François Rabelais: Critical AssessmentsJean-Claude Carron Johns Hopkins University Press, 1995 - 227 էջ In Francois Rabelais: Critical Assessments, Jean-Claude Carron brings together a distinguished group of senior scholars who have found themselves at the center of an ongoing debate about historical contextualization and interpretive strategies. Chapters explore such issues as the "design" and composition of the text, Rabelais as humanist, his antifeminism, his religious "position" as revealed by biblical or evangelical references, and particular aspects of low early-modern culture. A chapter on Rabelais and Erasmus draws essential differences between the two "giants of European humanism." "This is a book which will appeal particularly to specialists of Renaissance French literature but also to scholars of other European Renaissance literatures... First-rate literary criticism."--Lance K. Donaldson-Evans, University of Pennsylvania. Contributors: Jean-Claude Carron, Richard Regosin, Ramond La Charite, Gerard Defaux, Terence Cave, Michel Jeanneret, Carla Freccero, Francois Rigolot, Thomas Greene, Edwin Duval, Richard Regosin, Jean-Claude Margolin, Marc Bensimon, Michael J. B. Allen. |
From inside the book
Արդյունքներ 40–ի 1-ից 3-ը:
Էջ 22
... takes refuge in a worn - out but comforting paradox , asking whether laughter itself is not after all Gargantua's most serious matter . The quandary is easy to define at first sight . It has its origin in the uncanny juxtaposition of ...
... takes refuge in a worn - out but comforting paradox , asking whether laughter itself is not after all Gargantua's most serious matter . The quandary is easy to define at first sight . It has its origin in the uncanny juxtaposition of ...
Էջ 27
... takes precedence over the peda- gogue and the thinker . Of the two tasks that seem to have mobilized Rabelais's energy in Gargantua - that of the religious , social , and political reformer and that of the artist in love with his medium ...
... takes precedence over the peda- gogue and the thinker . Of the two tasks that seem to have mobilized Rabelais's energy in Gargantua - that of the religious , social , and political reformer and that of the artist in love with his medium ...
Էջ 45
... take one other point of reference in Pantagruel that greatly augments the implications of the group so far ... takes place in the alien world of Pantagruel's mouth , a kind of unthreatening heart of darkness . Pan- urge talks ...
... take one other point of reference in Pantagruel that greatly augments the implications of the group so far ... takes place in the alien world of Pantagruel's mouth , a kind of unthreatening heart of darkness . Pan- urge talks ...
Բովանդակություն
Raymond La Charité The Framing of Rabelaiss Gargantua | 3 |
Gérard Defaux Rabelaiss Realism Again | 19 |
Cultural | 39 |
Հեղինակային իրավունք | |
9 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
Abbey of Thélème Abel Lefranc Alcofribas alien allegory androgyne aultres Bakhtin bien Booth cabbage planter Cave chapter character Charité Christ Christian comic commentary critical culture curse Defaux dialogue Diogenes Droz Duval Edited Enguerrand de Monstrelet Enigme en prophetie epic episode Erasmian Erasmus Erasmus's essay evangelical familiar Fanfreluches father feminist Ficino fiction folly framing François Rabelais Freccero French Frère Jean Gargantua Gargantua and Pantagruel giant hermeneutics humanist interpretation intertextuality jokes language laughter literary Lucian Margolin meaning medieval modern Montaigne myth narrative narrator opening discourse Pantagruel Panurge Panurge's paradoxical Paris Parisian lady Parmenides passage philosophical Plato play Praise of Folly problematic prologue Quart livre quest question Rabe Rabelais's Rabelais's text Rabelaisian Rabelaisian text reader reading references Regosin religious Renaissance rhetoric Rigolot Satan scene Screech sense signs sixteenth-century speak story suggest textual Thélème thematic Tiers livre tion traditional translation woman words writing