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wanting the perfect angelic nutriment, anon was shorn of its aspiring, and fell fluttering-still caught by angel hands--for ever to put forth shoots, and to fall fluttering, because its birth was not of the unmixed vigour of heaven.

And a name was given to the babe angel, and it was to be called Ge-Urania, because its production was of earth and heaven.

And it could not taste of death, by reason of its adoption into immortal palaces: but it was to know weakness and reliance, and the shadow of human imbecility; and it went with a lame gait; but in its goings it exceeded all mortal children in grace

and swiftness. Then pity first sprang up in angelic bosoms; and yearnings (like the human) touched them at the sight of the immortal lame one.

And with pain did then first those intuitive essences, with pain and strife to their natures, (not grief,) put back their bright intelligences, and reduce their ethereal minds, schooling them to degrees and slower processes, so to adapt their lessons to the gradual illumination (as must needs be) of the half-earthborn ; and what intuitive notices they could not repel, (by reason that their nature is, to know all things at once,) the halfheavenly novice, by the better part of its nature, aspired to receive into its understanding; so that humility and aspiration went on even-paced in the instruction of the glorious amphibium.

But, by reason that mature humanity is too gross to breathe the air of that super-subtile region, its portion was, and is, to be a child for ever.

And because the human part of it might not press into the heart and inwards of the palace of its adoption, those full-natured angels tended it by turns in the purlieus of the palace, where were shady groves and rivulets, like this green earth from which it came : so Love, with voluntary humility, waited upon the entertainment of the new-adopted.

And myriads of years rolled round, (in dreams time is nothing, and still it kept, and is to keep, perpetual childhood, and is the tutelar genius of childhood upon earth, and still goes lame and lovely.

By the banks of the river Pison is seen, lone-sitting by the grave of the terrestrial Adah, whom the angel Nadir loved, a child ; but not the same which I saw in heaven. A mournful hue overcasts its lineaments ; nevertheless, a correspondence is between the child by the grave and that celestial orphan whom I saw above; and the dimness of the grief upon the heavenly, is a shadow or emblem of that which stains the

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beauty of the terrestrial. And this correspondence is not to be understood but by dreams.

And in the archives of heaven I had grace to read, how that once the angel Nadir, being exiled from his place for mortal passion, upspringing on the wings of parental love, (such power had parental love for a moment to suspend the else irrevocable law,) appeared for a brief instant in his station ; and, depositing a wondrous birth, straightway disappeared, and the palaces knew him no more. And this charge was the selfsame babe, who goeth lame and lovely—but Adah sleepeth by the river Pison.

OLD CHINA.

I have an almost feminine partiality for old china. When I go to see any great house, I inquire for the china-closet, and next for the picture-gallery. I cannot defend the order of preference, but by saying, that we have all some taste or other, of too ancient a date to admit of our remembering distinctly that it was an acquired one. I can call to mind the first play and the first exhibition that I was taken to; but I am not conscious of a time when china jars and saucers were introduced into my imagination.

I had no repugnance then--why should I now have ?–10 those little, lawless, azure-tinctured grotesques, that under the notion of men and women float about, uncircumscribed by any element, in that world before perspective-a china tea cup.

Í like to see my old friends—whom distance cannot diminish-figuring up in the air, (so they appear to our optics,) yet on terra firma still—for so we must in courtesy interpret that speck of deeper blue—which the decorous artist, to prevent absurdity, had made to spring up beneath their sandals.

I love the men with women's faces, and the women, if possible, with still more womanish expressions.

Here is a young and courtly mandarin, handing tea to a lady from a salver-two miles off. See how distance seems to set off respect! And here the same lady, or another-for likeness is identity on teacups-is stepping into a little fairy boat, moored on the hither side of this calm garden river, with a dainty mincing foot, which in a right angle of incidence (as angles go in our world) must infallibly land her in the midst

of a flowery mead--a furlong off on the other side of the same strange stream!

Farther on—if far or near can be predicated of their world --see horses, trees, pagodas, dancing the hays.

Here-a cow and rabbit couchant, and coextensive_so objects show, seen through the lucid atmosphere of fine Cathay.

I was pointing out to my cousin last evening, over our Hyson, (which we are oldfashioned enough to drink unmixed still of an afternoon,) some of these speciosa miracula upon a set of extraordinary old blue china (a recent purchase) which we were now for the first time using; and could not help remarking how favourable circumstances had been to us of late years, that we could afford to please the eye sometimes with trifles of this sort—when a passing sentiment seemed.io overshade the brows of my companion. I am quick at detecting these summer clouds in Bridget.

“I wish the good old times would come again,” she said, " when we were not quite so rich. I do not mean that I want to be poor; but there was a middle state”- ---So she was pleased to ramble on—" in which I am sure we were a great deal happier. A purchase is but a purchase, now that you have money enough and to spare. Formerly it used to be a triumph. When we coveted a cheap luxury (and, oh ! how much ado I had to get you to consent in those times !) we were used to have a debate two or three days before, and to weigh the for and against, and think what we might spare it out of, and what saving we could hit upon, that should be an equivalent. A thing was worth buying then, when we felt the money that we paid for it.

you remember the brown suit which you made to hang upon you till all your friends cried shame upon you, it grew so threadbare—and all because of that folio Beaumont and Fletcher, which you dragged home late at night from Barker's in Covent Garden? Do you remember how we eyed it for weeks before we could make up our minds to the purchase, and had not come to a determination till it was near ten o'clock of the Saturday night, when you set off from Islington, fearing you should be too late—and when the old bookseller, with some grumbling, opened his shop, and by the twinkling taper (for he was setting bedwards) lighted out the relic from his dusty treasures -and when you lugged it home, wishing it were twice as cumbersome--and when you presented it to me--and when we were exploring the perfectness of it (collating you called it) —and while I was repairing some of the loose leaves with paste, which your impatience would not suffer to be left till day

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break-was there no pleasure in being a poor man? or cas, those neat black clothes which you wear now, and are so careful to keep brushed, since we have become rich and finical, give you half the honest vanity with which you flaunted it about in that overworn suit—your old corbeau—for four or five weeks longer than you should have done, to pacify your conscience for the mighty sum of fifteen-or sixteen shillings was it?-a great affair we thought it then—which you had lavished on the old folio. Now you can afford to buy any book that pleases you, but I do not see that you ever bring me home any nice old purchases now.

“ When you came home with twenty apologies for laying rut a less number of shillings upon that print after Lionardo, which we christened the · Lady Blanch ;' when you

looked at the purchase, and thought of the money—and thought of the money, and looked again at the picture—was there no pleasure in being a poor man? Now, you have nothing to do but to walk into Colnaghi's, and buy a wilderness of Lionardos. Yet do you?

" Then, do you remember our pleasant walks to Enfield, and Potter's Bar, and Waltham, when we had a holydayholydays, and all other fun, are gone, now we are rich—and the little hand-basket in which I used to deposite our day's fare of savoury cold lamb and salad—and how

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about at noontide for some decent house, where we might go in, and produce our store-only paying for the ale that you must call for—and speculate upon the looks of the landlady, and whether she was likely to allow us a table-cloth—and wish for such another honest hostess as Izaak Walton has described many a one on the pleasant banks of the Lea, when he went a fishing—and sometimes they would prove obliging enough, and sometimes they would look grudgingly upon us—but we had cheerful looks still for one another, and would eat our plain food savourily, scarcely grudging Piscator his Trout Hall ? Now—when we go out a day's pleasuring, which if seldom moreover, we ride part of the way—and go into a fine inn, and order the best of dinners, never debating the expensewhich, after all, never has half the relish of those chance country snaps, when we were at the mercy of uncertain usage and a precarious welcome.

“ You are too proud to see a play anywhere now but in the pit. Do you remember where it was we used to sit when we saw the Battle of Hexham, and the Surrender of Calais, and Bannister and Mrs. Bland in the Children in the Woodwhen we squeezed out our shillings apiece to sit three or lour times in a season in the one-shilling gallery-where you

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felt all the time that you ought not to have brought memand more strongly I felt obligation to you for having brought me --and the pleasure was the better for a little shame—and when the curtain drew up, what cared we for our place in the house, or what mattered it where we were sitting, when our thoughts were with Rosalind in Arden, or with Viola at the court of Illyria ? You used to say that the gallery was the best place of all for enjoying a play socially--that the relish of such exhibitions' must be in proportion to the infrequency of going—that the company we met there, not being in gen eral readers of plays, were obliged to attend the more, and did attend, to what was going on on the stage--because a word lost would have been a chasm which it was impossible for them to fill up. With such reflections we consoled our pride then—and I appeal to you whether, as a woman, I met generally with less attention and accommodation than I have done since in more expensive situations in the house? The getting in, indeed, and the crowding up those inconvenient staircases, was bad enough--but there was still a law of civility to woman recognised to quite as great an extent as we ever found in the other passages and how a little difficulty overcome heightened the snug seat and the play afterward! Now we can only pay our money, and walk in. You cannot see, you say, in the galleries now. I am sure we saw, and heard too, well enough then-but sight, and all, I think, is gone with our poverty.

“ There was pleasure in eating strawberries before they became quite common—in the first dish of peas, while they were yet dear—to have them for a nice supper, a treat. What treat can we have now? If we were to treat ourselves now —that is, to have dainties a little above our means, it would be selfish and wicked. It is the very little more that we allow ourselves beyond what the actual poor can get at, that makes what I call a treat-when two people living together, as we have done, now and then indulge themselves in a cheap luxury, which both like; while each apologizes, and is willing to take both halves of the blame to his single share. I see no harm in people making much of themselves in that sense of the word. It may give them a hint how to make much of others. But now—what I mean by the word--we never do make much of ourselves. None but the poor can do it. I do not mean the veriest poor of all, but persons as we were, just above poverty.

“I know what you were going to say, that it is mighty pleasant at the end of the year to make all meet-and much ado we used to have every thirty-first night of December to

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