The Actor and the Text(Applause Acting Series). These words of Cicely Berry, the voice director of the Royal Shakespeare Company, speak to anyone who needs to speak his or her piece in any arena, at sales meetings or religious revivals. Berry's book will insure that the speaker and the text gets heard accurately and with true emotional range. Never again will one be accused of simply "reading a prepared statement." Berry's exercises to develop relaxation, breathing and muscular control will literally help everyone breathe easier when confronting the printed page. |
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Стр. 5
... Energy , Imagery and Sound 1 Energy through the text 2 Antithesis 3 Substance of the word 4 Discovery and movement of thought 5 Nature of the image , its logic , and its inquiry into nature 6 Argument and emotion 7 Word games and ...
... Energy , Imagery and Sound 1 Energy through the text 2 Antithesis 3 Substance of the word 4 Discovery and movement of thought 5 Nature of the image , its logic , and its inquiry into nature 6 Argument and emotion 7 Word games and ...
Стр. 6
Chapter Seven : Metre and Energy 1 Metre 2 Energy through the text 3 Subversion- or making language your own Chapter Eight : Acting , Text and Style Chapter Nine : Further Points of Text 1 Prose 2 Heightened music 3 Scene structures 4 ...
Chapter Seven : Metre and Energy 1 Metre 2 Energy through the text 3 Subversion- or making language your own Chapter Eight : Acting , Text and Style Chapter Nine : Further Points of Text 1 Prose 2 Heightened music 3 Scene structures 4 ...
Стр. 9
It is as if the energy and excitement that an actor feels when working on a part is not released fully when he commits to words , when he is bound by the language set down . And this is true of all kinds of text , both modern and ...
It is as if the energy and excitement that an actor feels when working on a part is not released fully when he commits to words , when he is bound by the language set down . And this is true of all kinds of text , both modern and ...
Стр. 15
Yet all these over - statements which come out of an anxiety to present are a matter of balance , of judging the precise amount of energy needed for the text you are working with and the space you are working in .
Yet all these over - statements which come out of an anxiety to present are a matter of balance , of judging the precise amount of energy needed for the text you are working with and the space you are working in .
Стр. 18
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
VI | 16 |
VII | 17 |
VIII | 26 |
IX | 34 |
XI | 53 |
XIII | 54 |
XVI | 84 |
XVIII | 92 |
XXXVII | 180 |
XXXVIII | 187 |
XXXIX | 191 |
XLI | 207 |
XLIII | 215 |
XLIV | 222 |
XLV | 231 |
XLVI | 242 |
XIX | 97 |
XX | 106 |
XXI | 112 |
XXII | 117 |
XXIII | 123 |
XXIV | 130 |
XXV | 141 |
XXVII | 142 |
XXIX | 145 |
XXXII | 150 |
XXXIII | 159 |
XXXIV | 173 |
XLVII | 253 |
XLIX | 255 |
L | 256 |
LI | 257 |
LII | 262 |
LIV | 267 |
LV | 275 |
LVI | 276 |
LIX | 287 |
299 | |
LXI | 303 |
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Часто встречающиеся слова и выражения
action active actor allow already audience aware become beginning break breath character comes consonants course difficult Dream emotional energy example excellent exercises eyes feel final give given Hamlet happens hear hold idea important instance interesting Juliet keep kind King language length listen live look mark meaning metre mind move movement nature never night notice once ourselves particularly passage patterns perhaps person phrase physical piece play possible precise present question reason repeat response rhyme rhythm Romeo round scene sense Shakespeare shape short simply sing soliloquy sonnet sound space speak specific speech stress structure style syllables talking thing thou thought touch truth turn voice vowels weight whole words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |