Movie, Թողարկում 22-25

Alice American cinema Apache artist audience becomes Bertolucci's Blanche bourgeois camera central characters Charisse child critical crucial culture Cyd Charisse dance Danglard director Disney Dog Day Afternoon Douglas Sirk dramatic Ellen emotional expression Fabrizio father feel film film noir film's final Ford Ford's Fort Apache Fred Astaire genre girl going Ham's hero Hollywood ideology Judy Garland Kelly killed Lana Turner Last Tango Liberty Valance Longest Yard look Mandingo Marcello Maria marriage Maxwell Mede melodrama mother movement movie narrative nature picture Pinocchio play political present production realise relationship repression role scene seems sense sequence sexual shot Shot Liberty Valance show-making simply singing Sirk slaves social society song Sound of Music stage star story structure studio style suggests takes television tensions theatre theme thing tion tradition Turner visual Western woman women Ziegfeld Ziegfeld Girl