Fig. 17.- Part of a wall hanging of tapestry woven (probably at Brussels early in the 16th century) with coloured wools and silks, which is one of a series designed, probably by some member of the school of Roger van der Weyden, to illustrate the Triumphs written by Petrarch. The episode represented is the Triumph of Chastity over Love. Falling from a triumphal car fitted with flaming altars or torches of love, and drawn by four winged white horses, is Cupid, whose left arm is grasped by Chastity mounted on a unicorn and carrying the column symbolizing Strength or Constancy. Foremost in the multitude about the car of Love are Cleopatra and Julius Caesar. In another part of this hanging is the date 1507. The height of this piece is 14 ft. This, with tapestries of the Triumph of Death and Fame, is in the Victoria and Albert Museum: one hanging of the Triumph of Time is at Hampton Court. Fig. 18. Brussels, early 16th century, hanging, covered with masses of flowers, on which are shields bearing the royal arms. Rutland. Now at Haddon Hall. The property of the duke of Fig 23.-Oudenarde tapestry, early 17th century. The design, "Dido and Eneas," rather in the style of J. van Straeten. Fig. 24. One of the four tapestry hangings of the "Seasons," of Winter with Aeolus in the centre, probably woven under the direction of Francis Hickes at William Sheldon's manufactory at Barcheston, in Warwickshire, early in the 17th century, and now at Hatfield House, |