The Actor and the TextHal Leonard Corporation, 1992 - Всего страниц: 303 (Applause Acting Series). These words of Cicely Berry, the voice director of the Royal Shakespeare Company, speak to anyone who needs to speak his or her piece in any arena, at sales meetings or religious revivals. Berry's book will insure that the speaker and the text gets heard accurately and with true emotional range. Never again will one be accused of simply "reading a prepared statement." Berry's exercises to develop relaxation, breathing and muscular control will literally help everyone breathe easier when confronting the printed page. |
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Стр. 4
... Language . 4. Voice culture - Exercises . I. Title . II . Series PN2061.B434 792'.028 - dc20 1992 Applause Theatre & Cinema Books 19 West 21ST Street , Suite 201 New York , NY 10010 Phone : ( 212 ) 575-9265 Fax : ( 212 ) 575-9270 Email ...
... Language . 4. Voice culture - Exercises . I. Title . II . Series PN2061.B434 792'.028 - dc20 1992 Applause Theatre & Cinema Books 19 West 21ST Street , Suite 201 New York , NY 10010 Phone : ( 212 ) 575-9265 Fax : ( 212 ) 575-9270 Email ...
Стр. 5
... language : substance of text 3 Language fabric 140 143 143 148 157 Chapter Seven : Metre and Energy 1 Metre 171 171.
... language : substance of text 3 Language fabric 140 143 143 148 157 Chapter Seven : Metre and Energy 1 Metre 171 171.
Стр. 7
... language , its roots , its possibilities of meaning , its physical seat and vibration , its associations , its weight and texture and colour . More than a teacher , she is a director , an analyst , a critic , a sociologist and above all ...
... language , its roots , its possibilities of meaning , its physical seat and vibration , its associations , its weight and texture and colour . More than a teacher , she is a director , an analyst , a critic , a sociologist and above all ...
Стр. 9
... language set down . And this is true of all kinds of text , both modern and classical , though the problems are different and the gap is more apparent in the speaking of heightened or poetic text where there is a certain size to the ...
... language set down . And this is true of all kinds of text , both modern and classical , though the problems are different and the gap is more apparent in the speaking of heightened or poetic text where there is a certain size to the ...
Стр. 10
... language and are useful . These have always been in the area of relating acting method to practical direct speaking . I would like , therefore , to set down what I have learnt . However , I think it would be limiting if we left it there ...
... language and are useful . These have always been in the area of relating acting method to practical direct speaking . I would like , therefore , to set down what I have learnt . However , I think it would be limiting if we left it there ...
Содержание
V | 16 |
VI | 17 |
VII | 26 |
VIII | 34 |
X | 53 |
XII | 54 |
XV | 84 |
XVII | 92 |
XXXVI | 180 |
XXXVII | 187 |
XXXVIII | 191 |
XL | 207 |
XLIII | 215 |
XLIV | 222 |
XLV | 231 |
XLVI | 242 |
XVIII | 97 |
XIX | 106 |
XX | 112 |
XXI | 117 |
XXII | 123 |
XXIII | 130 |
XXIV | 141 |
XXVI | 142 |
XXVIII | 145 |
XXXI | 150 |
XXXII | 159 |
XXXIII | 173 |
XLVII | 253 |
XLIX | 255 |
L | 256 |
LI | 257 |
LII | 262 |
LIV | 267 |
LV | 275 |
LVI | 276 |
LIX | 287 |
299 | |
LXI | 303 |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible prose reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |