The Actor and the TextHal Leonard Corporation, 1992 - Всего страниц: 303 (Applause Acting Series). These words of Cicely Berry, the voice director of the Royal Shakespeare Company, speak to anyone who needs to speak his or her piece in any arena, at sales meetings or religious revivals. Berry's book will insure that the speaker and the text gets heard accurately and with true emotional range. Never again will one be accused of simply "reading a prepared statement." Berry's exercises to develop relaxation, breathing and muscular control will literally help everyone breathe easier when confronting the printed page. |
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... Castle er with drum and colours BOLINGBROK NORTHUMBERLAND ) , arrendants , and so CICELY BERRY faintly VOICE DIRECTOR , THE ROYAL SHAKESPEARE COMPANY THE ACTOR AND THE TEXT Other Titles from The Applause. THE ACTOR Front Cover.
... Castle er with drum and colours BOLINGBROK NORTHUMBERLAND ) , arrendants , and so CICELY BERRY faintly VOICE DIRECTOR , THE ROYAL SHAKESPEARE COMPANY THE ACTOR AND THE TEXT Other Titles from The Applause. THE ACTOR Front Cover.
Стр. 2
... SHAKESPEARE Charles Marowitz SHAKESCENES : SHAKESPEARE FOR TWO John Russell Brown SPEAK WITH DISTINCTION Edith Skinner STANISLAVSKI REVEALED Sonia Moore STANISLAVSKI TECHNIQUE : RUSSIA Mel Gordon THE CRAFTSMEN OF DIONYSUS Jerome ...
... SHAKESPEARE Charles Marowitz SHAKESCENES : SHAKESPEARE FOR TWO John Russell Brown SPEAK WITH DISTINCTION Edith Skinner STANISLAVSKI REVEALED Sonia Moore STANISLAVSKI TECHNIQUE : RUSSIA Mel Gordon THE CRAFTSMEN OF DIONYSUS Jerome ...
Стр. 3
... AND THE TEXT CICELY BERRY VOICE DIRECTOR OF THE ROYAL SHAKESPEARE COMPANY NEW AND REVISED with a new foreword BY TREVOR NUNN APPLAUSE BOOKS This One B7UC - 4SS - E5U8 To the memory of my husband Harry Moore THE ACTOR.
... AND THE TEXT CICELY BERRY VOICE DIRECTOR OF THE ROYAL SHAKESPEARE COMPANY NEW AND REVISED with a new foreword BY TREVOR NUNN APPLAUSE BOOKS This One B7UC - 4SS - E5U8 To the memory of my husband Harry Moore THE ACTOR.
Стр. 4
... Shakespeare , William , 1564-1616 – Dramatic production . 3 . Shakespeare , William , 1564-1616 - Language . 4. Voice culture - Exercises . I. Title . II . Series PN2061.B434 792'.028 - dc20 1992 Applause Theatre & Cinema Books 19 West ...
... Shakespeare , William , 1564-1616 – Dramatic production . 3 . Shakespeare , William , 1564-1616 - Language . 4. Voice culture - Exercises . I. Title . II . Series PN2061.B434 792'.028 - dc20 1992 Applause Theatre & Cinema Books 19 West ...
Стр. 5
... Shakespeare - Setting out the Rules Chapter Three : Metre and Rhythm 52 Chapter Four : Structures , Energy , Imagery and Sound 82 1 Energy through the text 82 2 Antithesis 90 3 Substance of the word 95 4 Discovery and movement of ...
... Shakespeare - Setting out the Rules Chapter Three : Metre and Rhythm 52 Chapter Four : Structures , Energy , Imagery and Sound 82 1 Energy through the text 82 2 Antithesis 90 3 Substance of the word 95 4 Discovery and movement of ...
Содержание
V | 16 |
VI | 17 |
VII | 26 |
VIII | 34 |
X | 53 |
XII | 54 |
XV | 84 |
XVII | 92 |
XXXVI | 180 |
XXXVII | 187 |
XXXVIII | 191 |
XL | 207 |
XLIII | 215 |
XLIV | 222 |
XLV | 231 |
XLVI | 242 |
XVIII | 97 |
XIX | 106 |
XX | 112 |
XXI | 117 |
XXII | 123 |
XXIII | 130 |
XXIV | 141 |
XXVI | 142 |
XXVIII | 145 |
XXXI | 150 |
XXXII | 159 |
XXXIII | 173 |
XLVII | 253 |
XLIX | 255 |
L | 256 |
LI | 257 |
LII | 262 |
LIV | 267 |
LV | 275 |
LVI | 276 |
LIX | 287 |
299 | |
LXI | 303 |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible prose reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |