The Actor and the TextHal Leonard Corporation, 1992 - Всего страниц: 303 (Applause Acting Series). These words of Cicely Berry, the voice director of the Royal Shakespeare Company, speak to anyone who needs to speak his or her piece in any arena, at sales meetings or religious revivals. Berry's book will insure that the speaker and the text gets heard accurately and with true emotional range. Never again will one be accused of simply "reading a prepared statement." Berry's exercises to develop relaxation, breathing and muscular control will literally help everyone breathe easier when confronting the printed page. |
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Стр. 9
... speaking of text ; and so I want to bring the two together in a practical way . For it seems to me there is so often ... speak . It is as if the energy and excitement that an actor feels when working on a part is not released fully when ...
... speaking of text ; and so I want to bring the two together in a practical way . For it seems to me there is so often ... speak . It is as if the energy and excitement that an actor feels when working on a part is not released fully when ...
Стр. 10
... speak , even when they are rooted in a modern reality . And work on modern text keeps our ears tuned to the colloquial rhythms of everyday speech , which need to be integrated into our speaking of verse . We should be always balancing ...
... speak , even when they are rooted in a modern reality . And work on modern text keeps our ears tuned to the colloquial rhythms of everyday speech , which need to be integrated into our speaking of verse . We should be always balancing ...
Стр. 11
... speak or not , what influenced us , etc. — and to break from our habits of speech is often a huge step to take . And ... speaking . I think this is because we are tentative and do not know how far we can go , or because we do not know ...
... speak or not , what influenced us , etc. — and to break from our habits of speech is often a huge step to take . And ... speaking . I think this is because we are tentative and do not know how far we can go , or because we do not know ...
Стр. 14
... speaking with emotion qualities which come between him and the direct and simple sharing with his audience . Yet , equally , it is no good saying : let the words speak for themselves and just rely on the text . This is a platitude which ...
... speaking with emotion qualities which come between him and the direct and simple sharing with his audience . Yet , equally , it is no good saying : let the words speak for themselves and just rely on the text . This is a platitude which ...
Стр. 17
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Содержание
V | 16 |
VI | 17 |
VII | 26 |
VIII | 34 |
X | 53 |
XII | 54 |
XV | 84 |
XVII | 92 |
XXXVI | 180 |
XXXVII | 187 |
XXXVIII | 191 |
XL | 207 |
XLIII | 215 |
XLIV | 222 |
XLV | 231 |
XLVI | 242 |
XVIII | 97 |
XIX | 106 |
XX | 112 |
XXI | 117 |
XXII | 123 |
XXIII | 130 |
XXIV | 141 |
XXVI | 142 |
XXVIII | 145 |
XXXI | 150 |
XXXII | 159 |
XXXIII | 173 |
XLVII | 253 |
XLIX | 255 |
L | 256 |
LI | 257 |
LII | 262 |
LIV | 267 |
LV | 275 |
LVI | 276 |
LIX | 287 |
299 | |
LXI | 303 |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible prose reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |