His every strain the Smiles and Graces own; With gradual steps and slow, exacter France Saw Art's fair empire o'er her shores advance: By length of toil a bright perfection knew, Correctly bold, and just in all she drew: Till late Corneille, with Lucan's spirit fir'd, Breath'd the free strain, as Rome and he inspir'd: And classic judgment gain'd to sweet Racine The temperate strength of Maro's chaster line. But wilder far the Pritish laurel spread, The historian's truth, and bid the manners live. There Henry's trumpets spread their loud alarms; The time shall come when Glo'ster's heart shall bleed, In life's last hours with horror of the deed: * Their characters are thus distinguished by Mr. Dryden. + About the time of Shakespeare, the poet Hardy was in great repute in France. He wrote, according to Fontenelle, six hundred plays. The French poets after him applied themselves in general to the correct improvement of the stage, which was almost totally disregarded by those of our own country, Jonson excepted. The favourite author of the elder Corneille. Turno tempus erit, magno cum optaverit emptum C Virg. When dreary visions shall at last present Thy hand unseen the secret death shall bear ; Where'er we turn, by Fancy charm'd, we find Oft, wild of wing, she calls the soul to rove O, more than all in powerful genius blest, O might some verse with happiest skill persuade What wondrous draughts might rise from every page! Methinks e'en now I view some free design Where breathing Nature lives in every line: Chaste and subdu'd the modest lights decay, Steal into shades, and mildly melt away. And see where Anthony,* in tears approv❜d, Guards the pale relics of the chief he lov'd: O'er the cold corse the warrior seems to bend, Deep sunk in grief, and mourns his murder'd friend! Still as they press, he calls on all around, Lifts the torn robe, and points the bleeding wound. See the Tragedy of Julius Cæsar. But who is he whose brows exalted bear (So heaven ordains it) on the destin'd wall. Thus, generous Critic, as thy Bard inspires, So spread o'er Greece, the harmonious whole unknown, E'en Homer's numbers charm'd by parts alone. Coriolanus. See Mr. Spence's Dialogue on the Odyssey. Dirge in Cymbeline. Sung by Guiderus and Arviragus over Fidele, supposed to be dead. TO. fair Fidele's grassy tomb Soft maids and village hinds shall bring No wailing ghost shall dare appear And melting virgins own their love. No wither'd witch shall here be seen; The redbreast oft, at evening hours, When howling winds, and beating rain, Each lonely scene shall thee restore; And mourn'd, till Pity's self be dead. Ode on the Death of Mr. Thomson. The Scene of the following Stanzas is supposed to lie on the Thames, near Richmond. I N yonder grave a Druid lies, Where slowly winds the stealing wave! In yon deep bed of whispering reeds Then maids and youths shall linger here; To hear the woodland pilgrim's knell. Remembrance oft shall haunt the shore, To bid his gentle spirit rest! And, oft as ease and health retire The friend shall view yon whitening + spire But thou who own'st that earthly bed, The harp of Eolus, of which see a description in the Castle of Indolence. Richmond Church, in which Thomson was buried.' |