"That young maid in face does carry A resemblance strong of Mary." Margaret, at nearer sight, Own'd her observation right; Ere they knew 'twas she indeed. She-but, ah! how changed they view her From that person which they knew her! Her fine face disease had scarr'd, And its matchless beauty marr'd; But enough was left to trace Mary's sweetness-Mary's grace. The illness, when she might have mended- But sweet Mary, still the same, Strove who most should pay the deb Which they owed her, nor did vary TO A RIVER IN WHICH A CHILD WAS SMILING river, smiling river, On thy bosom sunbeams play; In thy channel, in thy channel, Lies young Edward's corse: his bones Ever whitening, ever whitening, Swallow'd, now it helps to wash. As if senseless, as if senseless It destroy'd, it now does grace. THE OLD FAMILIAR FACES. I HAVE had playmates, I have had companions, I have been laughing, I have been carousing, I loved a love once, fairest among women; I have a friend, a kinder friend has no man; Ghost-like I paced round the haunts of my childhood, Friend of my bosom, thou more than a brother, How some they have died, and some they have left me, A VISION OF REPENTANCE. I SAW a famous fountain, in my dream, And all around the fountain brink were spread Wide-branching trees, with dark-green leaf rich clad, Forming a doubtful twilight-desolate and sad. The place was such, that whoso enter❜d in, Or to the world's first innocence was brought; And eke with painful fingers she inwove 66 Many an uncouth stem of savage thorn The willow garland, that was for her love, DEDICATION.* ΤΟ S. T. COLERIDGE, ESQ. MY DEAR COLERIDGE, You will simile to see the slender labours of your friend designated by the title of works; but such was the wish of the gentlemen who have kindly undertaken the trouble of collecting them, and from their judgment could be no appeal. It would be a kind of disloyalty to offer to any one but yourself a volume containing the early pieces, which were first published among your poems, and were fairly derivatives from you and them. My friend Lloyd and myself came into our first battle (authorship is a sort of warfare) under cover of the greater Ajax. How this association, which shall always be a dear and proud recollection to me, came to be broken-who snapped the three-fold cord— whether yourself (but I know that was not the case) grew ashamed of your former companions-or whether (which is by much the more probable) some ungracious bookseller was author of the separation-I cannot tell; but wanting the support of your friendly elm, (I speak for myself,) my vine has, since that time, put forth few or no fruits; the sap (if ever it had any) has become, in a manner, dried up and extinct; and you will find your old associate, in his second volume, dwindled into prose and criticism. Am I right in assuming this as the cause? or is it that, as years come upon us, (except with some more healthy-happy spirits,) life itself loses much of its poetry for us? we transcribe but what we read in the great volume of Nature; and, as the characters grow dim, we turn off, and look another way. You yourself write no Christables or Ancient Mariners now. Some of the sonnets, which shall be carelessly turned over by the general reader, may happily awaken in you remembrances which 1 should be sorry should be ever totally extinct-the memory "Of summer days and delightful years"— **** Inn-when life even so far back as to those old suppers at our old *** was fresh and topics exhaustless-and you first kindled in me, if not the power, yet the love of poetry, and beauty, and kindliness. "What words have I heard Spoke at the Mermaid !" The world has given you many a shrewd nip and gird since that time, but either my eyes are grown dimmer, or my old friend is the same who stood before me three-and-twenty years ago-his hair a little confessing the hand of time, but still shrouding the same capacious brain-his heart not altered, scarcely where it "alteration finds." One piece, Coleridge, I have ventured to publish in its original form, though I have heard you complain of a certain over-imitation of the antique in the • Prefixed to the author's works published in 1818. |