Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 33–ի 1-ից 3-ը:
Էջ 42
... incident is moreover only such as contributes directly towards the main development of a shapely and predetermined plot . All the longueurs , the heterogeneity and the irrelevances of life , the casual as distinct from the causal events ...
... incident is moreover only such as contributes directly towards the main development of a shapely and predetermined plot . All the longueurs , the heterogeneity and the irrelevances of life , the casual as distinct from the causal events ...
Էջ 82
... incidents insignifiants qui emplissent notre existence . Une choix s'impose donc ce qui est une première atteinte à ... incident scores upon the consciousness . ( 35 ) . It is only for such a writer that life does not present empty ...
... incidents insignifiants qui emplissent notre existence . Une choix s'impose donc ce qui est une première atteinte à ... incident scores upon the consciousness . ( 35 ) . It is only for such a writer that life does not present empty ...
Էջ 170
... incidents so varied , to maintain and control the chronology consistently is a feat reminis- cent of a juggler keeping a large number of balls in the air at the same time . Not the smallest incident but its date is given or can be ...
... incidents so varied , to maintain and control the chronology consistently is a feat reminis- cent of a juggler keeping a large number of balls in the air at the same time . Not the smallest incident but its date is given or can be ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis