Joyce's Waking Women: An Introduction to Finnegans WakeUniversity of Wisconsin Press, 1995 - 162 էջ Inspired by the work of such French theorists as Luce Irigaray and Jacques Lacan, Joyce's Waking Women is the first book-length feminist study of James Joyce's Finnegans Wake. Sheldon Brivic's engaging style makes his guide an ideal introduction for students and others just getting their feet wet in the riverrun of Joyce's language. Helping newcomers gain the sensibility and skills essential to reading any part of the book, Brivic focuses on its many strands of feminine narrative, especially the two remarkably beautiful sections that highlight Anna Livia Plurabelle. Anna Livia, Brivic argues, embodies a radical vision of how women are entrapped and how they will free themselves. He sees her speech as the first - and last - testament of a multiracial, international heroine whose dreams for the future merge with a determination to reject male authority. |
From inside the book
Արդյունքներ 30–ի 1-ից 3-ը:
Էջ 50
... play the role of a woman , as is indicated by tears . That the suffering shared by the washers unites them intensely is shown by their language : " ... love ! ... We'll meet again , we'll part once more " ( FW 215.4–5 ) . Possibly ...
... play the role of a woman , as is indicated by tears . That the suffering shared by the washers unites them intensely is shown by their language : " ... love ! ... We'll meet again , we'll part once more " ( FW 215.4–5 ) . Possibly ...
Էջ 96
... play . Cleopatra has many weaknesses , and unlike ALP , she never really questions her devotion to her man . It does ... playing the role of the tyran- nical husband . These poems gain power by presenting situations where the missing man ...
... play . Cleopatra has many weaknesses , and unlike ALP , she never really questions her devotion to her man . It does ... playing the role of the tyran- nical husband . These poems gain power by presenting situations where the missing man ...
Էջ 101
... play you're the king of Aeships . ( FW 624.36-625.4 ) McHugh says that “ Marienne chérie ” is a name for the French ... plays Pharaoh or the King of Asia or of the Fairies ( Aos - sidhe ) , or an airplane pilot , she seems to want these ...
... play you're the king of Aeships . ( FW 624.36-625.4 ) McHugh says that “ Marienne chérie ” is a name for the French ... plays Pharaoh or the King of Asia or of the Fairies ( Aos - sidhe ) , or an airplane pilot , she seems to want these ...
Բովանդակություն
Joyce toward Women | 3 |
Two Songs | 26 |
The Voice of the River | 35 |
Հեղինակային իրավունք | |
9 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
African ALP's Anna Livia Anna Livia Plurabelle Anna's Antigone appears argues beauty Bloom body called chapel chapter cited Cleopatra cloak clogh culture daughter death Deborah desire discourse Doddpebble dream écriture féminine expresses father feeling female feminine feminism feminist Finnegans Wake freedom gender girls goal gossip HCE and ALP HCE's heroine idea identity implies indicates Irigaray Irigaray's Irish Issy Issy's James Joyce Joyce's Kiswahili Lacan says language letter linked lover Magrath male marriage Martin masculine means mind Molly mother passage passive patriarchal phallic phallus polarity position Quickenough reading refers relation represents river role seems sexual Shaun shows side signifier singing Sisera Slavoj Žižek soliloquy song of dawn Song of Deborah speaks Stephen Stephen Dedalus structure suggests Symbolic order tell tion tragic Tristan Ulysses vision voice Wake's washers woman women word