The Early Flemish Painters: Notices of Their Lives and WorksJ. Murray, 1857 - 383 էջ |
From inside the book
Արդյունքներ 36–ի 1-ից 5-ը:
Էջ 19
... broad and powerful colours of the garments mark the Flemish school . The museum at Valencia contains a small panel , which bears some resemblance in manner to those of Broederlain . 1 The dalmatica is a vestment worn by deacons and sub ...
... broad and powerful colours of the garments mark the Flemish school . The museum at Valencia contains a small panel , which bears some resemblance in manner to those of Broederlain . 1 The dalmatica is a vestment worn by deacons and sub ...
Էջ 20
... broad and powerful colours of the garments , and the clear pale tones of the flesh tints . It represents Christ's dead body seated on a tomb , supported by an angel , with various figures kneel- ing round him ; on the right a woman and ...
... broad and powerful colours of the garments , and the clear pale tones of the flesh tints . It represents Christ's dead body seated on a tomb , supported by an angel , with various figures kneel- ing round him ; on the right a woman and ...
Էջ 72
... Had he possessed the entire gift of simplicity , he would not have laden the broad and sweeping folds of his drapery with CHRISTI MILITE . WiIAMS . the superfluous ornaments which profusely 72 [ CHAP . IV . THE SCHOOL OF BRUGES .
... Had he possessed the entire gift of simplicity , he would not have laden the broad and sweeping folds of his drapery with CHRISTI MILITE . WiIAMS . the superfluous ornaments which profusely 72 [ CHAP . IV . THE SCHOOL OF BRUGES .
Էջ 80
... John the Baptist in the Agnus Dei ; and the broad and simple turn of drapery , with the able drawing and the good proportion of the hands , might also be adduced as proofs of Hubert's 80 [ CHAP . IV . THE SCHOOL OF BRUGES .
... John the Baptist in the Agnus Dei ; and the broad and simple turn of drapery , with the able drawing and the good proportion of the hands , might also be adduced as proofs of Hubert's 80 [ CHAP . IV . THE SCHOOL OF BRUGES .
Էջ 104
... broad impasto or the skilful glazings of the original , yet the signature removed all doubt respecting its authen- ticity ; the only question with the critics being as to whether 1440 or 1420 was the real date ; those who argued for the ...
... broad impasto or the skilful glazings of the original , yet the signature removed all doubt respecting its authen- ticity ; the only question with the critics being as to whether 1440 or 1420 was the real date ; those who argued for the ...
Այլ խմբագրություններ - View all
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,G.B. Cavalcaselle Ամբողջությամբ դիտվող - 1872 |
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,Giovanni Battista Cavalcaselle Ամբողջությամբ դիտվող - 1872 |
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,Giovanni Battista Cavalcaselle Ամբողջությամբ դիտվող - 1857 |
Common terms and phrases
Adoration Agnus Alphonzo altar-piece amongst Anonimo di Morelli Antonello da Messina Antwerp artists attributed Bavon Belgium Belvedere Berlin Cat Broederlain Bruges Brussels Burgundy Catalogue chapel chiaro-'scuro Christ church Cologne colour composition Cristus Dierick Dijon drapery Ducs Duke executed exhibited Eyck's Fcap fifteenth century figures finished Flanders Flemings Gallery Ghent hand Hans Memling head History Hospital Hubert Van Eyck imitated Infant Italian Italy Jehan John the Baptist John Van Eyck Justus kneeling Laborde laboured landscape Louvain Madonna Magi manner Margaret of Austria master Meestre Memling Memling's Michiels Munich Museum Naples noble noticed numerous Ouwater painted panel Passavant Philip picture portrait possession Post 8vo productions pupil remarkable Réné representing Roger saint Saviour Second Edition Stuerbout style talent tempera Third Edition tone trace truth tryptic ut sup Vaernewyk Van der Weyden varlet de chambre Vasari Venice Virgin and Child Weyden whilst wings Wood Woodcuts