The Time is Out of Joint: Shakespeare as Philosopher of HistoryRowman & Littlefield, 2002 - 375 էջ The Time Is Out of Joint handles the Shakespearean oeuvre from a philosophical perspective, finding that Shakespeare's historical dramas reflect on issues and reveal puzzles which were taken up by philosophy proper only in the centuries following them. Shakespeare's extraordinary handling of time and temporality, the difference between truth and fact, that of theory, and that of interpretation and revelatory truth are evaluated in terms of Shakespeare's own conjectural endeavors, and are compared with early modern, modern, and postmodern thought. Heller shows that modernity, which recognized itself in Shakespeare only from the time of Romanticism, found in Shakespeare's work a revelatory character which marked the end of both metaphysical system-building and a tragic reckoning with the inaccessibility of an absolute, timeless truth. Heller distinguishes the four stages found in constantly unique relation in Shakespeare's work (historical, personal, political, and existential) and probes their significance as time comes to fall 'out of joint' and may be again set aright. Rather than initially bestowing upon Shakespeare the dubious honorary title of philosopher, Heller probes the concretely situated reflections of characters who must face a blind and irrational fate either without taking responsibility for the discordance of time, or with a responsibility which may both transform history into politics, and set right the time which is out of joint. In the ruminations and undertakings of these characters, Shakespeare's dramas present a philosophy of history, a political philosophy, and a philosophy of (im)moral personality. Heller weighs each as distinctly modern confrontations with the possibility of truth and virtue within a human historical condition no less multifarious for its momentariness. |
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Արդյունքներ 78–ի 1-ից 5-ը:
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... Richard II 163 10 1 , 2 , and 3 Henry VI 191 11 The Tragedy of King Richard III 253 Part III : Three Roman Plays 12 Coriolanus 281 13 vii Introduction.
... Richard II 163 10 1 , 2 , and 3 Henry VI 191 11 The Tragedy of King Richard III 253 Part III : Three Roman Plays 12 Coriolanus 281 13 vii Introduction.
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... Richard II become new men : they win the prize of a present time that has never been their past . What a person does with the great moment of sudden insight belongs to the contingent ele- ments in Shakespeare's stories ( as constituted ...
... Richard II become new men : they win the prize of a present time that has never been their past . What a person does with the great moment of sudden insight belongs to the contingent ele- ments in Shakespeare's stories ( as constituted ...
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... Richard II ( 5.6 ) . Northum- berland enters : " The next news is , I have to London sent / The heads of Salisbury , Spencer , Blunt and Kent " ( 5.6.7-8 ) . Fitzwater enters : “ My lord , I have from Oxford sent to London the heads of ...
... Richard II ( 5.6 ) . Northum- berland enters : " The next news is , I have to London sent / The heads of Salisbury , Spencer , Blunt and Kent " ( 5.6.7-8 ) . Fitzwater enters : “ My lord , I have from Oxford sent to London the heads of ...
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... Richard , the Duke of Gloucester , both in 3 Henry VI and in Richard III . In another type of monologue , the character presents him- self with different options for action and ruminates about his choices . This inner dialogue is ...
... Richard , the Duke of Gloucester , both in 3 Henry VI and in Richard III . In another type of monologue , the character presents him- self with different options for action and ruminates about his choices . This inner dialogue is ...
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... Richard II , Henry VI ( 1 , 2 , 3 ) , and Richard III from the English history plays ; and , in Part III , Coriolanus , Julius Caesar , and Antony and Cleopatra all three Roman tragedies . I pro- ceed with my discussion following the ...
... Richard II , Henry VI ( 1 , 2 , 3 ) , and Richard III from the English history plays ; and , in Part III , Coriolanus , Julius Caesar , and Antony and Cleopatra all three Roman tragedies . I pro- ceed with my discussion following the ...
Բովանդակություն
What Is Nature? What Is Natural? | 13 |
Who Am I? Dressing Up Stripping Naked | 31 |
Acting Playing Pretending Disguising | 55 |
The Absolute Strangers | 73 |
Judgment of Human Character To Betray and to Be Betrayed | 87 |
Love Sex Subversion Political Drama Family Drama | 97 |
The Sphinx Called Time | 115 |
Virtues and Vices Guilt Good and Evil | 141 |
Richard II | 161 |
1 2 and 3 Henry VI | 189 |
The Tragedy of King Richard III | 251 |
THREE ROMAN PLAYS | 277 |
Antony and Cleopatra | 335 |
Historical Truth and Poetic Truth | 333 |
About the Author | 341 |
THE HISTORY PLAYS | 159 |
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