Synectics: the development of creative capacity |
From inside the book
Արդյունքներ 23–ի 1-ից 3-ը:
Էջ 14
criterion which can be demanded of something re- duced to practice , it is impossible to get the specificity and con- creteness necessary to the evolution and proof of principle . A corollary to the experience of implementation is the ...
criterion which can be demanded of something re- duced to practice , it is impossible to get the specificity and con- creteness necessary to the evolution and proof of principle . A corollary to the experience of implementation is the ...
Էջ 32
Even though the mechanisms are concrete they too must be learned through practice . It is one thing to attain a theoretical grasp of these mechanisms and another mat- ter to absorb them into one's natural modus operandi .
Even though the mechanisms are concrete they too must be learned through practice . It is one thing to attain a theoretical grasp of these mechanisms and another mat- ter to absorb them into one's natural modus operandi .
Էջ 121
... finger tapped on its nose ; ( 2 ) serious practice - one young dog seizes another dog's throat in practical play ; and ( 3 ) conscious play - a mature dog mouths his master's hand in a make - believe attack and growls menacingly .
... finger tapped on its nose ; ( 2 ) serious practice - one young dog seizes another dog's throat in practical play ; and ( 3 ) conscious play - a mature dog mouths his master's hand in a make - believe attack and growls menacingly .
What people are saying - Write a review
We haven't found any reviews in the usual places.
Բովանդակություն
THE OPERATIONAL MECHANISMS | 33 |
SYNECTICS IN THE INDUSTRIAL MODEL | 57 |
THE COMMONPLACE AND EXPERTISE | 92 |
Հեղինակային իրավունք | |
2 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
ability accept activity actual Analogy apparent artist attempt basic become Books build Cambridge candidate client closed commonplace concept concrete conscious continually course creative process described developed Direct effective effort elements example experience fact familiar Fantasy feeling force function give given hand hold human idea identified imagination implied increase individual industrial insight interview intuition invention involved irrelevant John kind language lead learned logical London look mean mechanisms metaphor mind nature Object observed operational paint person phase play possible potential practice present problem psychological response result roof Science scientific selection sense sessions solution spring strange success Symbolic Synectics group Synectics theory Synectors tapes technical technique things thought tion understand understood University Press viewpoint whole York