The Actor and the TextHal Leonard Corporation, 1992 - Всего страниц: 303 (Applause Acting Series). These words of Cicely Berry, the voice director of the Royal Shakespeare Company, speak to anyone who needs to speak his or her piece in any arena, at sales meetings or religious revivals. Berry's book will insure that the speaker and the text gets heard accurately and with true emotional range. Never again will one be accused of simply "reading a prepared statement." Berry's exercises to develop relaxation, breathing and muscular control will literally help everyone breathe easier when confronting the printed page. |
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Стр. 7
... into your eyes and you will glimpse that ingredient that makes her an inspirational teacher , her humanity , or perhaps I should say , her love . -TREVOR NUNN Acknowledgments The author would like to thank the following for 7.
... into your eyes and you will glimpse that ingredient that makes her an inspirational teacher , her humanity , or perhaps I should say , her love . -TREVOR NUNN Acknowledgments The author would like to thank the following for 7.
Стр. 9
... perhaps discover more possibilities within our own voice than we are aware of ; because , in a very practical sense , the connection between the physical and verbal life of the characters is totally apparent and palpable ; and lastly ...
... perhaps discover more possibilities within our own voice than we are aware of ; because , in a very practical sense , the connection between the physical and verbal life of the characters is totally apparent and palpable ; and lastly ...
Стр. 10
... perhaps useful here to recap briefly on what I have already written in Voice and the Actor * , about how we arrive at our voice . Briefly it is this : the voice * First published by Harrap in 1973. Reprinted ten times . which we arrive ...
... perhaps useful here to recap briefly on what I have already written in Voice and the Actor * , about how we arrive at our voice . Briefly it is this : the voice * First published by Harrap in 1973. Reprinted ten times . which we arrive ...
Стр. 15
... perhaps . — 1 ATTITUDES TO VOICE First , I want to look at the factors which hold us back from making the text as rich and alive as possible . This may seem negative , but I think there are certain attitudes and ways of working by which ...
... perhaps . — 1 ATTITUDES TO VOICE First , I want to look at the factors which hold us back from making the text as rich and alive as possible . This may seem negative , but I think there are certain attitudes and ways of working by which ...
Стр. 17
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Содержание
V | 16 |
VI | 17 |
VII | 26 |
VIII | 34 |
X | 53 |
XII | 54 |
XV | 84 |
XVII | 92 |
XXXVI | 180 |
XXXVII | 187 |
XXXVIII | 191 |
XL | 207 |
XLIII | 215 |
XLIV | 222 |
XLV | 231 |
XLVI | 242 |
XVIII | 97 |
XIX | 106 |
XX | 112 |
XXI | 117 |
XXII | 123 |
XXIII | 130 |
XXIV | 141 |
XXVI | 142 |
XXVIII | 145 |
XXXI | 150 |
XXXII | 159 |
XXXIII | 173 |
XLVII | 253 |
XLIX | 255 |
L | 256 |
LI | 257 |
LII | 262 |
LIV | 267 |
LV | 275 |
LVI | 276 |
LIX | 287 |
299 | |
LXI | 303 |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible prose reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |