The Early Flemish Painters: Notices of Their Lives and WorksJ. Murray, 1857 - 383 էջ |
From inside the book
Արդյունքներ 52–ի 1-ից 5-ը:
Էջ 13
... Flemings lacked that elevated sentiment which can arise alone from the deepest fervour and a strong religious feeling . In 1383 , Philip the Hardy laid the first stone of the Carthusian convent near Dijon . That convent , although now ...
... Flemings lacked that elevated sentiment which can arise alone from the deepest fervour and a strong religious feeling . In 1383 , Philip the Hardy laid the first stone of the Carthusian convent near Dijon . That convent , although now ...
Էջ 14
... Fleming , and adorned them with pictures by Broederlain . The walls of the edifice were painted by another of his artists and " varlets , " Jean Malouel.1 Of the latter , however , no pictures remain , whilst the shrines of Broederlain ...
... Fleming , and adorned them with pictures by Broederlain . The walls of the edifice were painted by another of his artists and " varlets , " Jean Malouel.1 Of the latter , however , no pictures remain , whilst the shrines of Broederlain ...
Էջ 16
... Flemings might , under similar circumstances , have risen to a sweet and dignified conception of nature ; and ] Comptes d'Annot Arnaut . Arch . de Dijon . - Plusieurs mémoires tirés de la chambre des comptes de Dijon et des Arch . de la ...
... Flemings might , under similar circumstances , have risen to a sweet and dignified conception of nature ; and ] Comptes d'Annot Arnaut . Arch . de Dijon . - Plusieurs mémoires tirés de la chambre des comptes de Dijon et des Arch . de la ...
Էջ 18
... Fleming , and is the distinctive feature of a manner in which the painter strives to imitate nature in its most material ... Flemings first improved themselves there , and rescued their paintings from much that was ignoble and repulsive ...
... Fleming , and is the distinctive feature of a manner in which the painter strives to imitate nature in its most material ... Flemings first improved themselves there , and rescued their paintings from much that was ignoble and repulsive ...
Էջ 21
... Flemings may have found , also at an early period , that they could not with impunity leave pictures exposed to the air , and have felt , at the same time , that the medium employed by the Italians for the preservation of paintings so ...
... Flemings may have found , also at an early period , that they could not with impunity leave pictures exposed to the air , and have felt , at the same time , that the medium employed by the Italians for the preservation of paintings so ...
Այլ խմբագրություններ - View all
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,G.B. Cavalcaselle Ամբողջությամբ դիտվող - 1872 |
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,Giovanni Battista Cavalcaselle Ամբողջությամբ դիտվող - 1872 |
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,Giovanni Battista Cavalcaselle Ամբողջությամբ դիտվող - 1857 |
Common terms and phrases
Adoration Agnus Alphonzo altar-piece amongst Anonimo di Morelli Antonello da Messina Antwerp artists attributed Bavon Belgium Belvedere Berlin Cat Broederlain Bruges Brussels Burgundy Catalogue chapel chiaro-'scuro Christ church Cologne colour composition Cristus Dierick Dijon drapery Ducs Duke executed exhibited Eyck's Fcap fifteenth century figures finished Flanders Flemings Gallery Ghent hand Hans Memling head History Hospital Hubert Van Eyck imitated Infant Italian Italy Jehan John the Baptist John Van Eyck Justus kneeling Laborde laboured landscape Louvain Madonna Magi manner Margaret of Austria master Meestre Memling Memling's Michiels Munich Museum Naples noble noticed numerous Ouwater painted panel Passavant Philip picture portrait possession Post 8vo productions pupil remarkable Réné representing Roger saint Saviour Second Edition Stuerbout style talent tempera Third Edition tone trace truth tryptic ut sup Vaernewyk Van der Weyden varlet de chambre Vasari Venice Virgin and Child Weyden whilst wings Wood Woodcuts