spective improvement; there was something inexpressibly touching in the sight of enormous piles of architecture, gray with antiquity, and sinking to decay. I cannot describe the mute but deep-felt enthusiasm with which I have contemplated a vast monastic ruin, like Tintern Abbey, buried in the bosom of a quiet valley, and shut up from the world, as though it had existed merely for itself; or a warrior pile, like Conway Castle, standing in stern loneliness on its rocky height, a mere hollow yet threatening phantom of departed power. They spread a grand and melancholy, and, to me, an unusual charm over the landscape; I for the first time beheld signs of national old age, and empire's decay, and proofs of the transient and perishing glories of art, amidst the ever-springing and reviving fertility of

nature.

new.

But, in fact, everything to me was full of matter; the footsteps of history were everywhere to be traced; and poetry had breathed over and sanctified the land. I experienced the delightful freshness of feeling of a child, to whom every thing is I pictured to myself a set of inhabitants and a mode of life for every habitation that I saw, from the aristocratical mansion, amidst the lordly repose of stately groves and solitary parks, to the straw-thatched cottage, with its scanty garden and its cherished woodbine. I thought I never could be sated with the sweetness and freshness of a country so completely carpeted with verdure; where every air breathed of the balmy pasture and the honeysuckled hedge. I was continually coming upon some little document of poetry in the blossomed hawthorn, the daisy, the cowslip, the primrose, or some other simple object that has received a supernatural value from the muse. The first time that I heard the song of the nightingale, I was intoxicated more by the delicious crowd of remembered associations than by the melody of its notes; and I shall never forget the thrill of ecstasy with which I first saw the lark rise, almost from beneath my feet, and wing its musical flight up into the morning sky.

In this way I traversed England, a grown-up child, delighted by every object great and small; and betraying a wondering ignorance, and simple enjoyment, that provoked many a stare

and a smile from my wiser and more experienced fellow-travellers. Such, too, was the odd confusion of associations that kept breaking upon me as I first approached London. One of my earliest wishes had been to see this great metropolis. I had read so much about it in the earliest books that had been put into my infant hands; and I had heard so much about it from those around me who had come from the "old countries." I was familiar with the names of its streets and squares, and public places, before I knew those of my native city. It was, to me, the great centre of the world, round which every thing seemed to revolve. I recollect contemplating so wistfully, when a boy, a paltry little print of the Thames, and London Bridge, and St. Paul's, that was in front of an old magazine; and a picture of Kensington Gardens, with gentlemen in three-cornered hats and broad skirts, and ladies in hoops and lappets, that hung up in my bed-room; even the venerable cut of St. John's Gate, that has stood, time out of mind, in front of the Gentleman's Magazine, was not without its charms to me; and I envied the odd looking little men that appeared to be loitering about its arches.

How then did my heart warm when the towers of Westminster Abbey were pointed out to me, rising above the rich groves of St. James's Park, with a thin blue haze about their gray pinnacles! I could not behold this great mausoleum of what is most illustrious in our paternal history, without feeling my enthusiasm in a glow. With what eagerness did I explore every part of the metropolis! I was not content with those matters which occupy the dignified research of the learned traveller; I delighted to call up all the feelings of childhood, and to seek after those objects which had been the wonders of my infancy. London Bridge, so famous in nursery song; the farfamed Monument; Gog and Magog, and the Lions in the Tower, all brought back many a recollection of infantine delight, and of good old beings, now no more, who had gossiped about them to my wondering ear. Nor was it without a recurrence of childish interest that I first peeped into Mr. Newberry's shop in St. Paul's Churchyard, that fountain-head of literature. Mr. Newberry was the first that ever filled my infant mind with the idea

of a great and good man. He published all the picture-books of the day; and, out of his abundant love for children, he charged "nothing for either paper or print, and only a penny-halfpenny for the binding!"

I have mentioned these circumstances, worthy reader, to show you the whimsical crowd of associations that are apt to beset my mind on mingling among English scenes. I hope they may, in some measure, plead my apology, should I be found harping upon stale or trivial themes, or indulging an over-fondness for any thing antique and obsolete. I know it is the humour, not to say cant, of the day, to run riot about old times, old books, old customs, and old buildings; with myself, however, as far as I have caught the contagion, the feeling is genuine. To a man from a young country all old things are in a manner new; and he may surely be excused in being a little curious about antiquities, whose native land, unfortunately, cannot boast of a single ruin.

Having been brought up, also, in the comparative simplicity of a republic, I am apt to be struck with even the ordinary circumstances incident to an aristocratical state of society. If, however, I should at any time amuse myself by pointing out some of the eccentricities, and some of the political characteristics of the latter, I would not be understood as pretending to decide upon its political merits. My only aim is to paint characters and manners. I am no politician. The more I have considered the study of politics, the more I have found it full of perplexity; and I have contented myself, as I have in my religion, with the faith in which I was brought up, regulating my own conduct by its precepts; but leaving to abler heads the task of making converts.

I shall continue on, therefore, in the course I have hitherto pursued; looking at things poetically, rather than politically; describing them as they are, rather than pretending to point out how they should be; and endeavouring to see the world in as pleasant a light as circumstances will permit.

I have always had an opinion that much good might be done by keeping mankind in good humour with one another. I may be wrong in my philosophy, but I shall continue to practise it

until convinced of its fallacy. When I discover the world to be all that it has been represented by sneering cynics and whining poets, I will turn to and abuse it also; in the meanwhile, worthy reader, I hope you will not think lightly of me, because I cannot believe this to be so very bad a world as it is represented.

Thine truly,

GEOFFREY CRAYON.

(9)

THE HALL.

The ancientest house, and the best for housekeeping in this county or the next, and though the master of it write but squire, I know no lord like him. MERRY BEGGARS.

THE reader, if he has perused the volumes of the Sketch Book, will probably recollect something of the Bracebridge family, with which I once passed a Christmas. I am now on another visit at the Hall, having been invited to a wedding which is shortly to take place. The squire's second son, Guy, a fine spirited young captain in the army, is about to be married to his father's ward, the fair Julia Templeton. A gathering of relations. and friends has already commenced, to celebrate the joyful occasion; for the old gentleman is an enemy to quiet, private weddings. "There is nothing," he says, "like launching a young couple gaily, and cheering them from the shore; a good outset is half the voyage."

Before proceeding any farther, I would beg that the squire might not be confounded with that class of hard-riding, foxhunting gentlemen so often described, and, in fact, so nearly extinct in England. I use this rural title, partly because it is his universal appellation throughout the neighbourhood, and partly because it saves me the frequent repetition of his name, which is one of those rough old English names at which Frenchmen exclaim in despair.

The squire is, in fact, a lingering specimen of the old English country gentleman; rusticated a little by living almost entirely on his estate, and something of a humourist, as Englishmen are apt to become when they have an opportunity of living in their own way. I like his hobby passing well, however, which is, a bigoted devotion to old English manners and customs; it jumps a little with my own humour, having as yet a lively and unsated