The Actor and the TextHal Leonard Corporation, 1992 - Всего страниц: 303 (Applause Acting Series). These words of Cicely Berry, the voice director of the Royal Shakespeare Company, speak to anyone who needs to speak his or her piece in any arena, at sales meetings or religious revivals. Berry's book will insure that the speaker and the text gets heard accurately and with true emotional range. Never again will one be accused of simply "reading a prepared statement." Berry's exercises to develop relaxation, breathing and muscular control will literally help everyone breathe easier when confronting the printed page. |
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Стр. 5
... Energy , Imagery and Sound 82 1 Energy through the text 82 2 Antithesis 90 3 Substance of the word 95 4 Discovery and movement of thought 104 5 Nature of the image , its logic , and its inquiry into nature 110 6 Argument and emotion 7 ...
... Energy , Imagery and Sound 82 1 Energy through the text 82 2 Antithesis 90 3 Substance of the word 95 4 Discovery and movement of thought 104 5 Nature of the image , its logic , and its inquiry into nature 110 6 Argument and emotion 7 ...
Стр. 6
Cicely Berry. Chapter Seven : Metre and Energy 1 Metre 171 171 2 Energy through the text 178 3 Subversion — or making language your own 185 Chapter Eight : Acting , Text and Style 189 Chapter Nine : Further Points of Text 205 1 Prose 2 ...
Cicely Berry. Chapter Seven : Metre and Energy 1 Metre 171 171 2 Energy through the text 178 3 Subversion — or making language your own 185 Chapter Eight : Acting , Text and Style 189 Chapter Nine : Further Points of Text 205 1 Prose 2 ...
Стр. 9
... energy for that particular text ; if his energy becomes too inward and controlled the words become dull ; if he presses too much energy out the words will be unfocused and the thought will be generalized . Either way the result is that ...
... energy for that particular text ; if his energy becomes too inward and controlled the words become dull ; if he presses too much energy out the words will be unfocused and the thought will be generalized . Either way the result is that ...
Стр. 15
... energy needed for the text you are working with and the space you are working in . And I feel strongly that we tend to work on voice as an end in itself , and somehow do not see that work through clearly enough to the specific speaking ...
... energy needed for the text you are working with and the space you are working in . And I feel strongly that we tend to work on voice as an end in itself , and somehow do not see that work through clearly enough to the specific speaking ...
Стр. 18
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Содержание
V | 16 |
VI | 17 |
VII | 26 |
VIII | 34 |
X | 53 |
XII | 54 |
XV | 84 |
XVII | 92 |
XXXVI | 180 |
XXXVII | 187 |
XXXVIII | 191 |
XL | 207 |
XLIII | 215 |
XLIV | 222 |
XLV | 231 |
XLVI | 242 |
XVIII | 97 |
XIX | 106 |
XX | 112 |
XXI | 117 |
XXII | 123 |
XXIII | 130 |
XXIV | 141 |
XXVI | 142 |
XXVIII | 145 |
XXXI | 150 |
XXXII | 159 |
XXXIII | 173 |
XLVII | 253 |
XLIX | 255 |
L | 256 |
LI | 257 |
LII | 262 |
LIV | 267 |
LV | 275 |
LVI | 276 |
LIX | 287 |
299 | |
LXI | 303 |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible prose reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |