Script Analysis for Actors, Directors, and DesignersTaylor & Francis, 2005 - Всего страниц: 336 Script Analysis for Actors, Directors, and Designers applies directly to the experience of theatrical production; students will immediately be able to relate the concepts and procedures they learn to their artistic work. The author's procedural method is detailed and precise. The parts of a play are learned progressively, which fosters an understanding of the concept of artistic unity. Examples are clear and comprehensive. Actors, directors, and designers will benefit from end-of-chapter questions and summaries meant to stimulate their creative process as they engage in production work. |
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Стр. vii
... Dramatic Writing xxi xxxi Analytical Reading Logical Thinking xxxiii xxxv Action Analysis 1 Sequence of Events 2 Reviewing the Facts 5 Seed 6 Three Major Climaxes 12 Theme 18 19 Super-Objective Through-Action 20 Counter Through-Action ...
... Dramatic Writing xxi xxxi Analytical Reading Logical Thinking xxxiii xxxv Action Analysis 1 Sequence of Events 2 Reviewing the Facts 5 Seed 6 Three Major Climaxes 12 Theme 18 19 Super-Objective Through-Action 20 Counter Through-Action ...
Стр. x
... Dramatic Form 293 CONCLUSION APPENDIX A Supplementary Topics for Script Analysis . 295 B APPENDIX Introduction to Genres and Styles of Drama 301 Bibliography 315 Index 323 Preface to the Third Edition This edition retains the same X ...
... Dramatic Form 293 CONCLUSION APPENDIX A Supplementary Topics for Script Analysis . 295 B APPENDIX Introduction to Genres and Styles of Drama 301 Bibliography 315 Index 323 Preface to the Third Edition This edition retains the same X ...
Стр. xii
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Стр. xiii
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Стр. xiv
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Содержание
CHAPTER 1 Action Analysis | 1 |
Given Circumstances | 27 |
Background Story | 57 |
External and Internal Action | 81 |
Progressions and Structure | 117 |
CHAPTER 6 Character | 145 |
CHAPTER 7 Idea | 175 |
CHAPTER 8 Dialogue | 201 |
CHAPTER 9 Tempo Rhythm and Mood | 239 |
CHAPTER 10 The Style of the Play | 265 |
A Final Word about Dramatic Form | 293 |
Supplementary Topics for Script Analysis | 295 |
Introduction to Genres and Styles of Drama | 301 |
315 | |
323 | |
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Action Analysis actors Angels in America appear Arthur Miller artistic audience background story beats beginning behavior Beneatha Biff Billy Chapter character’s Claudius comedy conflict CREON critics Death designers dialogue directors dramatic dramatists Ekdal emotional example express father feelings Formalist Analysis Ghost Given Circumstances Gregers Hairy Ape Hamlet Happy Days Hedvig Hjalmar Horatio Ibsen idealism important intellectual Internal Action Laertes literary main idea Mama Martin meaning modern plays mood Moscow Art Theatre Mother Courage murder narration objectives Oedipus Rex Ophelia Orgon Piano Lesson play’s playwrights plot political Polonius Raisin readers relationship Relling reveal rhythm Richie role Ruth Salesman Sam Shepard scene School for Scandal script analysis Seed sentences social speech stage directions Stanislavski Streamers style stylistic subtext super-objective Tartuffe tempo theatre theatrical Three Sisters Through-Action tion topic understand values Walter Werle Wild Duck Willy Willy’s words York