Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 32–ի 1-ից 3-ը:
Էջ 4
... human per- sonality pursues its way . This explains the significance attached by Wordsworth to dreams in the Prelude ... human nature and human development in terms of the organic unity underlying the process of history , the ...
... human per- sonality pursues its way . This explains the significance attached by Wordsworth to dreams in the Prelude ... human nature and human development in terms of the organic unity underlying the process of history , the ...
Էջ 53
... human nature , human problems and human relationships , different novelists at different periods have adopted different devices and techniques to express their new vision . These usually resolve themselves on analysis into the further ...
... human nature , human problems and human relationships , different novelists at different periods have adopted different devices and techniques to express their new vision . These usually resolve themselves on analysis into the further ...
Էջ 133
... human nature and human behaviour . - Dostoievsky is another master at varying the duration of his characters . He produces his effects by presenting in great detail and therefore at a very slow pace the endless clashing of conflicting ...
... human nature and human behaviour . - Dostoievsky is another master at varying the duration of his characters . He produces his effects by presenting in great detail and therefore at a very slow pace the endless clashing of conflicting ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis