Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 14–ի 1-ից 3-ը:
Էջ 37
... limited number of recognisable types , the restriction of the infinite variety and gradations of human nature to a limited number of norms and aberrations . Human nature to be intelligible must be made referable to categories , as ...
... limited number of recognisable types , the restriction of the infinite variety and gradations of human nature to a limited number of norms and aberrations . Human nature to be intelligible must be made referable to categories , as ...
Էջ 107
... limited to sensations and thoughts and exclude all action . It would also obtrude the act of writing itself , and by specifying itself so closely in time would appear even more remote to the reader , for it would impress on him ...
... limited to sensations and thoughts and exclude all action . It would also obtrude the act of writing itself , and by specifying itself so closely in time would appear even more remote to the reader , for it would impress on him ...
Էջ 114
... limited to one person only in the novel ; on the other hand , the inflexibility and the various disadvantages attendant on the first - person novel are avoided . The use of the restricted point of view not only renders the reader ...
... limited to one person only in the novel ; on the other hand , the inflexibility and the various disadvantages attendant on the first - person novel are avoided . The use of the restricted point of view not only renders the reader ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis