Polish National CinemaBerghahn Books, 2002 - 304 էջ In the years since World War 2, Poland has developed one of Europe's most distinguished film cultures. This is a comprehensive study of Polish cinema from the end of the 19th century to the present. |
Բովանդակություն
Polish Cinema before the Introduction of Sound | 1 |
The Sound Period of the 1930s 233 | 23 |
Polish FilmsWhose Dreams? Cinema and the Political | 44 |
Socialist Realist Films | 56 |
The Polish School Revisited | 73 |
Adaptations Personal Style and Popular Cinema between | 110 |
The Cinema of Distrust | 146 |
The Return of Democracy | 176 |
The Representation of Stalinism in Polish Cinema | 207 |
National Memory the Holocaust and Images of the | 222 |
Polish Films with an American Accent | 243 |
Afterword | 259 |
Selected Bibliography | 272 |
| 282 | |
| 292 | |
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actors adaptations Agnieszka Aleksander Ford Andrzej Munk Andrzej Wajda artistic Artystyczne i Filmowe Ashes and Diamonds audiences Bogusław Linda Bolesław camera characters cinema theaters comedy communist Cracow culture death director documentary Encyklopedia kultury polskiej example feature films Festival of Polish film industry film's filmic films dealing genre German ghetto Henryk Historia filmu polskiego Holocaust Home Army images Irzykowski Janusz Jerzy Hoffman Jerzy Kawalerowicz Jerzy Stuhr Jewish Juliusz Kazimierz Kutz Kinematografia Kino Krzysztof Kieślowski Krzysztof Zanussi Kutz's Leonard Buczkowski lish Łódź Marek Michał Waszyński Michałek narrates novel Nurczyńska-Fidelska patriotic period Piotr Poland Polish cinema Polish critics Polish filmmakers Polish films Polish history Polish School political polskie popular portrays postwar prewar produced protagonist reality released role Ryszard scene screen Skolimowski socialist realist Solidarity Soviet Stalinism Stalinist Stanisław Stanisław Różewicz star stresses television themes tion Uprising viewers Wajda's film Warsaw Władysław Wojciech Wydawnictwa Artystyczne young Zajiček Zbigniew
Սիրված հատվածներ
Էջ 273 - Andrzej Wajda: Film Language and the Artist's Truth." Cross Currents: A Yearbook of Central European Culture 1 (1982): 339-353.