Scandalizing Jesus?: Kazantzakis's The Last Temptation of Christ Fifty Years OnDarren J. N. Middleton Bloomsbury Publishing USA, 03 նոյ, 2005 թ. - 288 էջ 2005 marks the fiftieth anniversary of Nikos Kazantzakis' The Last Temptation of Christ. Since Kazantzakis ranks as one of the twentieth century's most important European writers, and given that this particular work of his has garnered so much publicity, this collection of essays re-assesses the novel, though not forgetting the movie, in light of one half century's worth of criticism and reception history. Clergy and laity alike have denounced this novel. When it first appeared, the Greek Orthodox Church condemned it, the Vatican placed it on its Index of Forbidden Texts, and conservative-evangelicals around the world protested its allegedly blasphemous portrayal of a human, struggling Messiah who "succumbs" to the devil's final snare while on the Cross: the temptation to happiness. Assuredly, the sentiments surrounding this novel, at least in the first thirty years or so, were very strong. When Martin Scorcese decided in the early 1980s to adapt the novel for the silver screen, even stronger feelings were expressed. Even today his works are seldom studied in Greece, largely because the Greek government is unable or unwilling to anthologize his material for the national curriculum. After fifty years, however, the time seems right to re-examine the novel, the man, and the film, locating Kazantzakis and his work within an important debate about the relationship between religion and art (literary and cinematic). Until now a book-length assessment of Kazantzakis' novel, and the film it inspired, has not appeared. No such volume is planned to commemorate the fiftieth anniversary of the novel's publication. For those who work in Kazantzakis studies, a focused anthology like this one is missing from library collections. The volume contains original essays by Martin Scorcese, the film critic Peter Chattaway, and Kazantzakis' translator, Peter A. Bien. |
From inside the book
Արդյունքներ 45–ի 1-ից 5-ը:
Էջ xiii
... writing about Nikos Kazantzakis's novel and / or Martin Scorsese's film . Generally , Kazantzakis's imaginative re ... writer uses the ( phonetic ) transliteration scheme developed by The Journal of Modern Greek Studies with slight ...
... writing about Nikos Kazantzakis's novel and / or Martin Scorsese's film . Generally , Kazantzakis's imaginative re ... writer uses the ( phonetic ) transliteration scheme developed by The Journal of Modern Greek Studies with slight ...
Էջ xv
... writers often find that they must attend the devil's party before conjuring those characters who pose difficult questions about life , reality , meaning , and God.3 As critic Frederic Koeppel writes : We turn to great literature — all ...
... writers often find that they must attend the devil's party before conjuring those characters who pose difficult questions about life , reality , meaning , and God.3 As critic Frederic Koeppel writes : We turn to great literature — all ...
Էջ xvii
... consider Kazantzakis's primary sources in writing The Last Temp- tation . Peter Bien indicates that Kazantzakis read Ernest Renan's Vie de Jesus ( 1863 ) very carefully in October 1950 , copying long passages into xvii Introduction.
... consider Kazantzakis's primary sources in writing The Last Temp- tation . Peter Bien indicates that Kazantzakis read Ernest Renan's Vie de Jesus ( 1863 ) very carefully in October 1950 , copying long passages into xvii Introduction.
Էջ xviii
... writing in relation to the Greek Orthodox tradition yields a fresh understanding of Kazantzakis's own relationship to that tradition , and in turn its relation to the other strains of thought found in The Last Temptation . Vrasidas ...
... writing in relation to the Greek Orthodox tradition yields a fresh understanding of Kazantzakis's own relationship to that tradition , and in turn its relation to the other strains of thought found in The Last Temptation . Vrasidas ...
Էջ xx
... writer J. M. Coetzee , " The clas- sic defines itself by surviving . " After fifty years of heated debate , Kazantzakis's novel is still going strong . It continues to provoke , agitate , and excite persons of faith and those of no ...
... writer J. M. Coetzee , " The clas- sic defines itself by surviving . " After fifty years of heated debate , Kazantzakis's novel is still going strong . It continues to provoke , agitate , and excite persons of faith and those of no ...
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