Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 46–ի 1-ից 3-ը:
Էջ 176
... Sterne is misled into using the word ' line ' by the common practice of limiting the narration to one or more main characters followed chronologically along single or parallel lines from one period to another . An apter description of ...
... Sterne is misled into using the word ' line ' by the common practice of limiting the narration to one or more main characters followed chronologically along single or parallel lines from one period to another . An apter description of ...
Էջ 183
... Sterne promises an account of the love - affairs of uncle Toby , it is a promise to tell of something that occurred in 1713 . It is noteworthy that Sterne frequently gives the exact dates on which he is engaged in narrating various ...
... Sterne promises an account of the love - affairs of uncle Toby , it is a promise to tell of something that occurred in 1713 . It is noteworthy that Sterne frequently gives the exact dates on which he is engaged in narrating various ...
Էջ 188
... Sterne had anticipated his idea in Tristram Shandy . ILLUSTRATION OF STERNE'S USE OF THE TIME - SHIFT To illustrate one aspect of Sterne's technique , an analysis of his use of the time - shift in the first book of Tristram Shandy is ...
... Sterne had anticipated his idea in Tristram Shandy . ILLUSTRATION OF STERNE'S USE OF THE TIME - SHIFT To illustrate one aspect of Sterne's technique , an analysis of his use of the time - shift in the first book of Tristram Shandy is ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis