Synectics: the development of creative capacity |
From inside the book
Արդյունքներ 21–ի 1-ից 3-ը:
Էջ 39
A : Well , my hands are getting . . . too hot to hold I guess at least one hand , that is . . . the one that's acting like a clutch slipping . C : B , how about you hopping into the box . · • · B : I see myself in there but I can't do ...
A : Well , my hands are getting . . . too hot to hold I guess at least one hand , that is . . . the one that's acting like a clutch slipping . C : B , how about you hopping into the box . · • · B : I see myself in there but I can't do ...
Էջ 107
Not all possible points of connection are intended to hold . It is left to our minds to complete the connection . This encourages us to see and feel much or little , depending upon our richness of association , thus opening the ...
Not all possible points of connection are intended to hold . It is left to our minds to complete the connection . This encourages us to see and feel much or little , depending upon our richness of association , thus opening the ...
Էջ 122
square law does not hold , where energy can be transmitted entire over any distance from point to point . Tipping the world upside- down affects the creative process in several different ways . An ini- tial playful speculation about a ...
square law does not hold , where energy can be transmitted entire over any distance from point to point . Tipping the world upside- down affects the creative process in several different ways . An ini- tial playful speculation about a ...
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Բովանդակություն
THE OPERATIONAL MECHANISMS | 33 |
SYNECTICS IN THE INDUSTRIAL MODEL | 57 |
THE COMMONPLACE AND EXPERTISE | 92 |
Հեղինակային իրավունք | |
2 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
ability accept activity actual Analogy apparent artist attempt basic become Books build Cambridge candidate client closed commonplace concept concrete conscious continually course creative process described developed Direct effective effort elements example experience fact familiar Fantasy feeling force function give given hand hold human idea identified imagination implied increase individual industrial insight interview intuition invention involved irrelevant John kind language lead learned logical London look mean mechanisms metaphor mind nature Object observed operational paint person phase play possible potential practice present problem psychological response result roof Science scientific selection sense sessions solution spring strange success Symbolic Synectics group Synectics theory Synectors tapes technical technique things thought tion understand understood University Press viewpoint whole York