The Subtext of Form in the English Renaissance: Proportion Poetical

according actuality Aesop aesthetic Alberti architecture Astrophil authority Barnett Newman binary system Cambridge century circle companion poems comprise construction couplet course Culler culture deconstruction defined deity Derrida discourse divine Elizabethan entity Euphues example fable fictional space formal properties frame Giacomo Giacomo da Lentini Harington human hylocentric ichnographic interpretation Jacques le Fèvre language lines linguistic literary logocentric logos London Lyly mathematical meaning Medieval metrical narrative narrator nature octave ontology opposites Oronce Finé painter painting panel perspective Petrarch Petrarch's Philautus Plato platonist Plutarch Poesie poet poetics poetry position poststructuralist Primaudaye produce Pythagorean tuning quadratura quatorzain ratio reader reading reality Renaissance rhyme scheme Saussure sense sestet Sidney signified and signifier Socrates song sonnet Spenser square stanza Stella subtext of form Surrey's theory thereby things tion topos trans University Press verbal system verse Vitruvius word