Scandalizing Jesus?: Kazantzakis's The Last Temptation of Christ Fifty Years OnDarren J. N. Middleton Bloomsbury Publishing USA, 03 նոյ, 2005 թ. - 288 էջ 2005 marks the fiftieth anniversary of Nikos Kazantzakis' The Last Temptation of Christ. Since Kazantzakis ranks as one of the twentieth century's most important European writers, and given that this particular work of his has garnered so much publicity, this collection of essays re-assesses the novel, though not forgetting the movie, in light of one half century's worth of criticism and reception history. Clergy and laity alike have denounced this novel. When it first appeared, the Greek Orthodox Church condemned it, the Vatican placed it on its Index of Forbidden Texts, and conservative-evangelicals around the world protested its allegedly blasphemous portrayal of a human, struggling Messiah who "succumbs" to the devil's final snare while on the Cross: the temptation to happiness. Assuredly, the sentiments surrounding this novel, at least in the first thirty years or so, were very strong. When Martin Scorcese decided in the early 1980s to adapt the novel for the silver screen, even stronger feelings were expressed. Even today his works are seldom studied in Greece, largely because the Greek government is unable or unwilling to anthologize his material for the national curriculum. After fifty years, however, the time seems right to re-examine the novel, the man, and the film, locating Kazantzakis and his work within an important debate about the relationship between religion and art (literary and cinematic). Until now a book-length assessment of Kazantzakis' novel, and the film it inspired, has not appeared. No such volume is planned to commemorate the fiftieth anniversary of the novel's publication. For those who work in Kazantzakis studies, a focused anthology like this one is missing from library collections. The volume contains original essays by Martin Scorcese, the film critic Peter Chattaway, and Kazantzakis' translator, Peter A. Bien. |
From inside the book
Արդյունքներ 63–ի 1-ից 5-ը:
Էջ ix
... now think about " human nature , " and given the Church's insistence on Jesus ' full humanity , how are we to think about Jesus ' human subjectivity — including his sexuality ? ix That topic is trouble , big trouble , as everyone Foreword.
... now think about " human nature , " and given the Church's insistence on Jesus ' full humanity , how are we to think about Jesus ' human subjectivity — including his sexuality ? ix That topic is trouble , big trouble , as everyone Foreword.
Էջ xviii
... [ nature ] ) , holding that Jesus has one nature . Although this view is at odds with what has been traditionally seen as the orthodox , Chalcedonian view ( Jesus ' having two distinct natures ) , Dombrowski thinks it is nonetheless a ...
... [ nature ] ) , holding that Jesus has one nature . Although this view is at odds with what has been traditionally seen as the orthodox , Chalcedonian view ( Jesus ' having two distinct natures ) , Dombrowski thinks it is nonetheless a ...
Էջ 3
... nature awoke for a moment . He began perhaps to doubt of his work .... Terror , hesitation seized upon him and threw him into a dejection worse than death . The man who has sacri- ficed repose and the natural compensations of life to a ...
... nature awoke for a moment . He began perhaps to doubt of his work .... Terror , hesitation seized upon him and threw him into a dejection worse than death . The man who has sacri- ficed repose and the natural compensations of life to a ...
Էջ 4
... nature soon resumed the ascendancy . . . . The love of his work gained the victory . " 3 Renan's speculations ... natural for him to feel especially attracted to Renan's famous series of religious biographies when he em- barked on his ...
... nature soon resumed the ascendancy . . . . The love of his work gained the victory . " 3 Renan's speculations ... natural for him to feel especially attracted to Renan's famous series of religious biographies when he em- barked on his ...
Էջ 5
... nature . ) He follows Renan as well when he places the walking on the waves in Peter's dream.15 Renan declares that a miracle " always implies gullibility or deception . " 16 The only miracle that Kazantzakis seems to take at face value ...
... nature . ) He follows Renan as well when he places the walking on the waves in Peter's dream.15 Renan declares that a miracle " always implies gullibility or deception . " 16 The only miracle that Kazantzakis seems to take at face value ...
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