Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 8–ի 1-ից 3-ը:
Էջ 23
... Lewis ( 3 ) ignore is the factor of communication in art . They seem to forget that perception involves the perceiver as well as the percepta , that criticism implies the criticiser ... Wyndham Lewis will illustrate this point . 3 23.
... Lewis ( 3 ) ignore is the factor of communication in art . They seem to forget that perception involves the perceiver as well as the percepta , that criticism implies the criticiser ... Wyndham Lewis will illustrate this point . 3 23.
Էջ 24
... Wyndham Lewis suggests , mean that there is ' one instant at which it can be apprehended in its totality ' . The truth of the first of these two statements may be accepted , though perhaps it is a metaphysical pro- blem rather than one ...
... Wyndham Lewis suggests , mean that there is ' one instant at which it can be apprehended in its totality ' . The truth of the first of these two statements may be accepted , though perhaps it is a metaphysical pro- blem rather than one ...
Էջ 58
... Wyndham Lewis who proclaimed himself the champion of ' the space - school of fiction ' . Painting equally has its time - values . In addition to the time element involved in the perception of the painting by the spectator , there is a ...
... Wyndham Lewis who proclaimed himself the champion of ' the space - school of fiction ' . Painting equally has its time - values . In addition to the time element involved in the perception of the painting by the spectator , there is a ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis