Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 11–ի 1-ից 3-ը:
Էջ 16
... Thomas Mann announced his intentions quite clearly : If it is too much to say that one can tell a tale of time , it is none the less true that a desire to tell a tale about time is not such an absurd idea ... [ We ] confess that we had ...
... Thomas Mann announced his intentions quite clearly : If it is too much to say that one can tell a tale of time , it is none the less true that a desire to tell a tale about time is not such an absurd idea ... [ We ] confess that we had ...
Էջ 71
... Thomas Mann in the Magic Mountain calls the latter the ' relative ' and the former the ' actual ' times of the novel . ( 13 ) The fictional time may extend over several generations as in the family ' sagas ' that have steadily increased ...
... Thomas Mann in the Magic Mountain calls the latter the ' relative ' and the former the ' actual ' times of the novel . ( 13 ) The fictional time may extend over several generations as in the family ' sagas ' that have steadily increased ...
Էջ 89
... Thomas Mann : I do not know why this double time - reckoning arrests my atten- tion or why I am at pains to point out both the personal and the objective , the time in which the narrator moves and that in which the narrative does so ...
... Thomas Mann : I do not know why this double time - reckoning arrests my atten- tion or why I am at pains to point out both the personal and the objective , the time in which the narrator moves and that in which the narrative does so ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis