Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 39–ի 1-ից 3-ը:
Էջ 50
... language provide enough words and arrange- ments of words even to hint at them ? The novel then , because of the limitations of its medium , can never come to grips with reality or truth or life or any other of these ' high - powered ...
... language provide enough words and arrange- ments of words even to hint at them ? The novel then , because of the limitations of its medium , can never come to grips with reality or truth or life or any other of these ' high - powered ...
Էջ 147
Adam Abraham Mendilow. can adequately express itself— language . For language , con- sisting as it does of bounded , discrete units cannot satis- factorily represent the unbounded and continuous . And one object of the novelist is ...
Adam Abraham Mendilow. can adequately express itself— language . For language , con- sisting as it does of bounded , discrete units cannot satis- factorily represent the unbounded and continuous . And one object of the novelist is ...
Էջ 155
... language is general , experiences are individual , and no balance between the two can be struck acceptably for ... language and logic , of causality and tense divi- sion , to bring about the immediate intuition of indivisible ...
... language is general , experiences are individual , and no balance between the two can be struck acceptably for ... language and logic , of causality and tense divi- sion , to bring about the immediate intuition of indivisible ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis