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his supper.

it to the other, with all due solemnity, whether he chose to suy anything. It seems it is the custom with some sectaries to put up a short prayer before this meal also. His reverend brother did not at first quite apprehend him; but upon an explanation, with little less importance he made answer, that it was not a custom known in his church: in which courteous evasion the other acquiescing for good manners' sake, or in compliance with a weak brother, the supplementary or tea grace was waived altogether. With what spirit might not Lucian have painted two priests, of his religion, playing into each other's hands the compliment of performing or omitting a sacrifice—the hungry god meantime, doubtful of his incense, with expectant nostrils hovering over the two flamens, and (as between two stools) going away in the end without

A short form upon these occasions is felt to want reverence; a long one, I am afraid, cannot escape the charge of impertinence. I do not quite approve of the epigrammatic conciseness with which that equivocal wag, (but my pleasant schoolfellow,) C. V. L., when importuned for a grace, used to inquire, first slyly leering down the table, “ Is there no clergyman here?"-significantly adding, “thank G-d." Nor do I think our old form at school quite pertinent, where we were used to preface our bald, bread and cheese suppers with a preamble, connecting with that humble blessing a recognition of benefits the most awful and overwhelming to the imagination which religion has to offer. Non tunc illis erat locus. I remember we were put to it to reconcile the phrase "good creatures,” upon which the blessing rested, with the fare set before us, wilfully understanding that expression in a low and animal sense-till some one recalled a legend, which told how in the golden days of Christ's, the young hospitallers were wont to have smoking joints of roast meat upon their nightly boards, till some pious benefactor, commiserating the decencies, rather than the palates, of the children, commuted our flesh for garments, and gave us— -horresco referens-trousers instead of mutton.



Ar the north end of Cross Court there yet stands a portas, of some architectural pretensions, though reduced to humble nse-serving at present for an entrance to a printing office. This old doorway, if you are young, reader, you may not know was the identical pit entrance to Old Drury-Garrick's Drury-all of it that is left. I never pass it without shaking some forty years from off my shoulders, recurring to the evening when I passed through it to see my first play. The afternoon had been wet, and the condition of our going (the elder folks and myself) was, that the rain should cease. With what a beating heart did I watch from the window the puddles, from the stillness of which I was taught to prognosticate the desired cessation! I seem to remember the last spirt, and the glee with which I ran to announce it.

We went with orders, which my godfather F. had sent us. He kept the oil shop (now Davies') at the corner of Featherstone Building, in Holborn. F. was a tall grave person, lofty in speech, and had pretensions above his rank. He associated in those days wiih John Palmer, the comedian, whose gait and bearing he seemed to copy; if John (which is quite as likely) did not rather borrow somewhat of his manner from my godfather. He was also known to, and visited by Sheridan. It was to his house in Holborn that young Brinsley brought his first wife on her elopement with him from a boarding school at Bath—the beautiful Maria Linley. My parents were present (over a quadrille table) when he arrived in the evening with his harmonious charge. Froin either of these connections, it may be inferred, that my godfather could command an order for the then Drury Lane Theatre at pleasureand, indeed, a pretty liberal issue of those cheap billets, in Brinsley's easy autograph, I have heard him say was the sole remuneration which he had received for many years' nightly illumination of the orchestra, and various avenues of that theatre-and he was content it should be so. The honour of Sheridan's familiarity-or supposed familiarity-was better to my godfather than money.

F. was the most gentlemanly of oilmen; grandiloquent yet courteous. His delivery of the commonest matters of fact was Ciceronian. He had two Latin words almost constantly in his mouth, (how odd sounds Latin from an oilman's lips : )

which my better knowledge since has enabled me to correct. In strict pronunciation, they should have been sounded vice versâ ; but in those young years they impressed me with more awe than they would now do, read aright from Seneca or Varro—in his own peculiar pronunciation, monosyllabically elaborated, or Anglicized, into something like verse verse. By an imposing manner, and the help of these distorted syllables, he climbed (but that was little) to the highest parochial honours which St. Andrew's has to bestow.

He is dead-and thus much I thought due to his memory, both for my first orders, (little wondrous talismans !--slight keys, and insignificant to outward sight, but opening to me more than Arabian paradises !) and, moreover, that by his testamentary beneficence I came into possession of the only landed

property which I could ever call my own-situate near the roadway village of pleasant Puckeridge, in Hertfordshire When I journeyed down to take possession, and planted foot on my own ground, the stately habits of the donor descended npon me, and I strode (shall I confess the vanity ?) with larger paces over my allotment of three quarters of an acre, with its commodious mansion in the midst, with the feeling of an English freeholder, that all between sky and centre was my own. The estate has passed into more prudent hands, and nothing but an agrarian can restore it.

In those days were pit orders—beshrew the uncomfortable manager who abolished them!—with one of these we went. I remember the waiting at the door--not that which is leftbut between that and an inner door in shelter-oh, when shall I be such an expectant again with the cry of nonpareils, an indispensable playhouse accompaniment in those days. As near as I can recollect, the fashionable pronunciation of the theatrical fruiteresses then was, “ Chase some oranges, chase some numparels, chase a bill of the play ;"—chase pro choose. But when we got in, and I beheld the green curtain that veiled a heaven to my imagination, which was soon t3 be disclosed—the breathless anticipations I endured! I had seen something like it in the plate prefixed to Troilus and Cressida, in Rowe's Shakspeare—the tent scene with Diomede—and a sight of that plate can always bring back in a measure the feeling of that evening. The boxes at that time full of well-dressed women of quality, projected over the pit; and the pilasters reaching down were adorned with a glistering substance (I know not what) under glass, (as it seemed,) resembling-a homely fancy—but I judged it to be sugai candy-yet, to my raised imagination, divested of its homelier qualities, it appeared a glorified candy! The orchestra lights



at length arose, those “fair Auroras!" Once the bell sounded. It was to ring out yet once again—and, incapable of the anticipation, I reposed my shut eyes in a sort of resignation upon the maternal lap. It rang the second time. The curtain drew up—I was not past six years old—and the play was Artaxerxes!

I had dabbled a little in the Universal History-the ancient part of it—and here was the court of Persia. It was being admitted to a sight of the past. I took no proper interest in the action going on, for I understood not its import—but I heard the word Darius, and I was in the midst of Daniel. All feeling was absorbed in vision. Gorgeous vests, gardens, palaces, princesses, passed before me. I knew not players. I was in Persepolis for the time; and the burning idol of their devotion almost converted me into a worshipper. I was awestruck, and believed those significations to be something more than elemental fires. It was all enchantment and a dream No such pleasure has since visited me but in dreams. Harlequin's Invasion followed; where, I remember, the transformation of the magistrates into reverend beldams seemed to me a piece of grave historic justice, and the tailor carrying his own head to be as sober a verity as the legend of St. Denys.

The next play to which I was taken was the Lady of the Manor, of which, with the exception of some scenery, very faint traces are lest in my memory. It was followed by a pantomime, called Lun's Ghost-a satiric touch, I apprehend, upon Rich, not long since dead-but, to my apprehension, (too sincere for satire,) Lun was as remote a piece of antiquity as Lud—the father of a line of harlequins--transmitting his dagger of lath (the wooden sceptre) through countless ages. I saw the primeval Motley come from his silent tomb in a ghastly vest of white patchwork, like the apparition of a dead rainbow. So harlequins (thought I) look when they are dead.

My third play followed in quick succession. . It was the Way of the World. I think I must have sat at it as grave as a judge ; for, I remember, the hysteric affectations of good Lady Wishfort affected me like some solemn tragic passion. Robinson Crusoe followed; in which Crusoe, man Friday, and the parrot, were as good authentic as in the story. The clownery and pantaloonery of these pantomimes have clean passed out of my head. I believe I no more laughed at them than at the same age I should have been disposed to laugh at the grotesque Gothic heads (seeming to me then replete with devout meaning) that gape and grin, in stone, around the inside of the Old Round Church (my church) of the Templars.

I saw these plays in the season 1781-2, when I was from six to seven years old. After the intervention of six or seven other years, (for at school all playgoing was inhibited,) 1 again entered the doors of a theatre. That old Artaxerxes evening had never done ringing in my fancy. I expected the same feelings to come again with the same occasion. But we differ from ourselves less at sixty and sixteen, than the latter does from six. In that interval what had I not lost? At the first period I knew nothing, understood nothing, discriminated nothing. I felt all, loved all, wondered all

“Was nourished I could not tell how”I had left the temple a devotee, and was returned a rationalist. The same things were there materially ; but the emblem, the reference, was gone! The green curtain was no longer a veil drawn between two worlds, the unfolding of which was to bring back past ages, to present “a royal ghost," but a certain quantity of green baize, which was to separate the audience for a given time from certain of their fellow-men who were to come forward and pretend those parts. The lights—the orchestra lights—came up a clumsy machinery. The first ring, and the second ring, was now but a trick of the prompter's bell—which had been, like the note of the cuckoo, a phantom of a voice, no hand seen or guessed at which ministered to its warning. The actors were men and women painted. I thought the fault was in them; but it was in myself, and the alteration which those many centuriesof six short twelvemonths—had wrought in me. Perhaps it was fortunate for me that the play of the evening was but an indifferent comedy, as it gave me time to crop some unreasonable expectations, which might have interfered with the genuine emotions with which I was soon after enabled to enter upon the first appearance to me of Mrs. Siddons in Isabella. Comparison and retrospection soon yielded to the present attraction of the scene ; and the theatre became to me, upon a new stock, the most delightful of recreation.


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