Miller's Modern Acting Drama: Consisting of the Most Popular Pieces Produced at the London Theatres, Subject to the Provisions of the Dramatic Copyright Act ...

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J. Miller, 1834
 

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Էջ 4 - C. So, you've found your way down at last, have you, Mr. C. ? MR. C. I hope I have not kept you waiting, my dear ? MRs. C. Yes, you have kept me waiting, my dear—here's all the breakfast as cold as one's
Էջ 20 - eh? no wonder at my dying of love for you ! would not such bewitching smiles kill any man ? I declare one might well say of you, what Shakespeare says of Richard— " You can smile and murder while you smile.
Էջ v - Petrarch and Chaucer. Goldoni's elegant genius adorned with it the stage of Italy; but the author of the present work had no opportunity of perusing the " Griselda," until after the completion of " Woman's Love;
Էջ 12 - be— I love my love because I know my love loves me.
Էջ 7 - one hundred and fifty new and pop'lar hairs for a hapny, here's—" Mary I believes thee true" " Hookey Valker"—" Giles Scroggins courted Molly Brown" "On the banks of the Blue Moselle"—" Barclay and Perkins' drayman" " He vas famed for deeds of harms"— His there a heart
Էջ 31 - LONDON THEATRES, SUBJECT TO THI PROVISIONS OF THE DRAMATIC COPYRIGHT ACT. LONDON: JOHN MILLER. HENRIETTA STREET, COVENT GARDEN. (Agent to the Dramatic
Էջ 15 - JEM B. What school! (Aside.) Blow me, if I was ever inside on one! but I must not let him know nothing about that. Vhy, I thinks as how, the Parish School is a pretty tidy un.
Էջ 53 - LONDON: JOHN MILLER, HENRIETTA STREET, COVENT GARDEN. (Agent to the Dramatic Authors
Էջ 18 - PEG. And so I do! la! all the time you've been away— I never done nothing but remember how happy I was when first you made overtures to me. JEM B. Well! if she arn't music mad as well as the rest on em ! I tell you, I don't know nothing about music.

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