Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 64–ի 1-ից 3-ը:
Էջ 36
... conventions of form , medium and theme . They set up in place of the old , new conventions such as make , to their thinking , fewer demands on the credulity of their readers . Their intention is clear . It is the intention of all ...
... conventions of form , medium and theme . They set up in place of the old , new conventions such as make , to their thinking , fewer demands on the credulity of their readers . Their intention is clear . It is the intention of all ...
Էջ 37
... conventions over others . What is even more difficult to appreciate is that the reality itself towards which they aspire through their new or adapted conventions is itself not absolute but relative to themselves and to their times . For ...
... conventions over others . What is even more difficult to appreciate is that the reality itself towards which they aspire through their new or adapted conventions is itself not absolute but relative to themselves and to their times . For ...
Էջ 41
... conventions of fiction till quite recent times are those familiar from the forms of poetry . In distinguishing the conventions under the headings of theme , form and medium , it must never for one moment be forgotten that the division ...
... conventions of fiction till quite recent times are those familiar from the forms of poetry . In distinguishing the conventions under the headings of theme , form and medium , it must never for one moment be forgotten that the division ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis