Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 27–ի 1-ից 3-ը:
Էջ 76
... dramatic high - spots . The closed - plot novelists preferred to follow the dramatic Unity of Action as formu- lated by Aristotle , and to choose for treatment only those causal elements that contribute directly to the plot . Numberless ...
... dramatic high - spots . The closed - plot novelists preferred to follow the dramatic Unity of Action as formu- lated by Aristotle , and to choose for treatment only those causal elements that contribute directly to the plot . Numberless ...
Էջ 109
... DRAMATIC METHOD Where the omniscient author refrains from obtruding himself or his comments into his work , the illusion of presentness and immediacy may persist very ... dramatic method , the lavish use of 109 The dramatic method.
... DRAMATIC METHOD Where the omniscient author refrains from obtruding himself or his comments into his work , the illusion of presentness and immediacy may persist very ... dramatic method , the lavish use of 109 The dramatic method.
Էջ 110
... dramatic method aims at conveying the psychological equivalent of the dramatic present , ( 44 ) . and has been thus defined : The dramatic method is the method of direct presentation , and aims to give the reader the sense of being ...
... dramatic method aims at conveying the psychological equivalent of the dramatic present , ( 44 ) . and has been thus defined : The dramatic method is the method of direct presentation , and aims to give the reader the sense of being ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis