Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 21–ի 1-ից 3-ը:
Էջ 16
... Henry James in The Sense of the Past and Virginia Woolf in To the Lighthouse , or Orlando , and Thomas Wolfe in Of Time and the River , ( ' ) and many more writers in many more novels . The reason for this desire to get to grips with ...
... Henry James in The Sense of the Past and Virginia Woolf in To the Lighthouse , or Orlando , and Thomas Wolfe in Of Time and the River , ( ' ) and many more writers in many more novels . The reason for this desire to get to grips with ...
Էջ 51
... Henry James , in a letter to A. Monod , Sep. 7th , 1913 : I feel that in a literary work of the least complexity the very form and texture are the substance itself and that the flesh is indetachable from the bones ' . The Henry James ...
... Henry James , in a letter to A. Monod , Sep. 7th , 1913 : I feel that in a literary work of the least complexity the very form and texture are the substance itself and that the flesh is indetachable from the bones ' . The Henry James ...
Էջ 89
... Henry James , James Joyce , D. H. Lawrence and many other novelists . It is of course undeni- able that every author as far as he is great and at the same time original , has had the task of creating the taste by which he is to be ...
... Henry James , James Joyce , D. H. Lawrence and many other novelists . It is of course undeni- able that every author as far as he is great and at the same time original , has had the task of creating the taste by which he is to be ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis