The Early Flemish Painters: Notices of Their Lives and WorksJ. Murray, 1857 - 383 էջ |
From inside the book
Արդյունքներ 100–ի 1-ից 5-ը:
Էջ iii
... colour . Influenced in this , as much by clime as by other causes , it brought to perfection a system which soon extended itself to all the Schools of the world , embracing in its progress the early painters of Venice , and laying the ...
... colour . Influenced in this , as much by clime as by other causes , it brought to perfection a system which soon extended itself to all the Schools of the world , embracing in its progress the early painters of Venice , and laying the ...
Էջ 5
... colour used was mixed in oil , as many documents still prove . For in- stance , the Tomb of John III . , Duke of ... colours for the purposes we have described , CHAP . I. ] B EARLY EFFORTS ,
... colour used was mixed in oil , as many documents still prove . For in- stance , the Tomb of John III . , Duke of ... colours for the purposes we have described , CHAP . I. ] B EARLY EFFORTS ,
Էջ 6
... colours . ' CXXV . dach wercken up syn selve cost ... CII . pont . - De La- borde , ut sup . , vol . i . Introd . note to page lxiv . See also , on the use of oil in colours , a Letter from Baron Vernazza to the Giornale di Pisa of 1794 ...
... colours . ' CXXV . dach wercken up syn selve cost ... CII . pont . - De La- borde , ut sup . , vol . i . Introd . note to page lxiv . See also , on the use of oil in colours , a Letter from Baron Vernazza to the Giornale di Pisa of 1794 ...
Էջ 17
... colour , and lack of chiaro- ' scuro , all special characteristics of the old Westphalian school . The heads are flat and unrelieved , and the features are repulsive ; the general aspect of the composition is marred by the ugliness and ...
... colour , and lack of chiaro- ' scuro , all special characteristics of the old Westphalian school . The heads are flat and unrelieved , and the features are repulsive ; the general aspect of the composition is marred by the ugliness and ...
Էջ 22
... colour simply with a coat of varnish — una mano di colla ; and miniatures thus treated remained for ages without ... colours more tenacious and more lasting than that of the men of central Italy . A careful examination of the works of ...
... colour simply with a coat of varnish — una mano di colla ; and miniatures thus treated remained for ages without ... colours more tenacious and more lasting than that of the men of central Italy . A careful examination of the works of ...
Այլ խմբագրություններ - View all
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,G.B. Cavalcaselle Ամբողջությամբ դիտվող - 1872 |
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,Giovanni Battista Cavalcaselle Ամբողջությամբ դիտվող - 1872 |
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,Giovanni Battista Cavalcaselle Ամբողջությամբ դիտվող - 1857 |
Common terms and phrases
Adoration Agnus Alphonzo altar-piece amongst Anonimo di Morelli Antonello da Messina Antwerp artists attributed Bavon Belgium Belvedere Berlin Cat Broederlain Bruges Brussels Burgundy Catalogue chapel chiaro-'scuro Christ church Cologne colour composition Cristus Dierick Dijon drapery Ducs Duke executed exhibited Eyck's Fcap fifteenth century figures finished Flanders Flemings Gallery Ghent hand Hans Memling head History Hospital Hubert Van Eyck imitated Infant Italian Italy Jehan John the Baptist John Van Eyck Justus kneeling Laborde laboured landscape Louvain Madonna Magi manner Margaret of Austria master Meestre Memling Memling's Michiels Munich Museum Naples noble noticed numerous Ouwater painted panel Passavant Philip picture portrait possession Post 8vo productions pupil remarkable Réné representing Roger saint Saviour Second Edition Stuerbout style talent tempera Third Edition tone trace truth tryptic ut sup Vaernewyk Van der Weyden varlet de chambre Vasari Venice Virgin and Child Weyden whilst wings Wood Woodcuts