And as kind Nature with calm diligence Whilst her great mistress, Nature, thus she tends, SIR W. DAVENANT (Gondibert). 299. THE LARK NOW LEAVES HIS WATERY NEST THE lark now leaves his watery nest And to implore your light he sings- The merchant bows unto the seaman's star, Who look for day before his mistress wakes. SIR W. DAVENANT. 300. THE FOLLY OF KNOWLEDGE I know my body's of so frail a kind, As force without, fevers within, can kill; I know my soul hath power to know all things, I know I'm one of nature's little kings, Yet to the least and vilest things am thrall. I know my life's a pain, and but a span; SIR J. DAVIES (The Immortality of the Soul). 301. WHEREVER GOD ERECTS A HOUSE OF PRAYER WHEREVER God erects a house of prayer, D. DEFOE (The True-born Englishman). 302. ART THOU POOR, YET HAST THOU GOLDEN SLUMBERS? ART thou poor, yet hast thou golden slumbers ? Art thou rich, yet is thy mind perplexèd ? Dost thou laugh to see how fools are vexèd Then hey nonny 'nonny, hey nonny nonny! Canst drink the waters of the crispèd spring? Swimm'st thou in wealth, yet sink'st in thine own tears? Then he that patiently want's burden bears, Then hey nonny nonny, hey nonny nonny! T. DEKKER (Patient Grissel). 303. COLD'S THE WIND COLD's the wind, and wet's the rain, Troll the bowl, the jolly nut-brown bowl, Let's sing a dirge for Saint Hugh's soul, T. DEKKER (The Shoemaker's Holiday). 304. GOLDEN SLUMBERS KISS YOUR EYES GOLDEN slumbers kiss your eyes, And I will sing a lullaby. Rock them, rock them, lullaby. you. Sleep, pretty wantons, do not cry, 305. THE THAMES THAMES! the most loved of all the Ocean's sons Hasting to pay his tribute to the sea, Like mortal life to meet eternity. Oh, could I flow like thee, and make thy, stream Though deep, yet clear; though gentle, yet not dull; SIR J. DENHAM (Cooper's Hill). 306. A PASSION OF MY LORD OF ESSEX In some unhaunted desert, most obscure Of worldly folk; then might he sleep secure ; Content with hips and haws and bramble-berry ; And change of holy thoughts to make him merry ; ROBERT DEVEREUX, EARL OF ESSEX. 307. TOM BOWLING HERE, a sheer hulk, lies poor Tom Bowling, No more he'll hear the tempest howling, His form was of the manliest beauty, His heart was kind and soft; Faithful below he did his duty, Tom never from his word departed, His friends were many and true-hearted, And then he'd sing so blithe and jolly, But mirth is turned to melancholy, Yet shall poor Tom find pleasant weather, Shall give, to call Life's crew together, Thus Death, who kings and tars dispatches, For though his body's under hatches, His soul is gone aloft. 308. THE IVY GREEN Он, a dainty plant is the Ivy green, Of right choice food are his meals I ween, C. DIBDIN. The wall must be crumbled, the stone decayed, And the mouldering dust that years have made Creeping where no life is seen, A rare old plant is the Ivy green. Fast he stealeth on, though he wears no wings, How closely he twineth, how tight he clings To his friend the huge Oak Tree! And slily he traileth along the ground, As he joyously hugs and crawleth round Creeping where grim death has been, Whole ages have fled and their works decayed, But the stout old Ivy shall never fade, From its hale and hearty green. The brave old plant in its lonely days, For the stateliest building man can raise, Creeping on, where time has been, C. DICKENS. 309. KEITH OF RAVELSTON THE murmur of the ghost mourning | That keeps the shadowy kine ;— 'Oh, Keith of Ravelston, The sorrows of thy line!' Ravelston, Ravelston, The merry path that leads Down the golden morning hill And through the silver meads; Ravelston, Ravelston, The stile beneath the tree, The maid that kept her mother's kine, The song that sang she! She sang her song, she kept her kine, She sat beneath the thorn, When Andrew Keith of Ravelston Rode through the Monday morn. His henchmen sing, his hawk-bells ring, His belted jewels shine! Oh, Keith of Ravelston, The sorrows of thy line! Year after year, where Andrew came, Comes evening down the glade; And still there sits a moonshine ghost Where sat the sunshine maid. Her misty hair is faint and fair, She keeps the shadowy kine ;Oh, Keith of Ravelston, The sorrows of thy line! I lay my hand upon the stile, She keeps her shadowy kine ;— Oh, Keith of Ravelston, The sorrows of thy line! Step out three steps, where Andrew stood Why blanch thy cheeks for fear? The ancient stile is not alone, 'Tis not the burn I hear! Do what thou canst for altera- Beyond time, place, and all tion, For hearts of truest mettle Absence doth join and time doth settle. mortality. To hearts that cannot vary Absence is present, time doth tarry. |