The Actor and the TextHal Leonard Corporation, 1992 - Всего страниц: 303 (Applause Acting Series). These words of Cicely Berry, the voice director of the Royal Shakespeare Company, speak to anyone who needs to speak his or her piece in any arena, at sales meetings or religious revivals. Berry's book will insure that the speaker and the text gets heard accurately and with true emotional range. Never again will one be accused of simply "reading a prepared statement." Berry's exercises to develop relaxation, breathing and muscular control will literally help everyone breathe easier when confronting the printed page. |
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Стр. 6
... Style 189 Chapter Nine : Further Points of Text 205 1 Prose 2 Heightened music 3 Scene structures 205 213 220 4 Recap on speech structures 229 5 Sonnets Chapter Ten : Relating to Other Texts 1 Jacobean text 240 251 251 2 Restoration ...
... Style 189 Chapter Nine : Further Points of Text 205 1 Prose 2 Heightened music 3 Scene structures 205 213 220 4 Recap on speech structures 229 5 Sonnets Chapter Ten : Relating to Other Texts 1 Jacobean text 240 251 251 2 Restoration ...
Стр. 9
... style of the writing , the actor has to find the right energy for that particular text ; if his energy becomes too inward and controlled the words become dull ; if he presses too much energy out the words will be unfocused and the ...
... style of the writing , the actor has to find the right energy for that particular text ; if his energy becomes too inward and controlled the words become dull ; if he presses too much energy out the words will be unfocused and the ...
Стр. 15
... style of speaking perhaps . — 1 ATTITUDES TO VOICE First , I want to look at the factors which hold us back from making the text as rich and alive as possible . This may seem negative , but I think there are certain attitudes and ways ...
... style of speaking perhaps . — 1 ATTITUDES TO VOICE First , I want to look at the factors which hold us back from making the text as rich and alive as possible . This may seem negative , but I think there are certain attitudes and ways ...
Стр. 18
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Стр. 24
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Содержание
V | 16 |
VI | 17 |
VII | 26 |
VIII | 34 |
X | 53 |
XII | 54 |
XV | 84 |
XVII | 92 |
XXXVI | 180 |
XXXVII | 187 |
XXXVIII | 191 |
XL | 207 |
XLIII | 215 |
XLIV | 222 |
XLV | 231 |
XLVI | 242 |
XVIII | 97 |
XIX | 106 |
XX | 112 |
XXI | 117 |
XXII | 123 |
XXIII | 130 |
XXIV | 141 |
XXVI | 142 |
XXVIII | 145 |
XXXI | 150 |
XXXII | 159 |
XXXIII | 173 |
XLVII | 253 |
XLIX | 255 |
L | 256 |
LI | 257 |
LII | 262 |
LIV | 267 |
LV | 275 |
LVI | 276 |
LIX | 287 |
299 | |
LXI | 303 |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible prose reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |