceding groups; there are no upper incisors, but

In the Sheep and the Camel the long compound bone, supporting there are long, narrow and pointed upper canines, which attain a the two main (or only) toes is the cannon-bone.

The primitive Artiodactyla thus probably had the typical number (44) of incisor, canine and molar teeth, brachyodont molars, conical odontoid process, four distinct toes on each foot, with metacarpal, metatarsal and all the tarsal bones distinct, and no frontal appendages.

As regards classification, the first group is that of the Pecora, or Cotylophora, in which the cheek-teeth are selenodont, but there are no upper incisors or canine-like premolars, Pecora. while upper canines are generally absent, though sometimes largely developed. Inferior incisors, three on each side with an incisiform canine in contact with them. Cheek-teeth consisting of p., m., in continuous series. Auditory bulla simple and hollow within. Odontoid process of second vertebra in the form of a crescent, hollow above. Lower extremity of the fibula represented by a distinct malleolar bone articulating with the outer surface of the lower end of the tibia. Third and fourth metacarpals and metatarsals confluent into cannon-bones (fig. 1 B), and the toes enclosed in hoofs. Outer toes small and rudimentary, or in some cases entirely suppressed; their metacarpal or metatarsal bones never complete. Navicular and cuboid bones of tarsus united. The skull generally lacks a sagittal crest; and the condyle of the lower jaw is transversely elongated. Horns or antlers usually present, at least in the male sex. Left brachial artery arising from a common innominate trunk,

large size in the males; the lower canines are incisor-like, as in the Pecora, and there are no caniniform premolars in either jaw. Cheek-teeth in a continuous series consisting of p.3. m.j. Odontoid process of axis conical. Fibula complete. Four complete toes on each foot. The middle metacarpals and metatarsals generally confluent, the outer ones (second and fifth) slender but complete, i.e. extending from the carpus or tarsus to the digit. Navicular, cuboid and ectocuneiform bones of tarsus united. Auditory bulla of skull filled with cancellar tissue. No frontal appendages. Ruminating, but the stomach with only three distinct compartments, the maniplies or third cavity of the stomach of the Pecora being rudimentary. Placenta diffused. (See CHEVROTAIN.)

Anoplotherina.

In this place must be mentioned the extinct Oligocene European group typified by the well-known genus Anoplotherium of the Paris gypsum-quarries, and hence termed Anoplotherina, although the alternative title Dichobunoidea has been suggested. It includes the two families Anoplotheriidae and Dichobunidae, of which the first died out with the Oligocene, while the second may have given origin to the Tragulina and perhaps the Pecora. There is the full series of 44 teeth, generally without any gaps, and most of the bones of the skeleton are separate and complete; while, in many instances at any rate, the tail was much longer than in any existing ungulates, and the whole bodily form

four subequal toes, protected by short rounded hoofs, and all reaching the ground. The hinder end of the lower jaw is provided with a deep descending flange. Both incisors and canines are devoid of roots and grow throughout life, the canines, and in the typical species one pair of lower incisors, growing to an immense size. The stomach is complex; but there is no caecum. Although now exclusively African, the family (of which all the representatives may be included in the single genus Hippopolamus, with several subgeneric groups) is represented in the Pliocene of Europe and the Lower Pliocene of northern India. Its place of origin cannot yet be determined.

approximated to that of a carnivore. The upper molars, which | in those of the latter. The short and broad teeth terminate in may be either selenodont or buno-selenodont, carry five cusps each, instead of the four characteristic of all the preceding groups; and they are all very low-crowned, so as to expose the whole of the valleys between the cusps. In Anoplotherium, some of the species of which were larger than tapirs, there were either two or three toes, the latter number being almost unique among the Artiodactyla. Allied genera are Diplobune and Dacrylherium. The Dichobunidae include the genus Dichobune, of which the species were small animals with buno-selenodont molars. Xiphodon and Dichodon represent another type with cutting premolars and selenodont molars; while Caenotherium and Plesiomeryx form yet another branch, with resemblances to the ruminants. The most interesting genera are, however, the Upper Oligocene and Lower Miocene Gelocus and Prodremotherium, which have perfectly selenodont teeth, and the third and fourth metacarpal and metatarsal bones respectively fused into an imperfect cannon-bone, with the reduction of the lateral metacarpals and metatarsals to mere remnants of their upper and lower extremities. While Gelocus exhibits a marked approximation to the Tragulidae, Prodremotherium comes nearer to the

Sulaa.

FIG 2.-Restoration of Anoplotherium commune. Cervidae, of which it not improbably indicates the ancestral type. The Dichobunidae may be regarded as occupying a position analogous to that of the Homacodontidae in the Tylopoda, and like the latter, are probably the direct descendants of Condylarthra. The last section of the Artiodactyla is that of the Suina, represented at the present day by the pigs (Suidae), and the hippopotamuses (Hippopotamidae), and in past times by the Anthracotheriidae, in which may probably be included the Elotheriidae. In the existing members of the group the cheek-teeth approximate to the bunodont type, although showing signs of being degenerate modifications of the selenodont modification. There is at least one pair of upper incisors, while the full series of 44 teeth may be present. The metacarpals and metatarsals are generally distinct (fig. 1 A), and never fuse into a complete cannon-bone; and the navicular and cuboid bones of the tarsus are separate. The odontoid process of the second vertebra is pig-like: and the tibia and fibula and radius and ulna are severally distinct. The stomach is simple or somewhat complex, and the placenta diffused. The Suidae include the Old World pigs (Suinae) and the American peccaries (Dicolylinae), and are characterized by the snout terminating in a fleshy disk-like expansion, in the midst of which are perforated the nostrils; while the toes are enclosed in sharp hoofs, of which the lateral ones do not touch the ground. There is a caecum. The Dicotylinae differ from the Suinae in that the upper canines are directed downwards (instead of curving upwards) and have sharp cutting-edges, while the toes are four in front and three behind (instead of four on each foot), and the stomach is complex instead of simple. In the Old World a large number of fossil forms are known, of which the earliest is the Egyptian Eocene Geniohyus. Originally the family was an Old World type, but in the Miocene it gained access into North America, where the earliest form is Bothriolabis, an ancestral peccary showing signs of affinity with the European Miocene genus Palaeochoerus. (See SWINE and PECCARY.)

The Hippopotamidae are an exclusively Old World group, in which the muzzle is broad and rounded and quite unlike that of the Suidae, while the crowns of the cheek-teeth form a distinctly trefoil pattern, when partially worn, which is only foreshadowed

The extinct Anthracotheriidae were evidently nearly allied to the Hippopotamidae, of which they are in all probability the ancestral stock. They agree, for instance, with that family in the presence of a descending flange at the hinder end of each side of the lower jaw; but their dentition is of a more generalized type, comprising the full series of 44 teeth, among which the incisors and canines are of normal form, but specially enlarged, and developing roots in the usual manner. The molars are partially selenodont in the typical genus Anthracotherium, with five cusps, or columns, on the crowns of those of the upper jaw, which are nearly square. The genus has a very wide distribution, extending from Europe through Asia to North America, and occurring in strata which are of Oligocene and Miocene age. In Ancodon (Hyopotamus) the cusps on the molars are taller, so that the dentition is more decidedly selenodont; the distribution of this genus includes not only Europe, Asia and North Africa, but also Egypt where it occurs in Upper Eocene beds in company with the European genus Rhagatherium, which is nearer Anthracotherium. On the other hand, in Merycopotamus, of the Lower Pliocene of India and Burma, the upper molars have lost the fifth intermediate cusp of Ancodon; and thus, although highly selenodont, might be easily modified, by a kind of retrograde development, into the trefoil-columned molars of Hippopotamus. In the above genera, so far as is known, the feet were four-toed, although with the lateral digits relatively small; but in Elotherium (or Entelodon), from the Lower Miocene of Europe and the Oligocene of North America, the two lateral digits in each foot had disappeared. This is the more remarkable seeing that Elotherium may be regarded as a kind of bunodont Anthracotherium. It shows the characteristic hippopotamus-flange to the lower jaw, but has also a large descending process from the jugal bone of the zygomatic arch of the skull. Finally, we have in the Pliocene of India the genus Tetraconodon, remarkable for the enormous size attained by the bluntly conical premolars; as the molars are purely bunodont, this genus seems to be a late and specialized survivor of a primitive type. (R. L.)

ARTISAN, or ARTIZAN, a mechanic; a handicraftsman in distinction to an artist. The English word (from Late Lat. artitianus, instructed in arts) at one time meant" artist," but has been restricted to signify the operative workman only.

ARTOIS, an ancient province of the north of France, corresponding to the present department of Pas de Calais, with the exclusion of the arrondissements of Boulogne and Montreuil, which belonged to Picardy. It is a rich and well-watered country, producing abundance of grain and hops, and yielding excellent pasture for cattle. The capital of the province was Arras, and the other important places were Saint-Omer, Béthune, Aire, Hesdin, Bapaume, Lens, Lillers, Saint-Pol and SaintVenant. The name Artois (still more corrupted in "Arras ") is derived from the Atrebates, who possessed the district in the time of Caesar. From the 9th to the 12th century Artois belonged to the counts of Flanders. It was bestowed in 1180 on Philip Augustus of France by Philip of Alsace, as the dowry of his niece Isabella of Hainaut. At her death in 1190, Baldwin IX., count of Flanders (d. 1206), and then his son-in-law, Ferrand (Ferdinand) of Portugal, count of Flanders, disputed the possession of the country with the king of France, Ferrand being in the coalition which was overthrown by Philip Augustus at Bouvines (1214). In 1237 Artois, which was raised to a countship the following year, was conferred as an appanage by Saint Louis on his brother

1811) two Rembrandts each realized 5000 guineas," The Woman taken in Adultery," now in the National Gallery, and "The Master Shipbuilder," now at Buckingham Palace. The Beckford sale of 1823 (41 days, £43,869) was the forerunner of the great art dispersal of the 19th century; Horace Walpole's accumulation at Strawberry Hill, 1842 (24 days, £33,450), and the Stowe collection, 1848 (41 days, £75,562), were also celebrated. They comprised every phase of art work, and in all the quality was of a very high order. They acted as a most healthy stimulus to art collecting, a stimulus which was further nourished by the sales of the superb collection of Ralph Bernal in 1855 (32 days, £62,690), and of the almost equally fine but not so comprehensive collection of Samuel Rogers, 1856 (18 days, £42,367). Three years later came the dispersal of the 1500 pictures which formed Lord Northwick's gallery at Cheltenham (pictures and works of art, 18 days, £94,722).

Robert, who died on crusade in 1250. His son, Robert II., took | Leonardo da Vinci; and when at the Lafontaine sales (1807 and part in the wars in Navarre, Sicily, Guienne and Flanders, and was killed at the battle of Courtrai in 1302. After his death, his son Philip having predeceased him (1298), Artois was adjudged to his daughter Mahaut, or Matilda, as against her nephew Robert, son of Philip, who attempted to support his claim to the countship by forged titles. Banished from France for this crime (1322), Robert of Artois took refuge in England, where he became earl of Richmond, and incited Edward III. to make war upon Philip of Valois. His descendants, the counts of Eu (q.v.), continued to style themselves counts of Artois. By the marriage of Mahaut (d. 1329) with Otto IV., Artois passed to the house of Burgundy, in whose possession it remained till the marriage of Mary, the daughter of Charles the Bold, to the archduke Maximilian brought it to the house of Austria. Louis XI., however, occupied portions of Artois, and the claims of Austria were contested by France until the treaty of Senlis (1493). The emperor Charles V. established the council of Artois, with sovereign authority. At the end of the Thirty Years' War Artois was again conquered by the French, and the conquest was ratified in the treaty of the Pyrenees (1659) by Spain, to whom the province had fallen in 1634. During the war between France and Holland (1672-77) and that of the Spanish Succession, Artois was invaded again, but the treaties of Nijmwegen (1678) and of Utrecht (1713) confirmed the sovereignty of France. The title of count of Artois was borne by Charles X. of France before his accession to the throne. This new creation became extinct on the death of the comte de Chambord in 1883.

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· ART SALES. The practice of selling objects of art by auction
in England dates from the latter part of the 17th century, when
in most cases the names of the auctioneers were suppressed.
Evelyn (under date June 21, 1693) mentions "great auction of
pictures (Lord Melford's) in the Banquetting House, Whitehall,"
and the practice is frequently referred to by other contemporary
and later writers. Before the introduction of regular auctions
the practice was, as in the case of the famous collection formed
by Charles I., to price each object and invite purchasers, just as
in other departments of commerce. But this was a slow process,
especially in the case of pictures, and lacked the incentive of
excitement. The first really important art collection to come
under the hammer was that of Edward, earl of Oxford, dispersed
by Cock, under the Piazza, Covent Garden, on 8th March 1741/2
and the five following days, six more days being required by
the coins. Nearly all the leading men of the day, including
Horace Walpole, attended or were represented at this sale, and
the prices varied from five shillings for an anonymous bishop's
"head
to 165 guineas for Vandyck's group of “Sir Kenelm
Digby, lady, and son." The next great dispersal was Dr Richard
Mead's extensive collection, of which the pictures, coins and
gems, &c., were sold by Langford in February and March 1754,
the sale realizing the total, unprecedented up to that time, of
£16,069. The thirty-eight days' sale (1786) of the Duchess of
Portland's collection is very noteworthy, from the fact that it
included the celebrated Portland vase, now in the British
Museum. Many other interesting and important 18th-century
sales might be mentioned. High prices did not become general
until the Calonne, Trumbull (both 1795) and Bryan (1798) sales.
As to the quality of the pictures which had been sold by auction
up to the latter part of the 18th century, it may be assumed that
this was not high. The importation of pictures and other objects
of art had assumed extensive proportions by the end of the 18th
century, but the genuine examples of the Old Masters probably
fell far short of 1%. England was felt to be the only safe
asylum for valuable articles, but the home which was intended to
be temporary often became permanent. Had it not been for the
political convulsions on the continent, England, instead of being
one of the richest countries in the world in art treasures, would
have been one of the poorest. This fortuitous circumstance had,
moreover, another effect, in that it greatly raised the critical
knowledge of pictures. Genuine works realized high prices, as,
lor example, at Sir William Hamilton's sale (1801), when Beckford
paid 1300 guineas for the little picture of "A Laughing Boy "by

Towards the latter part of the first half of the 19th century an entirely new race of collectors gradually came into existence; they were for the most part men who had made, or were making, large fortunes in the various industries of the midlands and north of England and other centres. They were untrammelled by collecting" traditions, and their patronage was almost exclusively extended to the artists of the day. The dispersals of these collections began in 1863 with the Bicknell Gallery, and continued at irregular intervals for many years, e.g. Gillott (1872), Mendel (1875), Wynn Ellis and Albert Levy (1876), Albert Grant (1877) and Munro of Novar (1878). These patrons purchased at munificent prices either direct from the easel or from the exhibitions not only pictures in oils but also watercolour drawings. As a matter of investment their purchases frequently realized far more than the original outlay; sometimes, however, the reverse happened, as, for instance, in the case of Landseer's "Otter Hunt," for which Baron Grant is said to have paid £10,000 and which realized shortly afterwards only 5650 guineas. One of the features of the sales of the 'seventies was the high appreciation of water-colour drawings. At the Gillott sale (1872) 160 examples realized £27,423, Turner's "Bamborough Castle" fetching 3150 gns.; at the Quilter sale (1875) David Cox's "Hayfield," for which a dealer paid him 50 gns. in 1850, brought 2810 gns. The following are the most remarkable prices of later years. In 1895 Cox's Welsh Funeral (which cost about £20) sold for 2400 gns., and Burne-Jones's Hesperides for 2460 gns. In 1908, 13 Turner drawings fetched £12,415 (Acland-Hood sale) and 7 brought £11,077 (Holland sale), the " Heidelberg" reaching 4200 gns. For Fred Walker's "Harbour of Refuge " 2580 gns. were paid (Tatham sale) and 2700 gns. for his Marlow Ferry" (Holland). The demand for pictures by modern artists, whose works sold at almost fabulous prices in the 'seventies, has somewhat declined; but during all its furore there was still a small band of collectors to whom the works of the Old Masters more especially appealed. The dispersal of such collections as the Bredel (1875), Watts Russell (1875), Foster of Clewer Manor (1876), the Hamilton Palace (17 days, £397,562)—the greatest art sale in the annals of Great Britain--Bale (1882), Leigh Court (1884), and Dudley (1892) resulted, as did the sale of many minor collections each season, in many very fine works of the Old Masters finding eager purchasers at high prices. A striking example of the high prices given was the £24,250 realized by the pair of Vandyck portraits of a Genoese senator and his wife in the Peel sale, 1900.

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Since the last quarter of the 19th century the chief feature in art sales has been the demand for works, particularly female portraits, by Reynolds, his contemporaries and successors. This may be traced to the South Kensington Exhibitions of 1867 and 1868 and the annual winter exhibitions at Burlington House, which revealed an unsuspected wealth and charm in the works of many English artists who had almost fallen into oblivion, A few of the most remarkable prices for such pictures may be quoted: Reynolds's "Lady Betty Delmé" (1894), 11,000 gns.; Romney's "The Ladies Spencer (1896), 10,500 gns.;

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