Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 26–ի 1-ից 3-ը:
Էջ 28
... literature possesses of succession , simul- taneity and coexistence . Whether the perceiving mind actually apprehends these effects simultaneously or is only under the illusion of doing so is a problem for psychologists . Thus , it is ...
... literature possesses of succession , simul- taneity and coexistence . Whether the perceiving mind actually apprehends these effects simultaneously or is only under the illusion of doing so is a problem for psychologists . Thus , it is ...
Էջ 151
... literature , and fiction most particularly of all forms of literature , must be based on a kind of contract of error between the deliverer and the receiver ( 17 ) Such and similar speculations on the nature of language , symbolism ...
... literature , and fiction most particularly of all forms of literature , must be based on a kind of contract of error between the deliverer and the receiver ( 17 ) Such and similar speculations on the nature of language , symbolism ...
Էջ 236
... Literature differs however from music , even from pro- gramme music , in being a representational time - art ; as such , its themes are concerned with the process of living , with events which , whether they are physical or mental ...
... Literature differs however from music , even from pro- gramme music , in being a representational time - art ; as such , its themes are concerned with the process of living , with events which , whether they are physical or mental ...
Բովանդակություն
The time and the space arts | 3 |
The time problems of fiction | 30 |
The conventions of fiction | 39 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic behaviour causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance simultaneously Sterne story structure suspense symbols technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis