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it began to be used. They ascribe it to that remote people whom they refer to as the antiguos.

And a strong circumstance to induce the belief that it was once used by the inhabitants of a populous city, is the deep track worn in the rock. For ages the region around has been desolate, or occupied only by a few Indians during the time of working in the milpas. Their straggling footsteps would never have made that deep track. It could only have been made by the constant and long-continued tread of thousands.

Nathaniel Parker Willis.

BORN in Portland, Me., 1806. DIED at "Idel wild," near Newburgh, N. Y., 1867.

UNSEEN SPIRITS,

[Poems, Sacred, Passionate, and Humorous.-Complete Edition. 1864.]

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LIT

No mercy now can clear her brow

For this world's peace to pray;

For, as love's wild prayer dissolved in air,
Her woman's heart gave way!—

But the sin forgiven by Christ in heaven
By man is cursed alway!

AT LADY BLESSINGTON'S.

[From "Pencillings by the Way."-Prose Works. 1850.]

FRIEND in Italy had kindly given me a letter to Lady Blessing

ton, and with a strong curiosity to see this celebrated lady, I called on the second day after my arrival in London. It was "deep i' the afternoon," but I had not yet learned the full meaning of "town. hours." "Her ladyship had not come down to breakfast." I gave the letter and my address to the powdered footman, and had scarce reached home when a note arrived inviting me to call the same evening

at ten.

In a long library lined alternately with splendidly bound books and mirrors, and with a deep window of the breadth of the room, opening upon Hyde Park, I found Lady Blessington alone. The picture to my eye as the door opened was a very lovely one. A woman of remarkable beauty half buried in a fauteuil of yellow satin, reading by a magnificent lamp, suspended from the centre of the arched ceiling; sofas, couches, ottomans, and busts, arranged in rather a crowded sumptuousness through the room; enamel tables, covered with expensive and elegant trifles in every corner, and a delicate white hand relieved on the back of a book, to which the eye was attracted by the blaze of its diamond rings. As the servant mentioned my name, she rose and gave me her hand very cordially, and a gentleman entering immediately after, she presented me to her son-in-law, Count D'Orsay, the well-known Pelham of London, and certainly the most splendid specimen of a man and a well-dressed one that I had ever seen. Tea was brought in immediately, and conversation went swimmingly on.

Her ladyship's inquiries were principally about America, of which, from long absence, I knew very little. She was extremely curious to know the degrees of reputation the present popular authors of England enjoy among us, particularly Bulwer, Galt, and D'Israeli (the author of "Vivian Grey"). "If you will come to-morrow night," she said, "you will see Bulwer. I am delighted that he is popular in America. He is envied and abused by all the literary men of London, for nothing, I believe, ex

VOL. VI.-17

cept that he gets five hundred pounds for his books and they fifty, and knowing this, he chooses to assume a pride (some people call it puppyism), which is only the armor of a sensitive mind, afraid of a wound. He is to his friends the most frank and gay creature in the world, and open to boyishness with those who he thinks understand and value him. He has a brother, Henry, who is as clever as himself in a different vein, and is just now publishing a book on the present state of France. Bulwer's wife, you know, is one of the most beautiful women in London, and his house is the resort of both fashion and talent. He is just now hard at work on a new book, the subject of which is the last days of Pompeii. The hero is a Roman dandy, who wastes himself in luxury, till this great catastrophe rouses him and develops a character of the noblest capabilities. Is Galt much liked?"

I answered to the best of my knowledge that he was not. His life of Byron was a stab at the dead body of the noble poet, which, for one, I never could forgive, and his books were clever, but vulgar. He was evidently not a gentleman in his mind. This was the opinion I had formed in America, and I had never heard another.

"I am sorry for it," said Lady B., "for he is the dearest and best old man in the world. I know him well. He is just on the verge of the grave, but comes to see me now and then, and if you had known how shockingly Byron treated him, you would only wonder at his sparing his memory so much."

"Nil mortuis nisi bonum," I thought would have been a better course. If he had reason to dislike him, he had better not have written since he was dead.

"Perhaps perhaps. But Galt has been all his life miserably poor, and lived by his books. That must be his apology. Do you know the D'Israelis in America?"

I assured her ladyship that the "Curiosities of Literature," by the father, and "Vivian Grey" and "Contarini Fleming," by the son, were universally known.

I am pleased at that, too, for I like them both. D'Israeli, the elder, came here with his son the other night. It would have delighted you to see the old man's pride in him. He is very fond of him, and as he was going away, he patted him on the head, and said to me, 'Take care of him, Lady Blessington, for my sake. He is a clever lad, but he wants ballast. I am glad he has the honor to know you, for you will check him sometimes when I am away!' D'Israeli, the elder, lives in the country, about twenty miles from town, and seldom comes up to London. He is a very plain old man in his manners, as plain as his son is the reD'Israeli, the younger, is quite his own character of Vivian Grey, crowded with talent, but very soigné of his curls, and a bit of a coxcomb.

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