ADVERTISEMENT.

THE Author of this tragedy has simply to remark, that there is not an Act-hardly a Scene-of it, that is not indebted for improvement, to the talents and taste of his Friend, Mr. MACREADY; and that he cannot find terms adequate to convey his sense of the liberality with which he has been treated by Mr. ELLISTON.

FLAMINIUS.-Toga, with red border.

OPIMIUS.-First dress-Toga, with bordered tunic, russet sandals. Second dress-Armour, black sandals. FANNIUS. TUDITANUS.

Bordered toga and sandals.

CAIUS GRACCHUS.-First dress-Stone-coloured toga, white tunic, and red sandals. Second dressScarlet toga.

DRUSUS.-Plain toga, and black sandals.

LICINIUS. First dress-Plain toga. Second dress -Breastplate and lambrokeins.

POMPONIUS.

VETTIUS.

First dress-Plain togas, with mourning. Second dress-Breastplate, and lambrokeins.

TITUS.-Buff shalloon robe, white shirt, flesh legs, and black sandals.

PROBUS.-Drab serge shirt, flesh legs, and russet

sandals.

MARCUS.-Fawn-coloured vest, and drab robe.

SEXTUS. Common drab serge shirts, and russet QUINTUS. sandals.

LICTOR.-White shirt, breastplate, and lambro

keins.

LUCIUS.-White shirt, and red robe.

CORNELIA.-Scarlet cloth dress and robe, gold tiara, fastened behind with white ribbons.

LICINIA.-White dress and robe, white ribbon tied round the head, and long ends hanging down behind.

LIVIA. White dress and robe, fully trimmed with neat Grecian border of red, and white ribbon round the head.

Cast of the Characters in the Tragedy of CAIUS GRACCHUS, at the Theatre

Priests, Lictors, Soldiers, Citizens, &c. &c.

SCENE, chiefly Rome.

The passages marked with inverted commas are omitted

in the representation.

The Conductors of this Work print no Plays but those which they have seen acted. The Stage Directions are given from their own personal observations, during the most recent performances.

The instant a Character appears upon the Stage, the point of Entrance, as well as every subsequent change of Position, till its Exit, is noted, with a fidelity which may in all cases be relied on; the object being, to establish this Work as a Standard Guide to the Stage business, as now conducted on the London boards.

EXITS and ENTRANCES.

R. means Right; L. Left; R. D. Right Door; L. D. Left Door; S. E. Second Entrance; U. E. Upper Entrance; M.D. Middle Door RELATIVE POSITIONS.

R. means Right; L. Left; C Centre: R. C. Right of Centre; L. C. Left of Centre. The following view of the Stage with Five Performers in front, will, it is presumed, fully demonstrate the Relative Positions. The Reader is supposed to be on the Stage, facing the Audience

LU