Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 9–ի 1-ից 3-ը:
Էջ 20
... causality , of the double plot based on a back and forth alternation in time , of the impression- istic novel based on interior sequence and denying causality , of the time - shift technique , of counterpointing , of the plotless novel ...
... causality , of the double plot based on a back and forth alternation in time , of the impression- istic novel based on interior sequence and denying causality , of the time - shift technique , of counterpointing , of the plotless novel ...
Էջ 48
... causality working within a narrowly limited number of factors . It is primarily to oppose this view that the ' stream of consciousness ' writers evolved their technique ; the structural significance of this is to be found in the ...
... causality working within a narrowly limited number of factors . It is primarily to oppose this view that the ' stream of consciousness ' writers evolved their technique ; the structural significance of this is to be found in the ...
Էջ 166
... causality , which involved rigid selection and economy of incident in the interests of an artificial patterning of the action . Sterne was very deeply interested in the problems these conventions raise , namely the relationship between ...
... causality , which involved rigid selection and economy of incident in the interests of an artificial patterning of the action . Sterne was very deeply interested in the problems these conventions raise , namely the relationship between ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis